Where does to the sky kingdom start? Why can't Jinjiang search?

Jinjiang said she was supervised for plagiarism.

Qi Tang said earlier that she would write four books in the "Sansheng Stone III" series. The first book is naturally her pioneering work to the sky kingdom, written by YeHua and Bai Qian, followed by three books, one about Donghua and Jiu Feng, one about Song Lian and Cheng Yu, and the last one about Mo Yuan. At that time, I was fascinated by Mo Yuan. It was the finale at first sight, and I mourned for a long time. ?

Two years later, Qi Tang wrote "Time is Two Flowers" with honey mixed with dog blood, and in the second half, he wrote "Hua Xu Yin" with a stunning opening and full of nonsense. Finally, he returned to his old job and wrote Sansheng, so he published the book Sansheng Stone Three Pillow Letters. ?

This book is really fierce. Visually, it can be regarded as Qi Tang's worst work so far. After reading the complete book, my feeling is that 70% of the Tang Dynasty was defeated by its own consistent style. ?

If you want to fight your way out in the mountains and rivers of books, you must have your own sharp style if you don't really open your mind and return to simplicity. Just like Wong Kar-wai's words that we often laugh at: I am XXX, and Gu Long's words that he thinks he is handsome and cool are actually crazy: one knife, one knife, one knife that kills people ... But he has to admit when he smiles that they are blind, just like the Longmen Inn in the yellow sand of Wan Li, which is the only one without semicolons. ?

Qi Tang also has its own unique style, which has been used ever since to the sky kingdom. ?

One of her styles is that the narrative language is full of cold jokes, and such examples abound:

For example, in "Ten Miles of Peach Blossoms", Bai Qian described YeHua's cabbage and radish soup as "rich in spices and complicated in procedures, which should make the vegetation sad and the clouds discolor"; Another example is to describe the fate of Yuan Zhen's younger brother: "This kind of ups and downs, the fate of flowers growing on various trees, Yuan Zhen's younger brother is a legend all his life." ?

In China, she said that Shen An fell in love with Shen An because he beat her. This is also the reason why martial arts became popular later-there are more and more powerful girls in the world, and powerful girls basically have a lonely heart when looking for husbands. ”？

Especially in "Time is Two Flowers", various jokes are used to the extreme, such as: "My tutor took the lead in catching a cold because he went to the farmhouse to play mahjong on Sunday and didn't wear clothes. His four clever apprentices, three who can play mahjong, were arranged to accompany him to the hospital, and the only unlucky one who can't play mahjong was arranged to help him with a freshman modern Chinese class. That unlucky guy is me. This story deeply taught us that it is very important to learn to play mahjong in this society where people know each other but don't know each other. " Unfortunately, after reading More Time than Two Flowers, it seems that there are only jokes left. ?

The second style is that basically only two types of leading men are written, namely YeHua and Mo Yuan. The hard ones are YeHua, such as Qiao Lin, and the gentle ones are Mo Yuan, such as Qin Mo. Of course, there are two cross characters. His name is Su Yu, just like YeHua, and Mu Yan, just like Mo Yuan. Others, such as Rongyuan and Shenan, are almost the superposition and evolution of these two modes. ?

Moreover, when writing the protagonist, Tang Qizi has a characteristic that he only writes a silhouette. YeHua is a dark black robe with black boots and looks cold. Su Yu is wearing a crane and holding a 24-bone umbrella, which exudes plum blossom and Leng Xiang. He wrote the only indifferent look of Rong Yuan in the moonlight, only the moment Rong Yuan returned to his sheath, when his hair band broke in March and his hair was scattered. A falling cherry blossom was cut in half before her eyes, which was very natural and unrestrained. There is only one close-up of the hero's hand. Without exception, his hands are slender, his joints are symmetrical and cold. ?

The third style is that the heroine is nervous without exception. Therefore, we can calmly tell the tragedy of life with cold jokes and form a strange style of writing. ?

Seven Sons of the Tang Dynasty runs through these patterns from beginning to end, except for a slight change in China, that is, in the previous stories, the hero and heroine were put aside, and the fragments of dreams revealed by Hua Xu were pieced together into sad fragments of love and hate. Therefore, when I first read Chinese, I was really deeply moved. Such a wonderful idea, the combination of reality and reality, the dream state of mind and flashback, these complicated narrative techniques are actually played out by Qi Tang. Just no tension. From the beginning of Blank Snow, this stunt developed out of control, and the article was obscure and inexplicable. This is another story. ?

But when it comes to pillow writing, Qi Tang's model seems to be at the end of the road. ?

Linguistically, I still want to take a cold and humorous style, but unfortunately, it's just cold and not humorous. Even some funny but deliberate jokes like "years" are omitted. There is no humor and meaning, only procrastination, and there are not many plots after writing the story. ?

The hero is still cold, and the heroine is still nervous. It's a pity that Donghua Emperor is a little cold, and he doesn't have the handsome and fierce style of YeHua. Jiu Feng is not only nervous, but also stupid. He is only one step away from playing dumb. Even Bai Qian, who came to make soy sauce, has lost Shen Feng in Ten Miles of Peach Blossoms. I'm afraid the only one who can keep the standard is playboy Song Lian, perhaps to lay a good foundation for the next Shenglian Bu. ?

"Thirteen Langs in the South China Sea" once said: "Those who learn from me will live as if I were dead!" In On the Pillow, Qi Tang didn't even reach her old level. She lost to herself this time. ?

I went back to see 20 10, when Qi Tang wrote a wedge and threw it into the hole of "Shenglian Bu". At the beginning, it says that before she died, Red-violet generate was angry, and with the ethereal flute in the clouds, even the white silver armor of Song fell, cutting the need between heaven and earth. The combination of light, shadow, sound, color and shape is necessary, far better than pillow books. ?

I can't help thinking, if the writing attitude is not perfunctory, is this Jiang Lang's fatigue? Otherwise, why is the pen writing worse than before? I would rather be the former. When I review the original text carefully written by to the sky kingdom:?

"One is willing to get drunk and forget the past, and the other is willing to dry up. The figures I see seem to be right and wrong; Those forgotten past events are also true and illusory. Ten-mile peach blossoms burn the eyes, but how can they beat them? I picked up your face from the dust ... "

I really think, as a reader of Qi Tang, I just hope that the next book will not be a book with a nice cover.