Jokes in Laoshe Teahouse

("On the Status Quo of Crosstalk in Fifty Years" performed in Zhang Wenshun, Degang Guo)

Guo: I am familiar with this person, Mr. Zhang, an old-timer in the music industry.

Zhang: I'm flattered.

Guo: I have been an artist since I was a child. I am a student in the first section of Beijing Quyi Troupe, and the president of that class.

Zhang: As far as I'm concerned.

Guo: Didn't all these famous crosstalk artists in Beijing grow up with you?

Zhang: At that time, I was nineteen, and they were twelve and thirteen.

Guo: Isn't it?

Zhang: Right.

Guo: An old-timer, who worked for many years, was later expelled from the regiment.

Zhang: Why did you mention him?

Guo: It's not a problem now. This is a joke.

Zhang: Just kidding.

Guo: The predecessor of crosstalk was in poor health.

Zhang: Ah, yes.

Guo: What about today? Are you out on parole?

Zhang: Really?

Guo: Isn't there such a saying for medical parole?

Zhang: What's that? It belongs to the court, and the hospital belongs to the family bed.

Guo: Family sickbed.

Zhang: Hey.

Guo: I don't feel well

Zhang: Right.

Guo: But there is nothing serious. Don't worry, everyone. It is said that there is a large audience today, and the old man will come and have a look.

Zhang: Yes, today is a lively day.

Guo: See? There are potholes everywhere.

Zhang: Look.

K: How many people are there? Someone stood listening. What an encouragement it is for the actors.

Zhang: What a relief.

Guo: It can be seen that crosstalk is not a trough, and some people like to hear it.

Zhang: Go ahead.

Guo: But then again.

Zhang: Why?

Guo: It's not appropriate to put cross talk anywhere.

Zhang: Oh, not really.

Guo: For example, Zhang Yimou directed an opera called Turandot in the Workers' Cultural Palace in those years.

Zhang: There is one.

Guo: OK?

Zhang: Of course.

Guo: I'm singing. All four crosstalk performers are like Mr. Wang. They shaved their heads and wore coats. It's hard, hard, hard. This can't go on.

Zhang: This time it's almost

Guo: It can be seen that there are many uncertainties in life.

Zhang: Oh.

Guo: For example.

Zhang: You said

Guo: Some people are full of knowledge, but this knowledge may not be printed into a book.

Zhang: Yes.

Guo: It was printed into a book.

Zhang: How about it?

Guo: Not necessarily good knowledge.

Zhang: Oh, Guo: Admit it?

Zhang: admit it.

Guo: Aren't many leaders in the unit really incompetent?

Zhang: Yes.

Guo: Those who are fired are not necessarily capable people.

Zhang: Boy, I like to hear this.

Guo: Bookstores don't necessarily sell books. That makes sense. Drugstores don't necessarily sell drugs.

Zhang: Yes.

Guo: They sell everything.

Zhang: Oh.

Guo: Nutrient solution is not necessarily nutritious.

Zhang: Health products.

Guo: That's how Mr. Zhang used to do business.

Zhang: Hey, I did it.

Guo: I run a factory selling sperm. I bought a turtle, boiled it in water and sold it in a small bottle. After twelve years of work, a turtle is useless.

Zhang: Now this one is not much better than mine.

Guo: Is this nutrient solution really not necessarily nutritious?

Zhang: Right.

Guo: The bathroom is not necessarily sanitary.

Zhang: Oh.

Guo: Swimmers.

Zhang: How about it?

Guo: It's not necessary to take a bath.

Zhang: Oh.

Guo: People who go to karaoke bars don't have to sing.

Zhang: Look.

Guo: You don't have to be a girl to have long hair.

Zhang: Strange.

Guo: All men shave their heads are not grandfathers.

Zhang: Yes.

Guo: All the programs on TV are not necessarily good programs.

Zhang: Right.

Guo: Crosstalk in the theater is not all bad.

Zhang: Well, that's right.

Guo: Not all singers can read music.

Zhang: Well, there are too many people who can't read music.

Guo: It is not necessarily lovers who have good feelings.

Zhang: Yes.

Guo: The relationship between husband and wife is not necessarily good.

Zhang: Right.

Guo: Married people don't necessarily have children.

Zhang: Oh.

Guo: Mr. Zhang's daughter is not married.

Zhang: How about it?

Guo: Four big fat people.

Zhang: That's not the case.

Guo: He looks after the children in the kindergarten.

Zhang: Well, I tell you, it scared me.

Guo: Many things in life are uncertain. In the final analysis, it will still lead to the word crosstalk.

Zhang: How about it?

Guo: There are many people in phonology now.

Zhang: What's uncertain?

Guo: The situation is very embarrassing.

Zhang: Yes.

Guo: Starting from today, today is the founder of crosstalk, poor and white, and not afraid of Mr. Zhu Shaowen.

Zhang: Mr. Zhu Lao

Guo: Birthday176th anniversary.

Zhang: Right.

Guo: No one in phonology has ever thought of paying homage to this elder.

Zhang: This is our grandfather.

Guo: But the history of cross talk in China cannot be ignored.

Zhang: Right.

Guo: Mr. Zhu is not the first person to invent crosstalk.

Zhang: It's true.

Guo: In front of him, there are many old gentlemen like this. It is everyone's common wisdom that makes cross talk.

Zhang: Yes.

Guo: However, starting with Mr. Poor and Fearless, only by carrying him forward can cross talk be passed down from generation to generation.

Zhang: Hey.

Guo: In the field of phonology, Mr. Zhu is regarded as our founder, the founder of the first generation.

Zhang: Right.

Guo: As Mr. Zhu's disciples and grandchildren, we have an obligation not to forget our ancestors.

Zhang: Hey.

Guo: This is the first step. No matter how big your wrist is, you didn't do it without your ancestors.

Zhang: Yes.

Guo: I'm going to get a bronze statue of the poor at the entrance of Tianqiao Square.

Zhang: Ah.

Guo: I want an account,1500,000.

Zhang: It's too expensive.

Guo: I calculated later, and I did it for 100 yuan.

Zhang: Then what should we do?

Guo: Buy 100 yuan to build a platform with waste bricks.

Zhang: Oh.

Guo: Let Mr. Zhang stand up and stand there.

Zhang: Is that what you mean?

Guo: Yes, I have to take off my glasses.

Zhang: I'm so tired and flustered.

Guo: I'm tired and have to work shifts. I will work in shifts with Mr. Wang in Wang Wenlin.

Zhang: It's the same as the black man.

Guo: Ah, right, right, right, right. In a word, you should know this old-timer in your heart.

Zhang: Right.

Guo: Crosstalk has been passed down from generation to generation since Mr. Poor Afraid was perfected, and it didn't reach a very prosperous position until the year of Xiang Sheng Ba De.

Zhang: It's relatively large.

Guo: At that time, there were a group of German-style actors, the most famous of which was the Eight Virtues of Mutual Voice. The door owner is Yu Delong.

Zhang: Ah, yes.

Guo: Why is it called? He is a flag bearer. Generally speaking, this person has big eyes and is afraid of staring.

Zhang: Oh.

Guo: The owner of this room, this heartthrob.

Zhang: Right.

Guo: Zhang Dequan

Zhang: Yes.

Guo: Yes.

Zhang: Yes.

Guo: Say.

Zhang: Yes.

Guo: Say.

Zhang: No.

Guo: Say.

Zhang: Cough.

Guo: Say.

Zhang: Oh.

Guo: Quanjude.

Zhang: Not in the back.

Guo: We have a new style this year.

Zhang: There are also 2005 models here.

Guo: Under the word "virtue" is the word "longevity".

Zhang: Ah, there is also the word "birthday".

Guo: There is a crosstalk master named.

Zhang: Ah, yes.

Guo: That's your master.

Zhang: Favorite.

Guo: People.

Zhang: Yes.

Guo: Yin Shoushan.

Zhang: Right.

Guo: Living in hell.

Zhang: No.

Guo: The living master passed away, which was really painful.

Zhang: Well, it's longevity.

Guo: Under the word "longevity" is a treasure word.

Zhang: Right.

Guo: outstanding people, outstanding people.

Zhang: There are many steamed buns.

Guo: Hou, the master of crosstalk.

Zhang: That's their generation.

Guo: The king of stand-up comedy.

Zhang: Right.

Guo: Yes.

Zhang: Both.

Guo: Jia Baoyu, these are all Zhang: None.

Guo: It's all crosstalk, and it's all treasure characters.

Zhang: Go in and continue.

Guo: The word "Bao" is written below.

Zhang: This is our life.

Guo:,, Xing,, Li Wenshan.

Zhang: Tianjin people.

Guo: Chongwenmen, mosquito-repellent incense, ah these.

Zhang: Chongwen Gate is too big.

Guo: Mr. Chong Lao, an old-timer

Zhang: Old-timer.

Guo: Celebrities come forth in large numbers, and experts come forth in large numbers.

Zhang: So many generations.

Guo: But crosstalk has been very depressed in recent years.

Zhang: Ah.

Guo: The superstar has fallen, and many predecessors have died.

Zhang: Yes.

Guo: Mr. Wang passed away.

Zhang: Oh dear.

Guo: This is a giant in the music industry.

Zhang: Right.

Guo: Mr. Ma Ji's words are the crosstalk giants in my heart.

Zhang: Hey.

Guo: What a master!

Zhang: That's true.

Guo: Our backstage Mr. Li Wenshan is Mr. Wang's high foot.

Zhang: Right.

Guo: Dead, such a capable person.

Zhang: Yes.

Guo: I pulled it to Babaoshan and burned it, leaving nothing behind.

Zhang: Really?

Guo: I passed away. (* *) How spacious it is.

Zhang: Right.

Guo: It will be over as soon as the fire burns down.

Zhang: That's right.

Guo: Yes.

Zhang: Ah.

Guo: An artist as big as that was burned down.

Zhang: Look.

Guo: What can I do?

Zhang: No way.

Guo: I went to see Shao Guo's grandfather before he died.

Zhang: Oh.

Guo: Boys, do your best.

Zhang: Yes.

Guo: I'm finished. I told you not to talk about it. You can live. Well, we all do. I know in my heart that there is no fool who can't live. Come on, that's what I mean. Work hard. Go back and tell Wen Shun to wait for me up there.

Zhang: Me, don't be busy.

Guo: I didn't go. This man doesn't go and doesn't listen to the old-timers, you know?

Zhang: I have poor legs and feet, so I can't catch the bus.

Guo: Delayed?

Zhang: Like a young man, his legs and feet are good, but he runs ahead of me if it happens.

Guo: Really, like that?

Zhang: In any case, German neologisms are dangerous.

Guo: Hehehe, if you are in poor health, talk less.

Zhang: You won't keep me idle.

Guo: Don't play tricks on me. It's inappropriate to hurt you.

Zhang: Hey.

Guo: Everyone loves to listen to cross talk. We love crosstalk, but now crosstalk is in an awkward situation.

Zhang: Where is it?

Guo: There are many reasons.

Zhang: Oh.

Guo: Our present position is called Tianqiao. At the beginning, Tianqiao was famous all over the world.

Zhang: That's true.

Guo: There are many talents and performers here.

Zhang: Right.

Guo: Everyone followed, pointing out that street performers can eat and support their families.

Zhang: Ah.

Guo: Not today. Why?

Zhang: Why?

Guo: We have studied this matter.

Zhang: Oh.

Guo: Let's discuss it.

Zhang: Then talk about it.

Guo: For example, this used to be an overpass, and there was a place next to it called Shanjiankou.

Zhang: Yes, it's right at this intersection.

Guo: Here, Shanjiankou used to be a people's market.

Zhang: In jargon, there is a teahouse called (* *).

Guo: I got up in the morning, and these hard workers, with shovels and shoulder poles, were waiting here to work.

Zhang: Yes, they are all concentrated there.

Guo: For example, if someone comes later, the car will be unloaded at Yongdingmen Railway Station.

Zhang: Ah.

Guo: It takes four people and eight wagons to unload the goods.

Zhang: Hey.

K: Two yuan per person.

Zhang: Right.

Guo: You went, you, you, you, you.

Zhang: Yes, there are four people saving Guo now: you go, follow me, and follow me when you find something.

Zhang: Hey.

Guo: When we arrived here, people in the twelfth lunar month also took off their shirts and unloaded their cars. Pants off, say 1: 30 in the afternoon.

Zhang: It's over.

Guo: It costs two yuan to walk back alone.

Zhang: I gave money at that time.

Guo: I won't go to work again.

Zhang: Then why?

Guo: These two dollars are enough to live on.

Zhang: Oh.

Guo: I walked back with the money and went to the overpass to find a small bathhouse to take a bath.

Zhang: Right here, from Sanlitun to the west.

Guo: Small bathhouses are not always clean, because these people are full of coal every day, and all this coal ash goes into the pool.

Zhang: This pool is so dark.

Guo: It is said that stepping on it used to prick your feet.

Zhang: Right.

Guo: Those guys took cold clothes and went out to look for coal.

Zhang: That's true.

Guo: Wipe it here. Call buddy.

Zhang: What *

Guo: Across the street, Erhun Shop.

Zhang: A teahouse is a restaurant.

Guo: Please give me a dime of wine.

Zhang: Oh, a dime.

Guo: Ten cents is enough to drink. You can give me four and a half kilograms.

Zhang: Yes.

Guo: Soft fried pork slices should use a wide sauce, and a bowl of white blanks should use eight taels. The scale of the past is different from that of the present.

Zhang: Sixteen taels a catty.

Guo: Half a catty of noodles.

Zhang: Eight and a half pounds.

Guo: After washing, I left the pool and brewed a pot of high crumbs. Here comes the dish. I drank wine with sliced meat, cucumber and fungus, and picked up the plate after drinking. Why do you eat lasagna?

Zhang: mixed noodles

Guo: Pour it in and have a meal. Have a cup of tea here when you are full, lie on the bunk and sleep until two o'clock, then come out and stroll around the overpass.

Zhang: Walking on the overpass.

Guo: Look here, you get two points, and look here, you get five points. After a long walk, it will get dark, so take a sticker and take it out to find a bean juice stand.

Zhang: Guo, who sells bean juice: Two bowls of bean juice and pickles are free.

Zhang: Help yourself.

Guo: Peel the cake, soak it in it and give it to Li Tu. This meal is full.

Zhang: Look.

Guo: I bought a cabbage and two Jin of noodles for my family. I got everything ready and came to this garden.

Zhang: This garden used to be called Xiaoxiao.

Guo: Peking Opera was sung in this place.

Zhang: Say.

Guo: The horses on Tianqiao are singing in the garden.

Zhang: and

Guo: I walked to the door and took a 20-cent ticket to a play.

Zhang: Hey, I listened to it all night.

Guo: Go home after listening and leave your things there. At home, I am frying cabbage and making hot noodle soup. I should go to bed. Get up in the morning, come out from home and run to the mouth of the mountain stream.

Zhang: Still coming to zhushikou?

Guo: How much is the pie again?

Zhang: pie 12 1 kg.

Guo: Half a catty of cake and a bowl of oil residue.

Zhang: Oil residue.

Guo: You used to stew oil residue. You can add soup in a big bowl.

Zhang: Right.

Guo: I don't think he has much oil, so I will lick the soup next to him.

Zhang: Oh, yes, and some side soup.

Guo: I was bored for so long. After eating and drinking enough, I ran to the mouth of the mountain stream and waited for work, whether it was unloading or working. There are a large number of such idle people every day.

Zhang: So Tianqiao has such a big market.

Guo: I promised to be so hot. That's the reason.

Zhang: Right.

Guo: The most important thing is that everyone in the original class has special skills.

Zhang: That's all.

Guo: Catch the thief across from the flat cake.

Zhang: The worst thing is to give money after listening.

Guo: I stand here and say you stand there and listen. You won't give me money until you hear it.

Zhang: Right.

Guo: I can't turn my head and leave.

Zhang: It's different now.

Guo: Now, if you buy a ticket, you will be admitted. It serves you right not to listen, and there is no refund.

Zhang: Hey.

Guo: In a word, give people something real.

Zhang: Right.

Guo: Cheating is not acceptable.

Zhang: Of course.

Guo: There are too many fakes in society now, not just in the phonograph industry.

Zhang: Yes.

Guo: Smoking fake cigarettes and drinking fake wine.

Zhang: Look.

Guo: Watch match-fixing and listen to lip-synching.

Zhang: Oh.

Guo: Wear fake brand names and fake headgear.

Zhang: Oh.

Guo: There are turtles in the world, also called turtles.

Zhang: This is fake, too.

Guo: I can't get it out.

Zhang: Look.

Guo: It's really impossible. Crosstalk artists of all ages have been hit to varying degrees.

Zhang: Yes.

Guo: During the Cultural Revolution, this was unprecedented. Not only crosstalk, but also all the art circles have been affected.

Zhang: The whole society has collapsed.

Guo: All the famous artists were beaten.

Zhang: That's true.

Guo: My horse followed my father, and the crosstalk master Ma was sent to the southern suburbs of Tianjin.

Zhang: I also went to the farm.

Guo: The living conditions are so bitter that I can't even eat enough. Thanks to the cleverness of Master Shaoma,

Zhang: How about it?

Guo: Stealing carrots from fellow villagers.

Zhang: He was also forced.

Guo: After reconnaissance, there was a radish cellar. I opened the door myself and went in. I put it in my arms. It is a special radish in Tianjin.

Zhang: Wei Qing.

Guo: One, two, three, just for show. As soon as the cellar door opened, a man got a fright. If you catch it, you will die.

Zhang: Yes, all the villagers are here.

Guo: bow your head quickly. The advocate came in to collect radishes and put them on Ma Zhiming's head. When he touches them, there is no such thing as radish buds. Master Ma let out a scream and went out with a sigh.

Zhang: Scared away.

Guo: I waited for a long time, but nothing happened. When Mr. Ma came out, he looked around and no one was watching. Only then did he keep his feet on the ground. Where can he eat?

Zhang: Where can I eat?

Guo: Let's find an empty place. Anyone who wants to see himself stealing radishes is guilty.

Zhang: Right.

Guo: Run to the toilet.

Zhang: Oh, the toilet.

Guo: When I came to the toilet, there was no one inside. I squatted inside and listened with my ears. I'm listening. Someone came in, Xie Tianshun.

Zhang: His partner.

Guo: Crosstalk performers crouched outside when they came in. One was inside and the other was outside. Mr. Ma said to himself, you have to go quickly, there are still twenty minutes left. Tianshun, Tianshun, don't go yet. Ah, why don't you go? I will wait for you. It's okay. Thirty minutes passed. Xie Tianshun reached out and took out a radish in his pocket.

Zhang: Look.

Guo: It's a joke to put aside the bitter past at that time.

Zhang: Really?

Guo: In the 1980s, crosstalk revived.

Zhang: The whole society has also recovered.

Guo: A large number of actors have stepped onto the stage one after another. Many people run around from south to north, some earn money, some don't, and of course some stay in the theater.

Zhang: There are also those who hold their ground.

Guo: For example, there is a gentleman in Teahouse.

Zhang: Grandpa Sun has been performing in the teahouse.

Guo: He is over 90 years old and still performs on the stage.

Zhang: In Laoshe Teahouse.

Guo: He is over 90 years old. At that time, Comrade Yang personally received him.

Zhang: The then president.

Guo: After shaking hands, Mr. Yang walked this way, and Grandpa Sun turned to ask other actors.

Zhang: How do you ask?

Guo: Who is this man?

Zhang: Who is it?

Guo: It is said that this person is Yang. Oh, who is his apprentice?

Zhang: I don't know what Yang does.

Guo: Let me get this straight. Don't talk nonsense That's the president. Oh, I said his name is not exemptions.

Zhang: Look.

Guo: It's true.

Zhang: An old artist of this era.

Guo: He is over 90 years old. Although he said that he stood his ground, there is one thing.

Zhang: How about it?

Guo: This performance is for tour groups.

Zhang: Lao Yan

Guo: For eight years, the old man talked for a while and wanted to change for a while, but the theater wouldn't let him.

Zhang: No.

Guo: You can only leave one name.

Zhang: Right.

Guo: This is not good for crosstalk.

Zhang: A bigger loss.

Guo: Isn't it?

Zhang: Right.

Guo: So later, we also suggested that cross talk must return to the theater if it wants to prosper for the second time.

Zhang: Ah.

Guo: 1996, we first put forward this idea, and in the same year, we started this activity. After us, at 1998, Mr. Yu Baolin of Tianjin also launched a cross talk conference. In this regard, it should be said that we and Mr. Zhang are the initiators of this matter.

Zhang: Don't say that.

Guo: It was difficult at first.

Zhang: It's also very difficult.

Guo: The three of us will have a crosstalk meeting. Our father and son, together, are the little gang leaders in the backstage of the Beggars' Sect, Big Eye Li. At two o'clock, Mr. Zhang will talk about stand-up crosstalk for an hour first, and I will talk about stand-up crosstalk for another hour.

Zhang: Two hours.

Guo: Go down and have a rest. Jing Li will go out to sing.

Zhang: Hey.

Guo: They all sang loudly. After being bored and bored, we went out to talk about a couple.

Zhang: Let's talk about counterpart.

Guo: Then call me up and you can talk in groups of three.

Zhang: Right.

Guo: It's been going on for several months, every day. Alas, he didn't turn his head.

Zhang: It's too difficult.

Guo: Later, year after year, we worked hard and gradually expanded our team.

Zhang: There are more and more people.

Guo: We were embarrassed at first, too.

Zhang: Right.

Guo: At least once, there was only one audience.

Zhang: Look.

Guo: We will also play the audience.

Zhang: Hey.

Guo: It was opened by Mr. Xing that day.

Zhang: Right.

Guo: There is one person on the stage and one person off the stage. Halfway through, the old man's cell phone rang under the platform.

Zhang: Ah.

Guo: Mr. Xing stood there watching him answer the phone. He was embarrassed, too. I'm sorry. I'll be finished soon. Turn off your cell phone and sit here and listen. I'll tell him when I get on stage. When you go to the toilet, you must listen carefully and say hello to me.

Zhang: Then why?

Guo: There are more people backstage than you. You can't run away by fighting behind closed doors.

Zhang: I'm worried about this.

Guo: I have experienced heavy snow and heavy rain in the twelfth month.

Zhang: Right.

Guo: We caught up with all the weather.

Zhang: Yes.

Guo: As long as someone listens to us, we will tell them that one year when it was Guangde Building's turn to perform, it was freezing and there was not even a dog on the fence.

Zhang: Ah.

Guo: All the actors went to the door, holding up boards and calling out to the people inside. We have experienced this day before.

Zhang: Right.

Guo: After playing in the north and south for so many years, many theaters have changed, and that's where we are today.

Zhang: Hey.

Guo: Actually, it depends on who we are, and on everyone's support for us.

Zhang: That's right.

Guo: My father and son, on behalf of all the actors in the Beijing Crosstalk Conference, thank you for your food and clothing parents.

Zhang: Thank you.

Guo: We especially hope that cross talk will be hot.

Z: Why? This is our traditional culture.

Zhang: Right.

Guo: China has an ancient civilization of 5,000 years. Now people should pay attention to our traditional art.

Zhang: Ah.

Guo: Although it has an ancient civilization of 5,000 years, it is very sad.

Zhang: What's the matter?

Guo: I know a child, a college student, who can speak seven or eight foreign languages. Guo: How many people want to watch the symphony, aren't they?

Zhang: That's right.

Guo: You don't even eat noodles, and you forget Ben.

Zhang: Yes.

Guo: Of course, it is the audience's business to cultivate the audience, and it is also the actor's own business.

Zhang: On our own.

Guo: First, someone must.

Zhang: Right.

Guo: Second, there must be works.

Zhang: Hey.

Guo: You are very capable. If you are a crosstalk master again, you will be a crosstalk master for a while, and the audience will not like it.

Zhang: That's true.

Guo: Everyone is tired sometimes.

Zhang: Right.

Guo: There are more than one thousand traditional cross talks. Ah, after the efforts of the actors, there are still more than 200 pieces left.

Zhang: Yes.

Guo: If you try harder, it will be gone.

Zhang: Then don't work hard.

Guo: We have been backstage. Up to now, we have the final say, even cross talk, Taiping lyrics and anti-cross talk. Our group, we have performed more than 600 segments.

Zhang: Record.

Zhang: Not bad.

Guo: English, Japanese, German, Korean, French, Yugoslav, North Slavic and West Slavic. He can talk a lot anyway. Sitting with Eight-Nation Alliance, he can swear in the street. I say you go and listen to the stereo. I'm not going. I don't understand. If the law doesn't care if I kill him, you can understand foreign languages in seven or eight countries, but you can't understand Chinese crosstalk.

Zhang: Look.

Guo: As actors, our aim is to cultivate more audiences.

Zhang: Right.

Guo: Some of our actors complain that they can't do it.

Zhang: What's the matter?

Guo: The audience is too small. Nonsense. Few people can really understand ballet, right?

Zhang: Right.

Guo: Crosstalk should be like life.

Zhang: Why?

Guo: It is right to buy a refrigerator today and a TV tomorrow.

Zhang: Right.

Guo: Selling drawers today and selling doors tomorrow is a black sheep.

Zhang: Have you lost your family?

K: Of course. Someone asked why this cross talk is not coke now. Your cross talk is so good, so good. Why don't many people like it?

Zhang: Why?

Guo: You are the only people who can sit in the theater and watch. More people watch cross talk on TV.

Zhang: Hey.

Guo: TV cross talk has its limitations.

Zhang: Right.

Guo: You can't blame the bad TV.

Zhang: Right.

Guo: TV, a new media, has a great effect on cross talk.

Zhang: That's true.

Guo: Admit the goodness of others, but the key is how to do it.

Zhang: Yes.

Guo: First of all, as an actor, you must be an expert. For example, those who sang Peking Opera in Beijing Peking Opera Theatre, and even those who walked on, all studied in the Theatre Academy for seven years.

Zhang: That's not seven years without a walk-on.

Guo: I can only keep walking after graduation.

Zhang: It's true.

Guo: OK, you sing a passage and play the leading role.

Zhang: Right.

Guo: Many times, the curtain raiser also learned from the drama school.

Zhang: That's true.