What do you think of Jiang Kun’s self-created “Hip-Hop Crosstalk”?

Some fan groups can’t understand a word of the cross talk, but they take it out of context to incite hatred and slap random hats on it.

Summary in one sentence: Crosstalks invaded by fan circle culture are all hot chicks. Crosstalk actors who earn profits from their jobs are shameless.

Jiang Kun has never invented something called "Hip-Hop Crosstalk". The program was called "Crosstalk with Post-80s Generations", and Jiang Kun performed with Jin Fei, Chen Xi, Dong Jianchun and Li Ding. This show is not a cross talk, but a song and dance show, but it is just performed by a few cross talk actors.

The short program "Crosstalk with Post-80s" appeared in the 2017 Spring Festival Gala Countdown Platter. This series of programs is for the waiting audience to watch randomly before the Spring Festival Gala is officially broadcast. Eight hours of gathering. It includes celebrity singing, short interviews with idols, and replays of classic clips from previous Spring Festival Galas. Basically, they are short programs of a few minutes. Because they are a platter of fragments before the dinner of the Spring Festival Gala, no one will watch the complete program of ten minutes. Gao Xiaopan and You Xianchao have a cross talk, which lasts only five minutes. There isn't enough time in the theater to fill in the gaps, so why don't you say that Gao Xiaopan invented "Lightning Crosstalk"?

Jiang Kun’s episode of "Talking to Crosstalk with the Post-80s Generation" is really embarrassing. An uncle sings and dances with several young people born in the 1980s, and the lines are not very good. The core is the aesthetic conflict between the old and the young. But it also inexplicably adds a review of Jiang Kun's classic cross talk when he was young. "Corridor Song", "Escape from the Tiger's Mouth", "Elevator Adventure", etc. are all included in the rap, which sounds quite strange. The name should not be called "Talking to Crosstalk with Post-80s Generations", it would be more appropriate to change it to "Reviewing Jiang Kun's Youth with Post-80s Generations".

Later on, there were several revisions of this show, but the basic theme remained the same, but it was not a cross talk, it was just a song and dance program with cross talk topics.

All in all, this is not a successful program, nor is it an innovation in cross talk. It is just an awkward dance + rap, and the sense of rhythm is still very poor.

But after being taken out of context by the filial sons and grandsons of Deyun Society, it completely changed. The fandom is so excited, and all kinds of big hats are applied to it, especially those self-media who scold Jiang Kun every day and vent their anger to leader Guo. They have all kinds of imaginations.

A program that was not very successful attracted a group of fans to be high on themselves. It seemed that after more than a minute of singing and dancing, Guo Shengren was completely invincible.

According to this method of taking quotes out of context + customizing titles + hating, then Deyun Club can dig out much more stuff than Jiang Kun.