The main works of Di Ribar

Lucia in lucia in Latin America by Donizetti, adina in Ethylene Glycol of Love,

Mary in The Girl in the Army; ; Norina of Don pasquale

In Mozart's Night of the Magic Flute; Daisy Bina in Woman's Heart, Selena in Blonde and Blue Eyes, and Don Juan in The Harem Escape.

Gilda in Verdi's opera The Clown, Oscar in Masquerade, Angelica in Nannetta Haydn and Orlando Palladino;

Loretta in Puccini's Ghianni Schicci;

Lisa in Bei Lini's Sleepwalker: aminah

Hua Xian in Wagner's parsifal;

The nightingale in Stravinsky's The Nightingale;

Lakshmi in Delib's Lakshmi;

Lin Xiawei in Rossini's The Barber of Seville,

Sebinetta in Strauss's Ariadne of Naxos;

The Puppet Olympia in Offenbach s The Story of Hoffman;

Sophie in Masnier's Young Werther;

An Xian in Weber's Free Shooter;

Yang is in Huang Zu's "Mountain Village Female Teacher". (This drama is the first China opera starring Di Ribar and the first realistic China opera originally created by the National Centre for the Performing Arts, which premiered at the Beijing National Centre for the Performing Arts at 65438+ on the evening of February 22nd, 2009).

Naer Guli in Jin Xiang's love songs. (This drama is a Xinjiang national opera specially customized by China famous composer Mr. Jin Xiang for Di Ribar. It premiered at the Beijing National Grand Theatre on the evening of August 10, and was held on August 20 10).

In addition to opera, he also cooperated with world-famous conductors and symphony orchestras in hundreds of concerts. He has traveled to Sweden, Denmark, Norway, the Netherlands, Italy, Germany, Austria, Switzerland, Spain, San Marino, Britain, the United States, Canada, Israel, Turkey, Malaysia, Japan, Singapore, Taiwan Province Province, Hong Kong and the Middle East. Wherever he went, he became the focus of local TV stations, radio stations and various media. She has cooperated with the following opera houses: Finnish National Opera House, Swedish Malmo Opera House, Stockholm Opera House, Bonn National Opera House, Hamburg Opera House, Berlin National Opera House, Bremen Opera House, Dü sseldorf Opera House, Frankfurt Opera House, Gothenburg Opera House, Munich Opera House, Salzburg Opera House, Bavarian Opera House, Italian National Opera House, Venice Opera House, Amsterdam Opera House in the Netherlands and Vienna Opera House (it is here that Duribert is famous for its unique "smallness".

Wherever he went, Di Ribar never forgot that he was a singer trained by China. When she is open to all kinds of honors and praises, her greatest wish is to often return to the motherland to sing, so that domestic audiences can share with her those honors and praises that she thinks belong to the people of China ... Author: Zhao Shimin Time: 2000.

I got a written statement from writer Wang Meng, and I'm a little worried. I'm afraid that reading the complete text will make Di Ribar, who is sitting next to me, unable to eat. In the speech, there were criticisms that she turned back and forth the music score in last night's performance, which made the audience sad. I thought Wang Meng and Di Ribar were friends, so I read them directly. This is a forum held after the first "Famous Music Reading", and I was entrusted to preside over it. Unexpectedly, after I finished reading it, Di Ribar smiled first, which was the kind of embarrassed smile. His face flushed bright, reflecting the bright eyes. Then she admitted her mistake and said that she would try her best to master the music score and express the composer's intention as much as possible in the last two performances.

I think Di Ribar is a little wronged. According to the convention, she needs to get the music score one year in advance to perform. But this time it took less than a week from receiving the soundtrack to performing on stage, and there were only two rehearsals. The work is Mo Fan's symphonic cantata Ode to Luoshen, written on 1999, which lasts more than 40 minutes. I was there during the rehearsal and the performance. Di Ribar's homework is the most serious and effective, and he "rummaged through the music" during the performance to help the tenor. Throughout the performance, Di Ribar sang the best. If you close your eyes, it's hard to imagine that this is her first new book, and she only rehearsed it twice. No wonder Bian Zushan dismissed Wang Meng's criticism at the meeting: "You pay attention to music, why do you always watch her turn over the music?" Nevertheless, De Ribar accepted all the criticism. She said: "I will accept any sharp criticism as long as it is conducive to my better progress."

1999, Di Liebaier, who is already an international superstar, is still taking a class with Mr. Li Jinwei. "Whether I accept a new opera performance or prepare a new concert, I always ask Mr. Li to give me lessons until the end of my first performance."

Everyone in the circle knows that Miss Li has sharp ears, but she doesn't necessarily know that her mouth is better. If you want to let Mr. Li attend class, you must always hear accurate criticism. In foreign countries, there are too many good words from peers, commentators and journalists. "It's also Teacher Shen-later, it's also Teacher Li's strict requirements and sharp criticism for me for more than 20 years, which keeps me awake all the time, and I will always make progress in art," Diliber said.

I have been following Di Ribar's performance for fifteen or sixteen years. Listening to Di Ribar's singing, your heart is firmly in your stomach. The ebb and flow of your life, accompanied by her singing, suddenly rose to the sky, allowing you to appreciate the mystery of the upper bound, and suddenly went to the sea, intoxicated by the deep blue sea. Sound is as pure, slender, transparent, warm and ubiquitous as laser.

Di Ribar has been back to Beijing several times, but he didn't have time to talk at first sight. It was not until during the Spring Festival in 2000 that Di Ribar was stopped by Qian Cheng that she performed the concert "Famous Works of the Past" with surprise. Near New Year's Eve, Qian Cheng came forward, and I could have a deep talk with her. It's already midnight, and we are the only table with red candles in the whole clavichord cafe. Duribert likes candlelight, her face is red, and her eyes are watery under candlelight. I said, "I've played with you for more than a dozen times, and sometimes it's uncomfortable to catch up with you." But you are not affected at all, and you are still playing normally. Up to today, I haven't seen your graduation concert. I want to know, do you have special powers? If it were someone else, the sound would have been early. "

Duribert said: "I used to train myself to sing in various occasions, including different venues and different physical conditions." Because you are an actor, you must present your best artistic level to the audience. You can't ask the audience to forgive you for being sleepy just because you have a bad voice or jet lag today. In fact, when you ask the audience for forgiveness, you are also losing the audience. For more than 20 years, I have participated in thousands of performances and never missed a performance. Of course, it can make me play normally under any circumstances, and I have to thank Mr. Li Jinwei of Shen Xiang for teaching me the correct singing method. Is the way that has helped me for so many years. "

It is true that Di Ribar didn't miss a performance, but she cancelled the scheduled performance. It was1June, 993, and her tutor Professor Shen Xiang passed away. On the day of the bad news, Di Ribar asked for leave from the Finnish Opera House and went back to Beijing to attend the funeral. Di Leibel said with tears, "I was trained by Shen Xiang in China. Without him, there would be no me today, let alone my cooperation with your firm. I want to go back and do my duty as a disciple. " The leaders of the hospital were moved by Di Ribar's true feelings and approved her leave. The performance that she can't attend is not considered as a breach of contract. You know, their performances are all signed one year in advance. If they break the contract, they must pay a large fine, usually several times the appearance fee. I was there that day, and the farewell room was filled with Verdi's requiem. Di Ribar walked slowly to the front of Shen Xiang's body, made three deep bows and walked out of the farewell room. She couldn't help crying. She told Guangming Daily reporter: "Mr. and Mrs. Shen Xiang went to Xinjiang to give lectures. 1979. They found me and took me to Beijing with great efforts. First study, then transfer to undergraduate course, and then go to graduate school. I have been studying with him. Not only did I learn the best singing from him, but his personality and artistic accomplishment also influenced me. He treats me as a minority student better than his own children. Shen Xiang is great. He is a master and his level is world-class. "

It's a day for teachers and students.

Duribert said: "An opera singer should not only always overcome physical discomfort, but also give his best performance. Always keep great pain in your heart and bring laughter to the audience. This is difficult for ordinary people to understand. "

I think of an opera "The Clown" written by Leon Cavallo. The protagonist endured the pain of his lover's betrayal and put on a clown's appearance on the stage to amuse the audience.

Duribert took a sip of tea and then said, "On New Year's Eve three years ago, I was going to a New Year's concert. Is China New Year coming? I want to call home and say hello. But no one answered. Half an hour before the show, I finally got through. My sister-in-law answered it. She didn't speak, just cried. I asked her for a long time before she said that her mother had died. Hearing the news, I burst into tears. My wife didn't understand what I told my family and thought I was laughing. He anxiously pointed to his watch and said that the performance was coming soon, and you called to laugh. It was not until he saw my tears that he knew something was wrong. He was cheated when I told him about it. What shall we do? At this time, there is no body double at all. The audience enters the venue, not singing, not to mention, because my 40-minute program accounts for almost half, and the audience buys tickets at me. Finally, I decided to go. I arrived at the theater five minutes before the performance, and only put on some lipstick before I went on stage. Only a few leaders in the war zone know about it. I went on stage and sang hard. "

I asked, "What track did you sing?"

Duribert said: "Strauss's sound of spring and Christmas song Jingle Bells are both cheerful and happy songs. I didn't sing the wrong notes. After singing, the excited audience threw flowers at the stage. After a while, the stage turned into an ocean of flowers, and the applause of the audience wouldn't let me go. I thanked the audience more than ten times. After the performance, the actors in the theater sprinkled champagne and sang and danced. I must accept their congratulations. I don't want to go home after midnight. I walked in the street, crying, laughing and crying. "

I asked, "Why are you still smiling?"

Duribert said: "I felt a little insane." Since there is an idiom "cry for joy", there should be a relative "smile for joy".

Duribert said, "I happened to have a long vacation this time, so I came back to visit my parents and visit their graves. My father passed away earlier. I am very grateful to them. They gave me a better education since childhood, respected my hobbies and supported me in learning to sing. In addition, I want to see my classmates in primary school when I come back this time. Although all those primary and secondary schools have been demolished, I also want to see those corners. I went to Urumqi after finishing high school in Kashgar. Some people say that you are old because you always want to visit the places you visited as a child. People don't love catching up until they reach a certain age. I remember crying when mom and dad quarreled. Dad took part in the revolution very early. He was in XXX's prison and was locked up again during the Cultural Revolution. He is a faithful believer in Marxism-Leninism, and he has translated many Marxist-Leninist works in Uighur. When he learned that Xinjiang Song and Dance Troupe didn't want me, it was not because I didn't have enough conditions, but because his problems were affected. He was very sad. In order to get me into the song and dance troupe, he asked me to write a resolution to draw a clear line with my family. "

Qian Cheng took out a new record of Dilibar and asked the waiter to play it in the coffee shop. Chatting with her in the atmosphere of her singing is really hard to get, beautiful and kind.

I asked, "Have you ever been bullied for acting with so many opera houses outside?"

Duribert said: "I was originally scheduled to be Lin Xiawei in Group A in the performance of The Barber in Seville, and a Finnish blonde played this role in Group B. During rehearsal, she always leaned against the director. One day at the all-actors' meeting, the director announced that Lin Xiawei was blonde and played Sister A, so I became Group B. I immediately asked: Why? Is it because I can't sing as well as her? The director said he wanted a blonde Lin Xiawei. I said, they are all experts, and everyone knows what kind of hair they want. Wearing a hood can solve the problem. The director supports, uh-huh, saying that in short, such people are needed to play Group A, and the director is a big thief. I know he must have been hit by a bullet. I said, then I won't play this play. The director said no again, I have to act. This director is so famous in Europe and America that even the dean is afraid of him. The dean also advised me to bear with it and sing group B instead! A rehearsal, I finished singing, the director said, I really feel bad. Di Ribar sings so well and belongs to Group A, but that blonde slept with me again. "

I said, "Did you sing Group A again?"

Duribert said, "Listen carefully. He decided to let her sing Group A. In this rehearsal, he and I were stronger, and other actors were worried, because the director was always uncompromising and no one dared to challenge him. Finally, the official performance, let me watch the first scene of Group A, I arrived at the theater ahead of time and was walking to my seat. I was stopped by the theater leader and asked me to make up quickly. I said, isn't it Group A today? I will play tomorrow. The leader said that the audience bought tickets for you, and finally decided that you should sing Group A. After the performance, the director said in front of all the actors, "Let me sing in his opera house. He said to others privately, "This little thing is very powerful. Although she is small, she has a very large capacity."

I said, "You are from China. You are robbing foreigners of food. Aren't they anxious with you? "

Duribert said: "My heart has been looking forward to my death! Although on the surface they sent me flowers and praised me. But no matter how much my colleagues hate me and wish I couldn't perform when I was sick, they always asked me privately. Who did I learn it from? Where do you study? I said I was studying in China, and my teacher was Li Jinwei from Shenxiang. They especially envy me for having such a good teacher. Once Sutherland's husband met me. He is a very good vocal educator. He teaches Sutherland. He said my teacher was great. He told the person in charge of the theater that Di Ribar is the best coloratura soprano in the contemporary era. Don't use her too much. There is only one opera house in Di Ribar. "

I said, "Your earliest love was suppressed, and then you came to Beijing. I want to say that your marriage and love are quite tortuous. Can you talk about your feelings in this regard? " Duribert said, "Some people get married as a means. In order to achieve a goal, when you can achieve my goal, I will marry you. Once it is achieved or impossible, I will immediately find the next person to marry. This is abroad, and some people are like this. I got married for love and a warm home. Isn't it because I took love too seriously that my first marriage was full of twists and turns? Then we went out, and when we walked, we diverged. We didn't quarrel, and we didn't quarrel. Just say goodbye. I think our fate is over. I advised him to find someone who loves and cares about him again, and my life should start over. I need a husband, too. I can't live alone. Later, I went to the Swedish Opera House to perform alone and met my husband now. We have been married for six years. He likes China culture very much. He eats with chopsticks and cooks Chinese food. But we don't spend much time together. I fly all over the world, perform operas and give concerts. He can't stay with me all day. He is the leader of the theater and is very busy with his work. Often when I am at home, I don't know when I fell asleep until he comes back. We have a lot in common in artistic pursuit. Of course, every time he watches a performance, I naturally have to listen to his opinion first. Because he is my husband, he won't just say good things to me like his peers or fans. He will honestly evaluate my performance. From 65438 to 0996, he went to Xinjiang with me. He can go up and down and go deep into remote minority areas. When he came back, he said with emotion, we do, but you don't. You do, we don't. This is fair. "

I said, "A friend of mine once went to Finland and watched TV on the plane to introduce Finnish national treasures, including you. How did you become Finland's national treasure? "

Duribert said: "Finland attaches great importance to opera. I played the opera instead of them. They think this is the pride of Finland. At this time, I took a Finnish passport, which was specially approved by the president. This is to facilitate the world tour. I always thought I was from China. In 2000, I lived in Sweden. In a festival, a celebrity in Sweden held a reception, which was attended by diplomatic envoys from various countries. The Finnish ambassador dragged me to everyone and said, "Di Ribar is our national treasure in Finland, and the man immediately went on to say that she is also our national treasure in Sweden. I was very unhappy when I heard that. Actually, I'm from China, and I'm the product of several generations of vocal educators in China. Therefore, as long as there is an opportunity and domestic invitation, I will come back to perform. Like this time, I will try my best to sing "Ode to Luo Shen", although there is not enough rehearsal time. Next, I'm going to retire from my personal concert with Qian Cheng. Besides opera arias, I can also sing China art songs and folk songs with various flavors. "

I said to Qian Cheng, "Not only Beijing, but also Shanghai, Guangzhou, Shenzhen, Xi and Xinjiang. "

Qian Cheng said: "Planning is underway. If it goes well, it will be held this year. "

I asked, "Di Ribar, I know you have a good relationship with Wang Meng. Do you know each other in Xinjiang? " Duribert said, "We didn't know each other when we were in Xinjiang. That's where it was held in Beijing and all-china youth federation. During the break, Wang Meng came to speak Uighur to me, which was great. Said he wanted me to find him later. At that time, he was the Minister of Culture, and I stayed away from him. When he ceases to be a minister, our relationship will be particularly good. He is especially good at telling jokes. He speaks Uighur, full of local dialects. I have a stomachache every time I hear it-laugh. Once I didn't know what was bothering me and told him that I couldn't be serious about such a person. He told me a story about two people watching Water Margin. One said there was a Li Kui jy in it, and the other insisted that his name was Li Da. They argued and found a gentleman to judge. Said it was Li Da. The gentleman said, you are right, you go. People who say Li Kui jy are anxious. Why are you so stupid? This is obviously Li Kui jy. Why do you say he is right? Mr. Wang said: You know this is Li Kui jy, and you can still be saved. The person who insists on reading for Li Da is hopeless, so let him be wrong all his life! I especially like reading Wang Meng's novels. I read it again and again. I think there is a lot of wisdom in life. When he went to Germany, it happened that I had a performance. I invited him to the opera "The Daughter of the Army". He said,' I didn't expect you to perform comedy. You are as lively as a four-year-old child, and my slap is swollen. Next time you play a tragedy, I must bring a handkerchief. Son of the East-I'm from China-Ribar.

Interview time: August 27, 2002

A few days ago, Di Ribar took the opportunity of returning to China to come to his alma mater, the Central Conservatory of Music. From 65438 to 0984, she went directly to the world music scene from here. She became famous at the Finnish International Vocal Competition that year, and Diliber was known as "China Nightingale". During her ten years in the world music scene, Di Leibel's songs have spread all over the world's top opera houses. Now in the eyes of many Finnish fans, her popularity is even higher than that of the president.

Duribert: I will graduate soon, not soon. In my sophomore and junior years, there was a balcony above, and I also had a piano room here.

Reporter: 1984, you participated in an international vocal competition in Finland, and they called you a national treasure.

Duribert: I think it's like an opera. It should be western art, just like foreigners come to China to sing Peking Opera, and then they are regarded as national treasures and Hua Dan by China people.

Reporter: On the other hand, I think it is almost impossible.

Duribert: Yes, so we have never humiliated ourselves since childhood, and we have never humiliated our country since childhood. This price is very high, but many times, that is to say, where are your values, whether you are for temporary glory or artistic youth, it depends on how you view its value.

Reporter: Have you ever faced such a trade-off in this process?

Duribert: Sure, anytime. For example, this is quite complicated, really complicated, but I still say this sentence. The only reason why I can still be recognized and walk around is because of your strength.

Reporter: What is firmness, artistic accomplishment or strong will?

Duribert: Strong-willed, right.

Reporter: What else?

Deribel: Personality, and your integrity. So in this case, singing to people with more culture is as silent as singing to farmers at the grass-roots level, and it can still touch people's hearts. So what is Bel Canto? It's very nice. The voice must be beautiful, but let's make good use of this beautiful voice and finally don't forget to sing art.

Di Ribar has been in the world music scene for more than ten years, and he is a lifelong soloist in many world-class opera houses. Her lyrical coloratura is skillful, and she can express the seemingly unreachable high notes of others lightly and luxuriously. Some people say that Di Ribar's singing is pure and bright as crystal.

Reporter: As a musician, usually, for example, performing in a world-class theater can basically be regarded as a qualification certification, or it is also very important to play a famous role in an important play, but at this time, it is possible that this role is not suitable for you. What would you choose at that time?

Deribel: No, I never choose a song that doesn't suit me. For example, if you know I'm not a la Traviata, people won't ask you if you can sing a la Traviata for us, and they won't ask you, you know. Occasionally, I feel that I can sing. At this time, I can choose for myself. Many people don't have this choice, because if I say no, I may not be invited again next time. I have no job here. Many people also sing roles that are not suitable for their own voices, but I don't have the difficulty. This is art. From this feeling of being a man, for example, he may fall into inferiority complex as soon as he arrives in that environment, or he may just feel completely good about the other person and accept it completely. Otherwise, we still worship blindly. I don't think this is necessary. We know that the three tenors are all wrong concepts. Outside it means three tenors, not three tenors. On the other hand, these people have no money to earn outside, so they can come to China to earn money from China people. We're still stupid here. Oh, we are so excited that we can give whatever we want.

Reporter: You have been abroad for more than ten years. What do you think is the most important thing for an artist in China to develop or survive in the western environment?

Duribert: It is very important that people who go out must enrich themselves in all aspects, because compared with us, we have a very good voice and sing better, but it is particularly white, and your culture is not enough and your knowledge is not wide. After that, language is very important. It's the language that loses the most, really, so I think it's better to learn it well and not run out blindly.

In April 2002, Di Ribar held a solo concert in Beijing, and the audience was moved by Di Ribar, who was 1.5 meters tall.

Reporter: Usually, the singers we see singing bel canto are all tall and have advantages like an orator, but you are so petite. Is this a difficulty for you to overcome? Duribert: No, my speakers are fine. Because no matter how tall you are, the horn you should use is useless, and you are still useless. So I am so young, but I have used all the parts I should use, which shows that I have studied methodology comprehensively. I met a very good teacher, and my teachers at all stages really explored all my possibilities.

Duribert's tutor is Li Jinwei, a professor at the Central Conservatory of Music. Every time I return home, teachers and students get together.

Reporter: Who is the teacher who has the greatest influence on you?

Di Liebel: As soon as I * * *, I had three teachers. One is Mr. Guo Lingbi, who also graduated from the Central Conservatory of Music. After studying there for three years, he handed me over to Mr Shen Xiang and Mr Li Jinwei. Mr Shen and Mr Li Jinwei are family. They taught me until Mr. Shen died.

Reporter: Why is the teacher still correcting for you?

Duribert: Yes, why? No matter how good a singer is, because we can't see or touch this thing, people are subjective. What do you think of you? In fact, the effect it produces may not be what you think, so you still need a third ear.

Reporter: You once said that your teacher had a great influence on you. I think this influence must be outside the scope of art.

Duribert: Yes, be a man, be a man. I remember a very small example. One day I went to the department. When I came in, I saw Mr. Shen Xiang writing something on the blackboard. I don't mind. At this moment, the phone rang and I answered it. I am looking for someone. I hung up. Shen Xiang said it's not like my students. He said, what do you think I'm doing? I just saw him leave a message on the blackboard. He also made a phone call to find someone. He said that if someone came to see you, it was really urgent or something, wouldn't it be a big mistake? Don't you think so? So start from scratch.

Reporter: In the final analysis, these things are a very indispensable factor for your artistic development and growth. Be a decent person.

Whether it is a concert or his own album, Duribert always sings and includes China folk songs as a repertoire.

Reporter: So it must be ridiculous for others to know that you studied entirely in China.

Duribert: Yes, because I've never been straight, so I always say that wherever I go. I am a product made entirely by China people, and I am a singer trained in China. So wherever I go outside, people ask me where I learned it. I always said I was in China, in Beijing, and then, I said I didn't, and I said I was still in Beijing.