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Bernard Shaw's famous dramatic language
Bernard Shaw's famous dramatic language
Drama should be a factory of thought, a reminder of conscience, an interpreter of social morality, a weapon to drive away despair and desolation, and a temple to praise human progress.
Source: Bernard Shaw's Drama Theory
In the new script, drama is produced by the conflict between some unstable ideals and other ideals, not by vulgar love, greed, generosity, resentment, ambition, misunderstanding, grotesque behavior and other things that do not cause any moral problems.
Source: Bernard Shaw's Drama Theory
If only? For art? Then I won't even spend the labor of writing a sentence.
Source: Bernard Shaw's Drama Theory
If this question can't arouse interest, or it's stale, or it's not handled properly, or it's obviously false, then the script is rotten; If the question is important, fresh, convincing, or at least disturbing, then the script is good.
Source: Bernard Shaw's Drama Theory
Drama is not for entertainment, but for education and publicity.
Source: Bernard Shaw's Drama Theory
? Art for art's sake? The slogan became:? For the success of money? .
Source: Bernard Shaw's Drama Theory
New ideas create new skills, just as running water creates rivers.
Source: Bernard Shaw's Drama Theory
Great art has never been produced for art itself.
Source: Bernard Shaw's Drama Theory
All dramas that sincerely discuss human problems will? Hurt ridiculous complacency; This ridiculous complacency should be flattered by legendary novels, right?
Source: Biography of Bernard Shaw
There is always something behind; I didn't feel the existence of these things, but in the end it became the real theme of the whole creation.
Source: Biography of Bernard Shaw
The purpose of a dramatist writing a script is not to let the flattered audience watch a clever and interesting entertainment performance just for entertainment to kill time, but to make the audience feel guilty and guilty.
Source: Bernard Shaw's Drama Theory and Practice
Art cannot be produced without preaching.
Source: Bernard Shaw's Drama Theory and Practice
A thoughtful and vital script is written by yourself. Written by a mindless drama technician? A well-structured play? This is a striking cradle without babies. Because it was empty and lifeless, it finally became as old as last year's hat.
Source: Bernard Shaw's Drama Theory and Practice
Realistic drama art must explore the inner things through the surface.
Source: Bernard Shaw's Drama Theory and Practice
I publicly declare that I am tired and disgusted with fantasy life, fantasy law, fantasy ethics, science, peace, war, love, virtue, evil and all other fantasy things inside and outside the stage. I ask people to be loyal to human nature and real life? Show respect, care and love.
Source: Bernard Shaw's Drama Theory and Practice
If comedy writers have nothing fundamentally positive to say, then comedy is basically a destructive, naive, demanding and negative art. Www.zhlzw.com China lizhi net
Source: On Bernard Shaw's Tragedy and Comedy
It (modern tragicomedy) is not only a work for entertainment, but also a criticism of contemporary morality.
Source: On Bernard Shaw's Tragedy and Comedy
If you have nothing more to say, or nothing more to show, what's the use of writing plays or painting murals?
Source: Bernard Shaw on Shakespeare
Drama techniques used for entertainment are no more applicable to the audience in the theater than to the audience in the court where the murderer is tried.
Source: Bernard Shaw on Ibsen
Discuss? The real core of his plays is to arouse the interest of the audience.
Source: Bernard Shaw on Ibsen
They (the audience) not only pay for the theater, but also get something of permanent value to themselves.
Source: Bernard Shaw on Ibsen
In the play, the playwright raised some behavior and personality problems that the audience thought were very important, and made an enlightening discussion on these problems. Such a play is interesting.
Source: Bernard Shaw on Ibsen
I find it very effective to fight with drama, so I firmly believe that I will eventually convince even the audience in London to bring their conscience and heads when they enter the theater, instead of leaving them at home with prayer books like now.
Source: Bernard Shaw's prose works
The fashionable theater only stipulates a serious theme: private and secret adultery; For serious playwrights, this is the most boring subject. China Lizhi Net www.zhlzw.com
Source: Bernard Shaw's prose works
Screenwriters should learn from life. It's strange to hear that you are studying screenwriter in college. Did you learn anything in class and books? Screenwriters should learn from life;
Source: Bernard Shaw in Shanghai
What people who want to learn to play should avoid most is to set a model, set a procedure and then fill in the raw materials one by one. Later, you will concentrate on the pattern and way and forget the reason why you want to write this play.
Source: Bernard Shaw in Shanghai
When I write my own script, I recognize a few first and record their action language. They will naturally develop, just like a flower, a screenwriter who can really learn.
Source: Bernard Shaw in Shanghai
Will inspiration come twice a day? Of course not.
Source: Bernard Shaw's love letter 100 cases) I have something to say; I can't put my scarred brain on your lap with pen and ink, nor can I lighten the burden in my heart with an appeal with unclear syllables. When I can think and write, my thoughts fly out like a stone.
Source: Bernard Shaw's love letter 100 cases
The playwright's duty is to make readers forget the dance announcement and actors forget the audience, instead of making readers often think of the stage or actors often think of the audience.
Source: Biography of Bernard Shaw
The emergence of ancient drama stems from the combination of two desires: one is the desire to dance, and the other is the desire to listen to stories. Later, dancing became a talk, and the story became a scene in the play.
Source: Bernard Shaw's Drama Theory
In his view, the script is just some fairly long materials, so that he can present himself on the stage, but these materials, completely dependent on his highest purpose, can be cut at will according to his length and size like a roll of cloth.
Source: Bernard Shaw's love letter 100 cases
A stage director doesn't have to tell the actor how to act, but what role to play. There is only one effect, and there may be fifty different ways to produce this effect.
Source: Biography of Bernard Shaw
No conflict, no drama, no conflict, no drama.
Source: Bernard Shaw's Drama Theory and Practice
Drama should not rely on bizarre plots, but on ideal conflicts and debates. China Lizhi.com
Source: On Bernard Shaw's Dramatic Art
The conflict between pure beauty and pure evil can only create a vulgar drama centered on negative characters and positive characters? I don't deal in this inferior commodity.
Source: Bernard Shaw's Drama Theory and Practice
In "A Doll's House" and "Contida", action causes discussion; In the doctor's dilemma, discussion led to action; ? In other scripts, there is discussion everywhere. Sometimes, discussion and action run through.
Source: Bernard Shaw's Drama Theory and Practice
Comedy needs a sense of humor and life. China Lizhi Net www.zhlzw.com
Source: Bernard Shaw's Drama Theory
The playwright is free to use the speaker. Missionaries, defense lawyers and all the rhetorical and lyric skills of bard.
Source: On Bernard Shaw's Dramatic Art
Am I? Playwright; But I am not an original dramatist, so I must use first-hand drama materials from real life or reliable literature.
Source: Bernard Shaw's Drama Theory and Practice
Empty themes can't drag on a long story; But if you have substantial and suitable materials, it won't be too long to put it bluntly.
Source: Bernard Shaw's love letter 100 cases
The artist's job is to truly express ourselves.
Source: Man and Superman
Anything that is true will always be modified when it is reported.
Source: Man and Superman
Worst of all, when a fake model enters literature, it touches the imagination of boys and girls. They regard this mode as a mode of life, so the illusory delusion of one generation of novelists and amusement park composers often becomes an unpleasant and harmful reality for the next generation.
Source: Biography of Bernard Shaw
We must take the characters he (Shakespeare) used to express his own character, such as Hamlet, Macbeth, King Lear and Luo Prosper, as the basis for evaluating him.
Source: Biography of Bernard Shaw
A playwright should have the concept of a dramatic scene. If the playwright thinks that the drama scene in his mind is a great and original concept, but in fact this concept already exists and is very old, so much the better.
Source: Biography of Bernard Shaw
Are you online? Misunderstanding? After you created it, you put the plot? Vertex? At the end of the last scene and the previous scene, this is where the misunderstanding in the script begins to appear. In the script, you should explain in detail how the misunderstanding situation will form through the dialogue between servants, lawyers and other low-level characters, and introduce the characters to the audience when necessary. This completes the first act of the script. Of course, the misunderstanding must be completely solved in the last scene. Generally speaking, the audience should try to walk out of the theater with satisfaction.
Source: Biography of Bernard Shaw
I avoid the plot as I avoid the plague. I have advised young playwrights many times that a plot is like a jigsaw puzzle. People who puzzle it find it interesting, but onlookers find it boring.
Source: Biography of Bernard Shaw
The story needs to observe life, and the plot only needs the technical control of the characteristics of artificial flowers, toys with clock mechanisms and jigsaw puzzles.
Source: Bernard Shaw's Drama Theory and Practice
Your plot structure and the art of preparing the audience psychologically are just clever tricks on the stage and expedient measures taken because of moral emptiness, not the weapons of drama genius.
Source: On Bernard Shaw's Dramatic Art
The script is a living product, not a mechanical object; The plot will destroy the story, so it will also destroy the story-centered drama.
Source: Bernard Shaw's Drama Theory and Practice
In a wonderful conversation? What you see is not a series of statements or question-and-answer manuals, but an ideological confrontation between one character and another.
Source: Bernard Shaw's Drama Theory and Practice
The way to find out whether an argument is right or wrong is not to listen to that self-righteous fool, but to let the people concerned put forward their opinions for or against with their desperate prejudice.
Source: Bernard Shaw's Drama Theory and Practice
The power of any language is the most important condition of style? Www.zhlzw.com China lizhi net
Source: Biography of Bernard Shaw
Since language came into being, it has been used by priests and speakers. It is a skill that touches people's conscience. As long as a playwright can use it, there is no need to use it.
Source: On Bernard Shaw's Dramatic Art
Rhetoric, ridicule, discussion, reversing contradictory words, warnings, profound metaphors, and the skills of summarizing chaotic facts into orderly and understandable scenes are the oldest and latest skills in drama.
Source: On Bernard Shaw's Dramatic Art
Beauty, purity, reverence, religion, morality, art, patriotism, courage and so on are just words that anyone can flip at will like gloves.
Source: Man and Superman
Language belongs to the higher nerve center. Excellent articles and poems in the world are the products of advanced nerve centers.
Source: "The Truth"
The best humor is the kind that makes people laugh and cry. The best humor is the kind that makes people laugh and cry.
Source: sixteen self-portraits
There is also a lot of truth in jokes.
Source: widower's home
Yes, I'm joking. But the way I tell jokes is to tell the truth. This is the funniest joke in the world.
Source: Bernard Shaw in Shanghai
Laugh as often as possible, because only laughter can eliminate evil and there is no malice.
Source: Biography of Bernard Shaw
In some important aspects, the moral standard on the stage is higher than that outside the theater, but many people think that actors can do evil without being accused by their colleagues: this impression is obscene and wrong. However, the so-called evil must be real, not just ignoring the law. So the moral standards on the stage. In some important ways, it is higher than outside the theater.
Source: Bernard Shaw's love letter 100 cases
She is not the kind of actress who is both a genius and a mortal on the stage. She can be an artist or a woman outside the theater.
Source: Bernard Shaw's love letter 100 cases
If I take advantage of the background events in my career, put the material into my commentary to the drama actors, modify it and publish it, then any actor or actress has reason to refuse to rehearse when I am present: unfortunately, in fact, most actors can't arrange scripts when I am away, because I have more confidentiality obligations. China Lizhi.com
Source: Biography of Bernard Shaw
Personal relationships with actresses, professional intimacy? Like-minded, like-minded people are hard to avoid ridiculous misunderstandings in the eyes of the public. The morality and emotion on both sides of the stage footlights are not exactly the same.
Source: Biography of Bernard Shaw
Let me explain, a woman (also in the Allendelli era) must undergo long-term training, develop an art and habit, be able to hide her feelings in difficult situations, and show an absolutely quiet expression before she is qualified to become a noble woman. The training of actresses is just the opposite; She needs to cultivate an art and habit. Try to show her feelings, so that the audience sitting in the last row of the theater can also see her feelings from her appearance and posture.
Source: Bernard Shaw's love letter 100 cases
In an emergency, a noble woman must try to hide her inner reaction, and an actress must take the opportunity to let her feelings explode.
Source: Bernard Shaw's love letter 100 cases
The greater the actress, the greater the power of her emotional impulse. She not only broadcast her emotions like on the radio, but also pronounced them forcefully, which impressed everyone.
Source: Bernard Shaw's love letter 100 cases
She wants to turn her habits into art, put her will into singing, let singing become a tool to express herself, and let herself concentrate on art completely.
Source: Bernard Shaw's love letter 100 cases
She received strict stage technical training when she was young, so she has the technical ability to be beautiful and charming. She succeeded naturally.
Source: Bernard Shaw's love letter 100 cases
But you know, religion and morality are all made in isolated old theaters? Although nine out of ten are the same as ordinary people, the difference is still in the remaining tenth.
Source: Bernard Shaw's love letter 100 cases
Outside the theater, women's sexual relations must be absolutely justified, otherwise they will be rejected, lost or even condemned by the nobility.
Source: Bernard Shaw's love letter 100 cases
The theater can't rely on the social status of actors to increase its income, so the stage only needs actors who can act, not actors with high status.
Source: Bernard Shaw's love letter 100 cases
In addition to pure technical guidance, what actors really need is practical experience.
Source: Biography of Bernard Shaw
Generally speaking, what happens behind the scenes must not be reported in newspapers. An actor has the right to maintain his stage charm.
Source: Biography of Bernard Shaw
I believe that all actors always lack pure feelings. This should be said to be a prejudice.
Source: Catcher? Byron's occupation "
The stage is not a fairyland, but two fairyland, one is enjoyed by the audience at the opening; There is another one that the public will never see, which is for people in the theater to enjoy privately after closing. In that secret paradise, genius aroused the enthusiastic worship of the touched, which is the only satisfaction of genius. ? Love Letters from Bernard Shaw 100 Box
According to the habit of the stage, everyone in the theater should maintain a private and dear relationship, while in other professions, it is a cold and polite look.
Source: Bernard Shaw's love letter 100 cases
In the backstage of the theater, there is a special emotional relationship, which is indeed more frank and sound than the reserved attitude of the urban society outside.
Source: Bernard Shaw's love letter 100 cases
What physicists call ingenious measurement methods, emotionalists don't even look at them.
Source: Bernard Shaw's love letter 100 cases
The surgeon's so-called mastery of surgery is terrible in the eyes of patients.
Source: Bernard Shaw's love letter 100 cases
The lawyer's so-called victory made both the plaintiff and the defendant suffer big losses.
Source: Bernard Shaw's love letter 100 cases
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