Jia: Not everything will be destroyed by time.

"Only when it hurts can you feel love."

"Caring is the most painful expectation of love."

Shen Tao took his son's hand and cried before his father's spirit, which was a terrible pain.

Shen Tao took the green leather train to send his son to the airport, which was a helpless concern.

Shen Tao put the key in his son's hand. "This is the key to the home. You can come back at any time. " That's a painful expectation.

It is a biting loneliness to escape from picturesque Australia. ...

The third time, I was deeply hurt by the loneliness and the desire for love in the film.

Love, lost, has been looking for.

This is "Mountains and Rivers Depart in May" directed by Jia.

? Pursuing dreams

"I live in Longmen, Fuyang, and I am well-known in the mountains and rivers."

Fenyang, a thousand-year-old city, has settled the Anshi rebellion, Xinghua Village, a famous wine in Fenyang, and Jia, who brought local customs to all parts of the world.

Born in 70, Jia was stubborn as a child and rebellious as a teenager. The rising video hall, he patronizes every day; Fashion clothing street, he often strolls; Shaolin Temple was popular and he began to learn martial arts. In the tense high school, he also learned to write poetry. He seems to have learned nothing, but left nothing behind.

After graduating from high school, he went to the Fine Arts Department of Shanxi University. I came across Chen Kaige's Yellow Land. It's not a movie, it's life, it's the life of ordinary people he knows. He is fascinated. He wants to make his own movie. He wants to talk in the movie. Those words about hometown, those words about ordinary people, those words about the times that are confused and wandering in the changes.

He set his sights on a goal-the movie.

If I can't get into the director department, I'll make a movie. Beijing Film Academy, he took the exam three times. 1993 was finally admitted to the Department of North Film Literature.

More than 20 years of hometown life, like a blank knife in the sculptor's hand, is carved in his bones a little bit; For example, the color sculptor smeared a little paint on his plate in his brain. The yellow land Fenyang City has become a "county complex" flowing in his blood, which is thicker than water and difficult to give up.

? attempt

In his sophomore year, he and his classmates formed a youth film experimental group and made the first documentary "Home on the Hill".

Hill is one of the tens of millions of migrant workers in metropolis, and Jia wants to show those who are ignored by others. Rough shooting, rough pictures, rough skills, not rough is stubborn heart.

"Shooting is to show people and give people comments." He travels around with movies, and he accepts all the doubts, contempt, likes and dislikes of others.

What he wants is to truly show his heart. "I want to use movies to care about ordinary people, respect secular life and feel the happiness or heaviness behind every ordinary life."

Making a movie and not paying attention to the box office? Do not please the audience? Just care and respect?

? be under an embargo

The grass-roots life in clothing street, dance halls and small counties stimulated his nerves, which prompted him to shoot the thief-themed film Xiaowu on 1997.

"Movies should care about the real secular life and those who are full of ideals but eventually fall silent."

He used real images to explain the changes in small counties and told the lives of ordinary people. Later, I finished Platform and Ren Xiaoyao in Hometown Trilogy in one go.

Hometown people, hometown dialect, hometown changes, he took his hometown to Germany, Venice, and even the whole world. Instead of remembering the county seat, he can't forget that he was born in the yellow land where he grew up.

He is staring at the camera, staring at the changes in his hometown bit by bit, and staring at the people who need to pay attention to the changes.

He used the lens to express the helplessness behind indifference and numbness, and expressed his yearning after sadness.

He is telling with the lens, telling the confusion and impulse in the changes of the times, telling his stubborn growth.

"The platform is the place to start and the place to come back."

His shots have traveled all over the world, such as Venice, France, Switzerland, Singapore and Japan. ...

However, he was wronged, but the film he made with painstaking efforts could not be shown in his hometown. Just like a child wandering overseas, looking forward to boarding a passenger ship and going home one day.

The territory of a country

In 2004, he got the news that the ban was lifted, and he could walk freely on this land with his camera.

Finally, I made Good Man in the Canyon, but the box office was only 300,000. Is he embarrassed?

This film with a box office of only 300,000 was popular in 75 countries and won the Golden Lion Award for Best Film at the 63rd Venice Film Festival.

On the podium, he kissed the golden lion again and again with tears in his eyes. Thanks to his movies, his staff and his hard work for many years.

"The Three Gorges is a river and lake, with people coming and going, and it is a wandering dock."

He wandered with his team for ten years and moved around with his county land. "Being a filmmaker is one of my ways to find freedom."

He is eager to speak freely again and again. He surprised the world again and again. Those incomprehensible questions and contemptuous eyes cannot stop his pursuit of freedom.

? Myth; legend

"Movies are a way of remembering."

His Documentary of Jia, which perfectly combines the plot of the film with the record, has aroused the enthusiasm of Chinese people, and his Records of Twenty-four Cities and Spring in Beijing have also been recognized one after another.

In 2008, he was invited to shoot a large-scale film art film "Shanghai Legend" for the 20 10 Shanghai World Expo.

In order to find the feeling of Shanghai, he spent a month walking in Shanghai and wandering in the streets. He walked on the asphalt road with his camera on his back all day, and walked through alleys, recording pictures that were hard to find in tall buildings, uncovering the history covered by dust and discovering the context of urban changes.

"Walking on foot made me notice many interesting details of this city. Each community has its own personality, each alley has different memories, and each building has its own story. "

"I suddenly found that my camera captured the dream of freedom that always flashed in the eyes of these narrators."

He's making a movie, and he's also looking for a memory to restore a sense of cohesion in his memory. At the same time, we are also looking for the way of the future, looking for endless dreams on the road.

? homeland

20 15 10, his "the mountain may start" was staged.

It is still the street of Fenyang and the cordial Shanxi dialect. No matter how the times change, his lens is still telling the joy and heaviness behind the plain life.

At the end of the film, Shen Tao dances alone on a snowy winter night, which he danced with his "lover" when he was young. She is remembering, she is smiling, and in her native land, pain, loneliness and cold can all evolve into notes in music.

"Not everything will be destroyed by time."