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Fan Wei's main experience

Fan Wei

Fan Wei, male, is from Dong 'e, Shandong. Business, amateur writing, mainly devoted to novel creation, published works in various literary journals, and some novels were reprinted by Selected Novels, Selected Novelists and Selected China Literature, and selected into several collections.

Now he is a member of Chinese Writers Association, a contracted writer of Shandong Writers Association, a star of Qilu culture, and vice chairman of Liaocheng Writers Association.

Chinese name: Fan Wei.

Alias: Dong 'e people

Nationality: China.

Ethnic group: Han nationality

Place of birth: Shandong

Occupation: business, writing

Main achievements: Member of Chinese Writers Association, signing writer of Shandong Writers Association, star of Qilu culture, vice chairman of Liaocheng Writers Association.

Masterpiece: Tattoos

Gender: male

character introduction

Those flying elves who are dormant in ordinary life can always surprise people and make them believe in their dreams and ideals.

1On the evening of October 22nd, the Writers' Lecture Hall jointly sponsored by Shandong College of Literature, Shandong University Contemporary China Literature Life Research Center and Jinan Times was held as scheduled. This time, Wei Fan, a businessman from Dong 'e, Shandong Province, opened a supermarket. He said that he had never been to a university, but he was afraid to give lectures at the university. When the topic of "novel reincarnation" is analyzed piecemeal, when he slowly tells his feelings when reading the works of Borges, Marquez, Milan Kundera and others, and slowly tells his experiences when writing novels, a charming luster of the spiritual world gradually emerges.

Novels can eliminate forgetfulness and illuminate life forever.

Fan Wei's novels are few, and only one collection of novels has been published, but his exploration of avant-garde magical narration is very unique. A "six grandmothers" written into the novel, a long forgotten past that happened 30 years ago, became an incision for Fan Wei to understand life and novels.

Granny Liu is a simple and kind rural old lady in the neighboring village of Fan Wei. On an accidental occasion, Granny Liu was persuaded to drink some wine. Suddenly, this usually quiet old lady suddenly became eloquent and made a jaw-dropping speech in extremely rare fluent Mandarin. She said that she was sent from Hainan Island and said, "You usually look honest, but in fact you are all dishonest." This story has been circulated as a joke of a news event in Fiona Fang for more than ten years. Everyone knows the story except grandma Liu. In fact, Granny Liu has never been to Hainan Island, and the farthest place to go is the market five or six miles away from home. No one knows what secrets Granny Liu hides in her life.

The "magic story" that happened to Granny Liu has always made Fan Wei feel mysterious. Therefore, every time he passes by Granny Liu's house, he can't help glancing in. "Almost every time, granny Liu is sitting with her back to the door, surrounded by a group of chickens and a puppy. I am more and more curious: how can an old rural lady with her back to the door and facing small animals all day have such a charming and fierce magical speech? It was not until many years later that I read Sartre's words-I like animals or children too much, but I hate human beings. This sentence, like lightning, always illuminates grandma Liu and her figure with her back to the door. "

Thirty years later, the story about six grandmothers has long since disappeared, and even the witnesses of the incident at that time have already closed the story in the dead corner of memory. A sensational news event at that time was destroyed by time, but Fan Wei has been obsessed with Sixth Grandma and wrote her into the novel. "No matter how you write it, the story of Grandma Liu will not be destroyed by time in the novel."

In human history, time has destroyed too many things. No matter how earth-shattering you are, no matter how touching you are, time will mercilessly corrode these things. Fan Wei said, "I recently read an article in Southern Weekend, about the romance of dung beetles picking honey, and wrote a story about Changge in Henan in the 1950s and the Great Leap Forward. At that time, there was a patriotic health movement, calling on everyone to' eliminate the four pests and pay attention to hygiene'. These four pests are flies, mosquitoes, mice and sparrows. Changge county not only eliminated the four pests, but also invented new hygienic regulations for brushing donkeys and wearing masks for cattle. The story beyond Tolstoy happened on the satellite of Chinese class. The director of education inspires everyone, who is the writer with the largest number of words in the world? How many words are there in Tolstoy's War and Peace? So the teachers and students of the whole school mobilized and each wrote a paragraph. Together, it is a book with more than 5 million words. Teachers and students took a car full of manuscripts and beat gongs and drums to report good news to the county party Committee. We surpassed Tolstoy in a week! "

This ridiculous thing that people look at now really happened. Few people know this news event decades ago, but people will remember novels and art decades or even hundreds of years ago. "Time destroyed too many legends. Only novels and art can destroy time. As Milan Kundera said, novels can illuminate life forever. " Fiction is the embodiment of real life.

In Fan Wei's view, the relationship between reality or matter and novels can be explained by "samsara". Samsara is a religious term, which means that the soul is reborn in another body after death. "In my personal experience, novels are a process of rebirth, not only rebirth, but sometimes even the rebirth of the soul. Reality and materials are the past lives of novels, and novels are reincarnated from these past lives. The process of samsara is intellectual, thoughtful and formal. After the reincarnation of real matter, it is possible to illuminate the living world forever. "

Therefore, real life and life in novels are by no means the same thing. "The reality in the novel is an undiscovered reality, and the novel presents more possibilities of life and events."

Fan Wei's novel creation has this unique vanguard and magical color from the very beginning. More than 20 years ago, Fan Wei was a senior high school student in Dong 'e No.2 Middle School. He doesn't live in school. He walks on the bridge of Zhaoniu River every day. The impression at that time made later novels feel like a duck to water. Critic Zhao's feeling about this work is "like Mo Yan's transparent carrot".

Fan Wei was not a "good student" at school. He is biased because he likes writing. Because of prejudice, he encountered academic difficulties and developed an inferiority complex. Therefore, his highest education is vocational and technical school.

1994, he sent a manuscript to "Mangzhong" in Shenyang, and the editor Chang Yuan wrote back to him, praising his work very much. Chang Yuan asked Fan Wei to write another work for him immediately. Fan Wei finished it in one night and gave it to him. At that time, I was going to launch five or six works at a time, and I planned to comment, talk about creation and take photos. As a result, I was rejected by the editor-in-chief who thought he was too young and not from Liaoning. Finally, he sent two articles, titles and comments of publications.

Since then, although he has gone into business and stopped writing, Fan Wei's love for literature is not fade away.

Character works

Fan Wei's earliest published works are Lao Yuan and Lao Tian.

He is the author of the collection of novels Tattoos.

Representative works include Taiping, Chicken Hair Letter, Village Hypnotist and Mengcun Competition.

Honorary awards

Won the second Taishan Literature and Art Award (Literary Creation Award) in Shandong Province.

Personality assessment

As critic Zhao said: "From being like a duck to water to being a rural hypnotist, novelists are becoming more and more terrible. He broke out of the cocoon and became a flying tiger instead of a butterfly: he swallowed a huge dream and flew gracefully under the bleak sky. "