Comment on the article "Gift Giving"

User comment: (I think what he said is very harsh)

The essay "Gift" is humiliating and ruining leading cadres from beginning to end. Yin Qian thought that no matter how hateful and annoying the leading cadres in China are, they will never make people sick to this point. Are all leading cadres in China like this? You can't deny it at once. There is an intriguing sentence in the gift, which says, "As the saying goes, every successful leader has a beautiful daughter at home". Is there such a saying? What does this "proverb" imply? What else is "every successful leader has a shiny forehead"? In order to make people laugh, I said a lot of boring words around such a bare forehead, such as "leaking top", "toad" and "mad dog" ... and endless laughter. What you can't understand from the sketch is not elegant taste or profound meaning, but disappointment and being teased. Yin Qian believes that a good sketch should take the pursuit of realism and a sense of fact as its important goal, and should strive to get rid of the bad habits of random fiction and loose lips, giving people a credible impression. No matter how to pursue humor, there should be a minimum appropriate limit. In addition to bringing us false laughter, this sketch is regarded as a brave and smooth rap and a constant theme.

Comments on other works:

This year's Spring Festival Gala took the lead in the preparation through the media, but after watching the Spring Festival Gala program, it felt like a mirage. Except the scenery, lighting and props at the performance site are more perfect than previous sessions, today's Spring Festival Gala program is not as good as previous sessions. Although the song and dance are continuous, they are not long, and the comic sketches are getting worse and worse. In my opinion, except for acrobatics "Qiao Huadan" and martial arts "Running Water", there is nothing commendable about other programs. This year's Spring Festival Gala programs are generally superficial. Let me see the narrowness, rootlessness and inferiority. In these rough and superficial cross talks and sketches, we see self-destructive indulgence, revelry and sentence carving, insignificant display and greasy irony, fabrication and trivial things; It would be even more disappointing if it weren't for those songs and dances like enchanting poppies. Actually, singing and dancing are just so-so. It's not a bunch of beautiful fake flowers in a bottle, but a bonsai in the garden at most. We didn't see such a good dance as "Thousand Hands Guanyin" in last year's Spring Festival Gala program. As for the song, it goes without saying. There is nothing new about repeating the same old story.

Take Feng Gong and Li Zhiqiang's sitcom Things in Our Village as an example. If it weren't for Feng Gong's long face, I really don't see the beauty of this cross talk. What Yin Qian saw was dirty purity, morbid health, shameful dignity and heartless gentleness. The two actors endlessly played with the Eighth Route Army soldiers and fooled the lovely peasant brothers. Their satire undoubtedly makes people laugh, but at the same time it turns satire into a mockery and insult to the characters. In the end, you still don't feel a trace of warmth and emotion. It treats people as dolls and props, and drives them at will. Crosstalk is true, but it can't be used to humiliate people. "Your mother is an insole, and your father is a shoehorn (squinting)" and so on, you can blurt it out between "laughing and laughing". Since we are telling the glorious traditional story of the past in the village and expressing the deep affection of the army and the people, although the Eighth Route Army does not take the needle and thread of the masses, the masses will never be so stingy as to give the Eighth Route Army a pear. This is a joke. An eighth route army was teased and served a bowl of water. He even said, since the eighth route army is a fish, how can a fish not drink water? Is this the so-called glorious tradition? Besides, the old village head is wearing a yellow straw hat and red clothes. It is neither fish nor fowl. Like an old village head. He was portrayed as a clown, and he always joked about the waist of the old village head. Volunteers send seeds as a metaphor for the development of the western region, and the state supports the development of the western region, but I don't know what should be reflected here. What's the meaning behind it? Is it just empty talk to mock the country for supporting the development of the western region? Like a bowl of water? Especially in the end, Feng Gong actually said, "I want to open the floodgates and release water!" Suddenly, such a vulgar sentence made people lose their appetite. What are the directors of the Spring Festival Gala and the author of this comic dialogue thinking? They weave a thick curtain with their own feelings, interests and thoughts as the material, covering the faces of the characters themselves. Is it just funny? That's not enough to make fun of our most respected figures, is it? Its intention is "sinister".

The essay "Gift" is humiliating and ruining leading cadres from beginning to end. Yin Qian thought that no matter how hateful and annoying the leading cadres in China are, they will never make people sick to this point. Are all leading cadres in China like this? You can't deny it at once. There is an intriguing sentence in the gift, which says, "As the saying goes, every successful leader has a beautiful daughter at home". Is there such a saying? What does this "proverb" imply? What else is "every successful leader has a shiny forehead"? In order to make people laugh, I said a lot of boring words around such a bare forehead, such as "leaking top", "toad" and "mad dog" ... and endless laughter. What you can't understand from the sketch is not elegant taste or profound meaning, but disappointment and being teased. Yin Qian believes that a good sketch should take the pursuit of realism and a sense of fact as its important goal, and should strive to get rid of the bad habits of random fiction and loose lips, giving people a credible impression. No matter how to pursue humor, there should be a minimum appropriate limit. In addition to bringing us false laughter, this sketch is regarded as a brave and smooth rap and a constant theme.

The most disgusting thing is Pan Changjiang and Jin Yuting's "Carry Love to the End". What are these things that can go to the Spring Festival Gala? Especially when chatting online, the "bickering" between them can make people get goose bumps all over the floor. What are these dross that have been compiled into sketches? And the sentence "This dog is too much like you, no, I mean, you are too much like this dog, no, it is like a man, you are like a dog" ... is another wanton insult to the characters, except insulting me to see aboveboard plagiarism. Don't you feel deja vu after reading this paragraph? Is it easy to think of a dialogue in Zhao Benshan's sketch "The Hour Worker"? What do you mean, "that old lady is uglier than you?" No, I said she is not as ugly as you; You are uglier than her! "This is not plagiarism. What is this? Is there nothing new in the Spring Festival Evening sketch? It is doubtful that such rubbish is also on the Spring Festival Evening.

The essay "Test" performed by Huang Hong, Niu Li and Lei Kesheng was a failure. In this case, "Marry a chicken (prostitute)" is unprecedented in the Spring Festival Evening program. Ironically, there are many ways to test love. Why do a pair of young people brazenly tease and insult an old man? And do you have to go through the "head shot" method? Among them, the indifference and rudeness to the characters are obvious. They seem to be more willing to use an exaggerated and rude and extremely subjective way to render the nature and dark side of animals, trying to show a fashionable and shallow pioneer posture. It is blatant plagiarism again, and the story is still so familiar. Then I thought about it as if I had seen it somewhere. It's like a writer's mini-novel, published in the magazine Story Club, and heard in some folk jokes. The plot and structure of the story are the same. Quiet mentality and noble temperament, decent manners and elegant speech, delicate feelings and gentle compassion have all disappeared, replaced by manic mentality and shrinking personality, rude manners and vulgar words, rude emotions and cold hearts. This is the last impression left by the essay Kao.

Zhao Benshan, Song Dandan and Niu Niu's performance of "Planning" can't please the previous shadows, black soil and white clouds, and can't please the husband and old mother. The hens in the village stopped laying eggs and changed to the rooster lay eggs in the village. This kind of boring thing is based on the ending of these two old artists. If you want someone else to perform, it's strange that the audience doesn't throw eggs. I won't say anything else, and there is no need to say anything more. From these cross talk and sketch programs in the Spring Festival Evening, we can see that the numbness and dullness of interest are common problems in these programs, and vulgarity and low interest are common symptoms in these programs. If a healthy and normal sense of interest makes the director or screenwriter of crosstalk sketch pay attention to something of real value, or express a theme worthy of expression, thus endowing crosstalk sketch with an inherent quality that conforms to aesthetic standards and moral standards, then a morbid and deformed sense of interest will lower the banner of their aesthetic imagination and the bottom line of moral self-sufficiency, make them turn satire into sarcasm, make them turn criticism into insult, make them turn seriousness into jokes, and make crosstalk.

The people have been busy for a year, taking out the best things for the New Year, saying goodbye to the old and welcoming the new, with the purpose of celebrating and full of good hopes and expectations for the coming year; And our Spring Festival Gala program should also dedicate the best quality programs to the people, not the above-mentioned junk programs. The Spring Festival is celebrated every year, and there is a Spring Festival Evening every year. What will the Spring Festival Gala be like next year? Is it possible to thoroughly seek new ideas and provide the best spiritual food for our people?