Beautiful sentences of Uygur dance

1. What are the sentences describing Uygur dance? 1. The melodious flute blows gently, the girls are good at dancing with long sleeves, countless delicate petals are dancing gently between heaven and earth, and the fragrant flowers are fascinating. These hundreds of beautiful women have blossoming buds scattered around. In the rain flower, a beautiful girl in white appeared like an empty valley and a secluded orchid. With her graceful and ethereal dance and wide sleeves, her beautiful face is set off. Everyone was so absorbed in her beautiful dance that they almost forgot to breathe.

The plates and drums of the festival have been set, and the dancers are dancing calmly and comfortably. Her heart roams in the boundless space and thinks freely. The first action, like bending over and looking up; Like coming and going. It is so elegant and melancholy that it is difficult to visualize it in words. Then dance, like flying, like walking; Like a sharp position, like a tilt. Casual movements will never lose their statutes, and hands, eyes and posture should be accompanied by drums. Slim Luo Yi fluttered in the wind, and the long sleeves that filled the air crossed left and right. An endless stream of gestures fluttered and scattered, and the tortuous figure and hands and feet merged together.

3. Some leaves have fallen off the tree. These dancing elves sometimes spin their light bodies and sometimes sing a hurried song. Their life is like a flash in the pan, but behind the wonderful scene, there is the call of death, but they are not afraid, bravely throw themselves into the arms of Mother Earth and wait for the birth of a new life!

2. Uyghur Dance Appreciation Fragments Uyghur Dance Uyghur folk dance has: trembling rhythm, changeable dance posture and superb skills.

Its trembling rhythm and regular and continuous vibration of knees reflect the characteristics of walking in the desert; The changeable dance posture lies in its extensive absorption of the advantages of western music and dance; The application of skills is to inherit and develop the skills of jumping, rotating and waist-closing in "Hu Teng Dance", "Hu Xuan Dance" and "Zhezhi Dance". The "Maixi Repu" held frequently in their lives is the legacy of "drinking and dancing" in the western regions.

The word "Maixirep" means "gathering and entertainment" in Uyghur, which is an activity where people get together to improvise, dance and sing. The activities are hosted by the elderly, who often tell poems, puzzles and jokes in the process. After music and singing begin, people invite each other or dance and improvise automatically. The host also prepared some fruits and food for musicians and guests.

Lively young people often make a fool of themselves, or perform small programs such as "goat dance" and "goose dance" to enliven the atmosphere. In the "goat dance", the performer dressed as a goat with simple props quietly came behind the crowd sitting on the carpet, first called out "baa-baa-"twice, then jumped into the venue with the music, performed eating grass, drinking water, grinding horns, and then used the horn, which always caused small commotion and laughter.

In the "Goose Dance", the performer turns the leather coat upside down, retracts his right hand into his sleeve, ties up his cuffs with red cloth to make a goose's mouth, and dresses up as a goose. With the music, people often sing praises or derogatory words to the music. When the "goose" hears the praise, it dances happily. Instead, he pecked at the person who slandered him with his mouth and acted funny and lively. This kind of folk activity is the legacy of music and dance in ancient western regions, and it is also an opportunity for young people to learn their own customs and manners, learn folk dance and improvise.

Other dances, such as "Sainaim", "Duolang Dance" and "nazir Qom", are also often performed in "Masire". "Sainaim" is a kind of performing dance form of Uygur people, which is widely spread all over Xinjiang.

The word "Sainaim" is a general term for this kind of music and this kind of dance. People are used to putting the names of regions first, such as "Kuqa Sainaim", "Kashi Sainaim" and "Hotan Sainaim". The performance forms in different places are similar, but there are obvious differences in music and dance styles.

Its form is also free entry, mutual invitation and improvisation. There are often actions such as "snapping fingers" (two fingers snapping), "moving neck" (moving neck), "raising eyebrows" and "moving eyes" in the performance, which reminds people of the description of Hu Dance in Tong Dian by Tang Duyou. Think of the famous Tang poem "Raise eyebrows and move eyes on the carpet" (Li Duan's "Hu Tenger").

This is the remains of ancient music and dance culture in these areas. "Duolang Dance" is popular in Mohammad, Bachu and other places on the edge of the great desert in Tarim Basin.

The word "Duolang" is the self-name of Uighurs in this area, and it is also the name of dance form. This dance is accompanied by Dolan Muqam (a large divertimento) and accompanied by a high-pitched male voice. The form of performance is duet, and the number of participants is limited.

The performance is divided into four groups: the first group is 6/8 beats, with a gentle rhythm, but with a sense of jumping, especially the trembling of the knees; The rhythm of the second and third groups gradually turned faster, the dance was bold and powerful, and the movements were standardized and rigorous, including dances similar to "bending bow, riding and shooting"; The fourth group is Allegro, and the two danced competitively, pushing the performance to a climax. At this time, everyone applauded and cheered, cheering for it until there was one person with the highest spinning skills left.

The trembling rhythm and high-pitched and almost shouting songs throughout the whole dance remind people of the scene that the ronin overcame drought and struggled to open up an oasis on the edge of the desert, and they are also amazed at the oasis dance culture they created. Nazir Qom, popular in Huozhou, an ancient western region, is a duet with strings and songs, which is divided into two parts: general performance and competition.

The former simulates Lamian Noodles, shoes and duck walking with funny actions. And imitate each other in an exaggerated way. The latter two each made a new move to overwhelm the other, and everyone shouted inspiring words such as "Strong generals meet each other" and "Quick new move".

At this time, the performers show their magical powers, or "move their shoulders against each other", or "squat, jump and rotate their knees", which is quite similar to "black bear fighting dance"; But the rhythm of the drum is the same as the "end point" of "Yangko". This is related to the fact that Turpan has been inhabited by many ethnic groups since the Tang and Song Dynasties and has the legacy of ancient music and dance. It is the result of the mutual influence and absorption of various dance cultures, and it is also a portrayal of the harmonious coexistence of all ethnic groups today.

Uighurs are known as a nation that can sing and dance well. For generations, Uighurs have been singing and dancing in happy festivals and leisure time to express their feelings.

There are several common forms of Uygur folk dance: Sainaim is the most common form of Uygur folk dance. It is widely circulated in towns and villages in the north and south of Tianshan Mountain and is deeply loved by the masses.

On festive occasions, weddings and gatherings with ordinary relatives and friends, they all dance Senem. Multi-wave dance is a folk dance with a long history, complete form and bold movements, which retains traces of hunting and war life and shows the heroic and combative character of Uygur working people.

This kind of dance is popular in Mohammad, Bachu, shache, Awati and other areas along the Yarkant River. Dolan dance is basically a two-person dance form, and now it retains four groups of movements, and finally the competitive rotation.

Sama dance is a folk dance that Uygur working people collectively dance during the Spring Festival. Its simple and powerful movements are mainly popular in Kashgar and shache. Xiadiyana dance, which means "joy" in Uygur language, is a kind of Uygur folk collective dance in festivals and grand gatherings, which is popular all over Xinjiang, especially in southern Xinjiang.

Nazirkum is a unique folk dance of Uygur, which originated in Turpan and is popular in Shanshan, Toksun and Hami. It is the most wonderful performance in weddings, festivals and other days or "Maxi Milijev" parties.

There are some folk dances with props in traditional Uygur folk dances.

3. Describe Uygur dance, with movements from head, shoulders, waist, arms, elbows, knees and feet, and vivid eyes are more representative.

In addition, a series of small decorations such as "moving neck", "snapping fingers" and "turning wrist" have formed the characteristics of Uygur dance. The basic characteristics of Uygur dance: emphasizing the sense of standing, being tall and straight, giving people a sense of arrogance and extroversion.

The formation of this posture is formed by the norms of Kangbahan, the first dancer, outstanding dancer and educator of Wuer nationality. The basic characteristics of Uygur dance rhythm: Wuer dance rhythm, which is treated with syncopation, dot rhythm and weak beat.

For example, the wrist winding in dance movements, the "head-lifting" and the back kick in the "three steps and one lift" are all done in a weak beat to highlight the charm and national characteristics of dance. The basic characteristics of Uygur dance rhythm are the regular continuous shaking of knees and the instantaneous shaking when changing movements, which makes its movements natural, natural, elegant and soft.

(Good at using head, eyes and wrists) The basic characteristics of Uygur dance skills are waist skills and fast rotation. (Waist skills include board waist, side waist flashing, fast waist softening and slow waist control, among which side waist flashing is more common and unique in dance.

Rotation emphasizes "sudden movement and sudden interest", which is different from other folk dances in that it is fast and powerful in starting and fast and steady in stopping. )。

4. Describe Uygur dance, with movements from head, shoulders, waist, arms, elbows, knees and feet, and vivid eyes are more representative. In addition, a series of small decorations such as "moving neck", "snapping fingers" and "turning wrist" have formed the characteristics of Uygur dance.

The basic characteristics of Uygur dance: emphasizing the sense of standing, being tall and straight, giving people a sense of arrogance and extroversion. The formation of this posture is formed by the norms of Kangbahan, the first dancer, outstanding dancer and educator of Wuer nationality.

The basic characteristics of Uygur dance rhythm: Wuer dance rhythm, which is treated with syncopation, dot rhythm and weak beat. For example, the wrist winding in dance movements, the "head-lifting" and the back kick in the "three steps and one lift" are all done in a weak beat to highlight the charm and national characteristics of dance.

The basic characteristics of Uygur dance rhythm are the regular continuous shaking of knees and the instantaneous shaking when changing movements, which makes its movements natural, natural, elegant and soft. (Good at using head, eyes and wrists)

The basic characteristics of Uygur dance skills are waist skill and fast rotation. (Waist skills include board waist, side waist flashing, fast waist softening and slow waist control, among which side waist flashing is more common and unique in dance. Rotation emphasizes "sudden movement and sudden interest", which is different from other folk dances in that it is fast and powerful in starting and fast and steady in stopping. )

5. Uyghur Dance Uyghur (Northwest) dance is characterized by its close combination with folk music. When dancing, the head, shoulders, waist, arms, elbows, knees and feet all move, and there are a series of small gestures such as "moving neck", "hitting fingers" and "turning wrist", especially vivid eyes. All these have formed the distinctive features of Uygur dance.

Uygur dance can be roughly divided into self-entertainment dance, ritual dance and performance dance.

"Sainaim" is a kind of self-entertainment dance, and "Sainaim" should be danced at festivals, weddings and gatherings of relatives and friends. "Sainaim" dance is free and lively, and there is no fixed program. Dancers can improvise and turn off the music rhythm. They can dance alone, in groups of two or in groups of three or five. The noise of human voices and drums pushed the fiery atmosphere to a climax, which made all the participants extremely excited and excited.

Another distinctive dance is "Duolang Dance", which is a folk dance with a long history, complete form and rough and bold movements, and is deeply loved by the Uygur people. "Duolang Dance" comes from the Duolang area of Tarim Basin (northwest of China), and its dance form is rigorous. At the beginning, the dance was dominated by two people, and the logarithm was not limited. You can't leave halfway before the competitive rotation begins. With the acceleration of the drums, the dance speed is becoming more and more intense. From two people to the scattered competitive rotation, there is only one person left in the middle. In the cheers of the crowd, "Duolang Dance" reached its climax and ended. Dolan dance is accompanied by Dolan Muqam's music from beginning to end.