Zeng's Chao Opera "No.1 Scholar Going Home" appeared, which proved the Chaoshan girl loved by this era.

There is a response between heaven and earth.

Last night (April 2), Zeng's Chao Opera "No.1 Scholar Comes Home" finally unveiled its mystery, which seemed to respond to my recent articles one by one. Therefore, I am even more secretly pleased.

Response 1: It has brought a new mode of Chaozhou opera.

Chao Opera "Looking at the Sea Tide" is a new wine in "The Moon in My Hometown". We mentioned the mode of Chao Opera and said it half jokingly. Du Meiyun, the screenwriter of "The Moon in My Hometown", said: "In fact, this model is quite old-fashioned, but I can't find a more ingenious and advanced way to tell stories at present. I am deeply influenced by China traditional opera! "

I replied, "Yes. Therefore, it is mature. It must be more difficult to find other ways to tell stories, especially plays. If it is a novel, it can be unconstrained, but it is always worth looking for, and then it is called the' beautiful cloud model'. "

-Note that the mode of "home bright moon" mentioned here does not mean that "home bright moon" is the originator of this mode. On the one hand, it is limited to my knowledge. On the other hand, the two images contained in the word "native moon" can clearly tell the story.

Just before, some people said it was difficult to find another way to tell stories. Here, Zeng's Return of the Champion brought us one. Of course, people in the industry may have said, "In fact, this model is quite old-fashioned ..."

Yes, many experts just think it is ordinary, and we ordinary people often think it is fresh. In fact, this is a matter of high or low music, which is very common in the industry, but you may not dare to show it to the audience easily. Of course, some viewers are very advanced and have long been looking forward to change, but the drama is for the public and can be grounded. The audience can let your play enter their eyes and hearts. Kenya Hara said that the highest level of "design" is to cultivate the audience and apply this concept. The artist's creation is also to cultivate the audience, cultivate an audience market that loves to watch plays, and subtly improve his level and interest in watching plays. When they reach a certain level, you dare to show them the fine products in the ivory tower. Without this natural process, music will remain indifferent.

I accidentally saw a comment on this drama: "It's a waste of financial resources to do these dramas that you can't go to the countryside and forget at first sight." The most important thing is to cultivate more talents, inherit traditional dramas and learn more from Chen Xuexi. "-this is the performance that the audience at the corresponding level has not been cultivated.

But it is a "dangerous" action to cultivate the audience's appreciation level, which will "bite back". When artists raise the level of the audience to be similar to their own, what "routines" can you have to satisfy the audience's appetite? Just like everyone uses Huawei mobile phones now, you will drive people crazy if you give him another Nokia. If the audience's interest is improved, they can't go back to being satisfied with the shallow level. You can only try your best to meet the growing appreciation needs of the public. I'm afraid-but I believe you prefer this challenge, Qiu Ling.

Back to the new mode of "the top scholar goes home", there are three "examiners" and three gags. You can imagine that they are the Six Immortals of Peach Valley who are responsible for joking in the legendary swordsman. We call it grounding gas. For example, at the beginning, instead of adopting the practice of traditional opera characters reporting themselves, the three examiners were asked to tease each other and explain "the characters who are about to start". I wanted to post Baidu's stuff here, forget it, you can go to Baidu.

The identities of the three inspectors have not yet been determined. According to the needs of the plot, they are the people in the play, participate in the development of the plot, and sometimes are outsiders. They are God's perspective. He knows everything, and everything he says can be appetizing. For example, if you want to go to Baidu, he will draw a gap but will not open it. If you are curious, you will find more surprises. If you are not curious, it won't affect you.

Zeng's "inspector mode" originated from Mao Mu's The Moon and Sixpence. Before Mao Mu, most early novels were written from an omniscient perspective. All the narrators knew what readers should know and what they should not know, and even complex stories could be explained clearly. There is also the so-called first-person perspective. This perspective is real enough, but he can't fly to the sky to see the fate of each character. He can only tell readers what he saw with his own eyes and heard with his own ears.

What Mao Mu is doing now is telling the story from the narrator's point of view. In The Moon and Sixpence, although the narrator "I" was sent to Paris by Mrs. Charles to investigate her husband's "betrayal" behavior, it basically did not promote the development of the plot. Here, I am more like a bystander. Limited by this identity, what I have observed is definitely not comprehensive enough. When the narrator's perspective is insufficient, Mao Mu will supplement it with other people's words. In this way, readers can get more information and have a more complete understanding of the protagonist of the novel. Slowly, they will even have a subtle sense of closeness to the protagonist, and the viewpoints of the narrator and the reader will be better unified. Zeng's three examiners played this role. The examiner's setting can make the plot slowly advance and fast forward, flashback and narration, freeing the hands and feet of the screenwriter, and it is no longer difficult to get to the ground in the southeast and northwest.

I vaguely feel that this technique has been introduced into Chaozhou opera, and it is the originator of Chaozhou opera. As mentioned earlier, Zeng went back to his hometown and inadvertently opened a way for the new generation of Chaozhou Opera. You see, a small graduate work has so much influence. This is actually an opportunity given by the times. This is a blue ocean. Because everyone has never stood up and developed like this, and once became the first person.

Time loves the first person, time comes first, and status comes first. Because it is the first one, too many materials have been used. (See "Response III" below for details)

Response 2: Hit me in the face

I said in "Talking about the Name of the Chaozhou Opera" The Champion Comes Home ":"Who doesn't know Lin Daqin in Chaoshan? " "Home of the Top Scholars" begins by saying: Maybe many people don't know who the character balabala (referring to Lin Daqin) will appear on. Of course, this is the need for the integrity of a play. It can't assume that the audience knows everything, otherwise there is no need for this play.

Response 3: Showing the implantation of Chaoshan custom culture.

1 implant tea culture

As mentioned earlier, this play responds (unintentionally, of course) to the questions in my previous article. Speaking of Zeng, there are too many existing materials, all about the implantation of Chaoshan culture and folk customs in the play. Undoubtedly, the implantation of Kung Fu tea in "Looking at the Tide" is too blunt, and the champion returns to nature much more. For example, when Lin Daqin asked Yuan Shilin why he only loved single tea, their dialogue expressed some philosophies and predicted their respective life trends.

Lin Daqin: Why does Brother Yuan prefer single fir tea?

Yuan Shilin: Dan Cong is like a boat, bearing the ancient charm and still fragrant as ever.

Lin Daqin: Not bad. There are many kinds of people in the world, and human feelings are changing. The only constant is that tea warms the heart at the beginning of life.

The same rice gave birth to a hundred people, and a cup of tea can also be two kinds of lives. Some people are trying to cherish the original fragrance, while others are trying to develop and walk on the waves.

This is tea planting.

2 Chaozhou Gezi implantation

The material that can be used is Chaozhou Gezi, such as this song:

The cat and the mouse dragged the cat onto the bamboo pole.

The nun went up the mountain to touch the snail,

Paparazzi fell to the ground and croaked,

Monks burn rackets and drag their hair.

There are other things. With the implantation of these singers, you can even think that you slept soundly as a child.

3. Implant Chaoshan ceramic soil.

I believe many people will keep their mouths shut about this lyric in Peach Blossom Transition:

"The earth muttered, This is made by the earth, and the fire burns. Can Iraq make mud and sing?"

Through Lin Daqin's mouth, the champion returned home and euphemistically explained that "Lin Daqin's mother blew it to Lin Daqin, and now Lin Daqin blows it to his children"-when I wrote this sentence, I couldn't help but marvel at the amazing amount of information in this hour's small tide drama. For example, the above sentence explains how my mother loves Lin Daqin's past, but the whole drama doesn't need this mother to appear at all, just like we are browsing the web now.

Another telling example is that three people were "hoeing a big D" at the inspection site, which should be borrowed from a sketch by Yun Chun. It makes the darkness of the officialdom and the helplessness of the people in it, like China's paintings, empty and real, pointing fingers, leaving blank, making people fantasize.

4 song and dance implantation ...

Chaoshan is an area of worshipping God, and English songs are dances to entertain God. They communicate with gods and people and bring their own mystery. What happened between two Chaoshan people was also solved through this colorful dance in Chaoshan. Screenwriters and directors are literate and easy to fall into the "curse of knowledge". As the play says, there may be people who don't know Lin Daqin, so there may be more people who don't know the logic in this song and dance.

5. Implantation of Chaozhou song "Hometown is Chaoshan"

The materials that have been used, as well as the implantation of the song "My hometown is Chaoshan", are used in the ending and curtain call. You can feel the writer's full Chaoshan feelings in the whole play. Sometimes, some people will collapse because of one thing. You should feel the sincerity of Chaoshan people in this play.

I just want to ask, these are all for you, Zeng. How to ask someone else to go in the future? Go the way others want to go, leaving others with no way out? But according to my experience in riddles, it is often difficult to do riddles. After painstaking efforts, the results are satisfactory. When others pick the drooping fruit, we can plant a tree and bear our own sweetness, because the fruit watered with our own sweat tastes really special. You can.

Today's five mysteries

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The tomb made the worried monks lose their normal state (the creator of the Return of the Champion)

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The sword goes into battle, and the people respect tea and love tea. Later (the creator of the Return of the Champion)

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Congratulations on successive years (the creator of "The Champion Comes Home")

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Copying in the style of Dongguo is different (the creator of "The Return of the Champion")

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Hong Jie Bao Zi Tou (the creator of The Return of the Champion)

(See the poster below for the creator)

This article is about

1 Zeng went back to his hometown and inadvertently opened a way for the new generation of Chaozhou opera.

2 Talk about the name of Chao Opera "No.1 Scholar Going Home"

Chao Opera "Looking at the Sea Tide" is a new wine packed with "Home Bright Moon".