Hollywood stereotypes about China people are all in this film.

Adapted from the best-selling novel Crazy Asian Rich by Singaporean writer Kevin Kwan, it laid the main tone of the cultural integration of crazy Asian rich people.

It is the continuation and expansion of Hollywood's "politically correct" creative attitude to put such an interesting and fairy tale work on the screen and adopt a crazy and wealthy Asian all-Asian cast. Hollywood used many cultural elements and took Cinderella's story as the core to make this film into a fantasy fairy tale specially for North American audiences.

Crazy Asian tycoons told a story about "the overbearing president fell in love with me". Zhu, a professor of economics in China, fell in love with Yannick. I didn't expect her boyfriend to be a real bachelor.

Zhu took Yang to visit Nick's family. Faced with the fear of the prospective mother-in-law, the incomprehension of her family, and the fierce pursuit of Yang Nick by all kinds of beautiful women, Zhu tried his best to cope with it and made many jokes. After many tests, the two men got closer because of each other's ties. There is nothing greater than this.

For Hollywood, which pays attention to the box office in North America, the adaptation of Crazy Asian Rich is undoubtedly a success.

In the film, the biggest difficulty that Zhu and Yanik face in running-in is actually the so-called "American subculture difference".

As a China girl born and raised in the United States, Zhu has never been exposed to the so-called "China traditional culture" before, so she can't help feeling guilty when facing her harsh mother-in-law. A series of misunderstandings between Zhu and his prospective mother-in-law due to cultural differences are the main reasons why Gold and Silver was rated as "interesting and funny" by North American audiences.

However, in order to adapt to the preconceived ideology and subjective will of the American audience, the crazy Asian rich inevitably misinterpreted and even planned the traditional culture of China.

This kind of intentional or unintentional behavior is mainly reflected in the traditional family represented by the prospective mother-in-law's disapproval and incomprehension of Zhu, a "modern, democratic and free" figure.

In the film, the prospective mother-in-law family is deliberately portrayed as diehards who follow the ancestral system and tradition. Their vigilance and incomprehension of new things can naturally arouse the so-called * * * voice of North American audiences.

"Accent" has also become one of the main means by which Hollywood deliberately depicts the Chinese class. The most distinguished grandmother of the whole rich family, Jingzi Jingweier, speaks authentic Beijing dialect, showing the afterglow of the empire; Yang Nick's mother has a London accent, which represents the taste and cognition of the super-rich class. The hostess of the second richest family speaks Singapore English, showing the pride and complacency of the local tyrants in the island country; As a native Chinese American, Zhu's standard American accent led the audience to appreciate the profound connotation of Asian culture as a leader.

In the final analysis, Crazy Asian Rich is a Hollywood interpretation of Tiny Times, which has become a phenomenal topic in the United States, with a box office income of $6,543.8+$73 billion. To put it bluntly, Hollywood deliberately caters to the American people's concept of "political correctness" and satisfies their curiosity about Asian groups and China culture.

The old-fashioned Meet My Mother-in-law and the refurbished Cinderella Legend make the crazy Asian rich look elegant, luxurious and fashionable. However, the surface is prosperous and magnificent, leaving behind a full set of conventions and eternal love themes.