Comment on the curse of the wind, whether the national football team is or not.

The recently released "Wind Curse" was originally a particularly optimistic summer dark horse, but after watching the movie, I still feel a little unsatisfactory.

Rhyme of the Wind is the first big-screen work of Ruosen Company. Previous martial arts anime dramas, including Xia Lan and Painting the Jianghu, have a good reputation, so this film adaptation should be full of high expectations, which may not be as good as The Return of the Great Sage. But in addition to the basic technical clearance, perfunctory plot and too many shadows of other films, this film still makes people sigh in the end. Unfortunately, this time,

The integrity of the story is well done, thanks to the main line. In fact, the two sentences have long been clean, but many turning points are too blunt to be set for you to accept, such as the appearance of Xia Lan, Ye Jia's intention and sober awakening, which are all fatal injuries that disrupt the rhythm of the film. Without the foundation of Xia Lan, the audience really can't stand it.

At the beginning of the film, people laugh with all kinds of lines that break the third wall. First of all, I think we have done enough comedies and animations like "100,000 Cold Jokes". A martial arts animation that tells an adventure story should pay attention to sorting out the context. From the very beginning, Rhyme of the Wind used some topics and titles that were extremely unsuitable for children to make fun of the jokes. From the beginning, the country was lowered to cater to youth, but the content was not young. This is a very contradictory existence. Just looking at the posters, the hand-painted color pictures with chivalry in literature and art are very eye-catching. It is absolutely profitable to make a martial arts animation that is not funny, nonsense, story and accent.

The story behind the movie is even more embarrassing. The heroine Uber is a role that makes people feel good, but on the one hand, the role is not three-dimensional, and the only meaning of living is to retrieve the previous memories, which is too cold. Secondly, if she has any shocking secrets to remember, but there are none, all her motives are meaningless. Then the two partners tried their best to save people, and then the woman died and the man broke out and defeated the villain. Then erase people's designs from the beginning and look at them again. This kind of double-matching waste setting does not need too many days to compare, just like the return of the Great Sage, exactly the same. It's nothing if it's before the Great Sage returns, but it's probably meaningless to have been to the same country once and take it again in a different background.

This is just the main line, and there are more imitations of the details of the sub-line. At first, the mother and son in the town were a fiery one, a naughty one, copying Li Xiaoyao and his aunt, copying Spirited Away's mother who was turned into an animal, copying a monster to hunt, copying a man who was pregnant, copying the Lion King, which was ridiculed and reviled by everyone, copying Xuanyuanjian, copying the gluttonous resurrection and meeting the reincarnation of the female host. What really touches us is the familiar shadow in memory, not this movie. By grafting some classic bridges together, we can stand on the shoulders of giants. The creative source of martial arts stories has always been a fertile ground that can be well developed. There is no need to play so fast.

There are several points in the plot that are also well done. One is the imaginary reason why the eggs buried at the end of the village statue eat the gyro by mistake. But at the same time, these two burdens are also buried particularly badly. The former takes up a lot of space to make a fuss about irrelevant topics such as Village, Wang Fugui and Sacrifice, while the latter is more appetizing for the audience to see how the protagonist shits. These two rumors add up to make the film look less compact, though. In fact, the last scene of Uber's reincarnation (or amnesia) is still touching. The unfinished sentence turned into a "dead blind man" when it came to goodbye. Thinking of the nickname "dead blind man" that Uber wanted to say before he died seems to have touched the soft underbelly of adults at once. In this way, everything is as you wish, but it is more advanced than Xuanyuan sword.

As far as this film is concerned, Guo Man's animation special effects are quite good. I am particularly impressed by the fine hairs and wrinkles between my fingers, and the scenery is quite characteristic of China. All the other mountains are dwarfed under the sky. Blood hibiscus trees in Xiaoyanggang and Jiugongling. The atmosphere of mountains and rivers and the mysterious world of green fields make the form of Guo Man's martial arts extremely pure and not integrated into the real core of the story.

Looking back at the past few years in China, the return of the Great Sage, the Big Fish Begonia, the Great Protector and the Great World have all done quite well, which has always made me feel that there is a spell of "big". Sure enough, the quality of the wind spell is mediocre, and there is no such name as "big windmill". Thankfully, China's class made the Wind Curse from skin to bone, and we can see that Guo Man is getting better step by step. There is no shortage of technology in domestic movies now. I especially hope that we also have an animation like Pixar to make the audience burst into tears. Now there are so many excellent animators with feelings, and the future of domestic animation can be expected.

Finally, the scene of the ending song "Ignorance" with eggs can be said to be fruitful.