Introduction of Guangdong Cantonese Opera

Guangdong Cantonese Opera is fresh and soft, and it is an important member of China Quyi family. Singing in Cantonese is popular in Guangdong, Guangxi, Hong Kong, Macao and other Cantonese areas, and spread to Southeast Asia, North America and other areas where overseas Chinese in Guangdong live together. Cantonese opera originated from the cantata of Cantonese opera. During the Daoguang period of the Qing Dynasty, there was an eight-tone class engaged in singing Cantonese opera. They use the scripts and tunes of Cantonese opera, and sing different colors in Cantonese opera's "Studio Mandarin". Later, blind female artists who sang in the streets and lanes appeared. They were called "You Ji" and "Shi Niang". Each of them should master the singing with different foot colors, and one person can sing with multiple foot colors, which has made a new development in singing skills than the "eight-tone class". This kind of singing has been popular for more than 60 years, and it is called "Jenny period" in the history of Cantonese opera. After the Republic of China, discerning women gradually appeared on the teahouse stage to sing Cantonese songs, and people called them "female actors". They changed "Opera Studio Mandarin" into Guangzhou dialect, and changed falsetto into real voice, and divided it into three singing methods: loud voice, flat voice (this is male voice) and split voice (this is female voice). Cantonese opera entered its heyday, which is called "female singer period" in history. Over the past century, Cantonese opera has kept pace with the times. It is good at absorption, integration, enrichment and innovation, which broadens the field of vocal music. For example, Bangzi and Spring in Cantonese Opera, Dragon Boat, Nanyin, Cantonese Opera, Muyu Song and even Cantonese Opera (including miscellaneous tunes or instrumental music) are all used for lyrics. Besides Gao Hu and dulcimer, the accompaniment also includes saxophone, violin and electronic organ. Cantonese opera was born out of Cantonese opera, and has always had a very close relationship with Cantonese opera in singing, absorbing, integrating, promoting and developing together, so Cantonese opera and Cantonese opera are basically in the same tune up to now.

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