I want to learn to write novels, how can I get started? Anything else? Please teach me.

I want to learn to write novels, how can I get started? Anything else? Please teach me.

The writer is a miscellaneous person

That is to say, he sees everything and is exposed to everything, and then he has his own insights and experiences, and then he feels like he wants to write about it. Then he starts Learn to accumulate slowly, and finally you can become a third-rate writer.

The process is difficult, persistence is the most important.

The combination of imagination and reality makes a writer. If you want to be a writer, then start working on it haha

As for writing skills and knowledge, there is nothing so good. If you can write well after reading the technical articles, you will be satisfied now. There are writers all over the world. Writing articles, novels, etc. requires a kind of expression from the heart, a kind of true love and evil of human nature. You must remember to be true and don’t deliberately arrange it.

Writing Techniques

There are three main characteristics of novels: first, the creation of characters is the main means of reflecting or expressing life; second, there are relatively complete and vivid plots; third, there are specific and typical description of the environment. Therefore, characters, plot and environment are called "the three elements of novels".

Specific

1. Be fully prepared and lay a solid foundation. Writing short stories is the same as writing novels and novels. Full preparation must be made before writing. First of all, before writing a novel, you must have certain ideological cultivation and life accumulation. Secondly, I have read a lot of literary and artistic works, love literary creation, and have a certain degree of literary accomplishment and basic common sense of literary theory. Mao Dun pointed out at the beginning of "Preparation for Creation": "The immortal works left to us by the giants in the history of world literature, as well as their lifelong experiences in literary careers, are the most perfect answer to this topic - 'Preparation for Creation' . Theorists studied, analyzed and explained the achievements of these literary giants, and wrote many papers, hundreds of thousands of words long, which are footnotes on this topic. "Thirdly, before writing novels, I was engaged in expression methods." Basic exercises, and engaged in writing exercises in general prose and sketching in particular. "It's best for a beginning writer to do more basic exercises. Don't rush to write what is usually called a novel, and don't rush to complete a piece. The so-called basic exercises, the now popular 'sketch', can be used. But I think the current ' Sketching also pays too much attention to the completeness of the form, and it seems to be a complete thing, rather than a rough sketch for practice. Sketching, as a basic exercise for beginner writers, might as well only have half a face, or a pair of hands, or a pair. Eyes. This should be the rough sketch that the learner draws when he or she suddenly gets something from his observations. It is the raw material necessary for the future refined product to be combined, blended, and refined into a finished novel. "( "Mao Dun on Creation" page 358) Therefore, if we want to learn to write novels, we must work hard from all aspects of thought, life, and skills to lay a solid foundation. Of course, the understanding of this issue cannot be absolute. This does not mean that we should wait until we have fully mastered the three levels of thought, life, and skills before we start creating. The experience of many young writers shows that beginner writers must have the courage to create and practice, and writing is the best basic training. Don't be afraid of failure, failure is the mother of success. Novel writing is the same as writing in other genres. There are no shortcuts. The skills of novels can only be gradually explored by oneself through many times of practice. You can only learn from other people's techniques, and you still have to rely on yourself to create.

2. Understand life and be familiar with characters. Creation requires life. If you are not familiar with and understand life, you will not be able to reflect and express life. Social life is the source of literature and art, and people are the sum of all social relationships. Only by being familiar with and understanding social life can we be familiar with and understand various characters. If you are not familiar with and understand various characters, you will not be able to write novels centered on character creation.

When Mao Dun talked about how he started writing novels, he said: "I truly lived and experienced the most complicated scenes of life that were turbulent in China. I finally understood the sorrow of disillusionment, the contradictions of life, and the lonely life in a depressed mood. I was still dominated by the persistence of life, and I wanted to use the embers of my vitality to shine a glimmer of light in this chaotic and gray life from other aspects, so I started writing. I didn’t do it to write novels. To experience life." He also said: "Being nosy is the most important thing for us writers. You have to listen and ask." ("Preparation for Creation") Therefore, a novel author should be like A. As Tolstoy said: "He is dissolved in the torrent of life, dissolved in the collective; he is a participant."

The life required for novel writing does not refer to daily life, eating and drinking, and the relationship between men and women. The "life" that can become the material of novels should have at least three conditions:

1. Have a clear and vivid image;

2. Be unique;

3. Has certain ideological connotation. Therefore, when the author observes life, no matter the characters, the story, or the environment, he should start from the above three points, bravely abandon those trivial and noisy "running accounts", and seize the truly useful writing materials, Penetrate the author's thoughts and feelings, making life materials gradually become one's own. 3. Strict selection of materials and in-depth exploration In 1931, Sha Ting and Ai Wu wrote to Lu Xun asking for advice on the subject matter of short stories. Lu Xun wrote back: "As long as what he writes can become a work of art, no matter what he describes or what materials he uses, it will definitely make a contribution to modern times and the future. Why? Because The author himself is a fighter. However, he must be strict in selecting materials and digging deeply. He cannot fill in trivial and meaningless incidents to enrich his creation. "Gorky also said: "In short stories, Just like on a machine, there shouldn't be a spare screw, especially there shouldn't be a spare part. "This tells us that when writing short stories, we must strictly select the subject matter and dig deeply. So, how to choose the subject matter and explore the theme of the short story?

Selection of materials

(1) Select the new and discard the old, and select the materials according to the needs of the times. There is no limit to the subject matter of short stories. Any field that humans are involved in or events that occur can be selected as the subject matter of the work. However, from the perspective of aesthetic value and social significance, we must pick out the new and present it, and try our best to choose the subjects that our era and society need to write.

(2) See the big from the small, and select materials according to the characteristics of the genre. The formal characteristics of the short story genre require that the author cannot write a vertical section of life like a novel, but must write a cross section of life, just like sawing a tree horizontally and looking at the growth rings to tell the age of the tree. Short stories Although the novel writes about a corner or a paragraph of life, it can also give a glimpse of the whole life. In order to reflect the times they lived in in their short stories, writers such as Lu Xun, Mao Dun, and Ba Jin all chose a certain period in the protagonist's life as the subject matter when writing short stories. Therefore, experienced novelists point out when talking about their creative experience that one must be good at "interception" and "selection" when creating short stories. For example, Wang Meng said in "On the Writing Techniques of Short Stories" that a very important point in the construction of short stories is to "select the part you want to start from the vast and vast life events. It may be a wonderful A story, it may be a character that left a deep impression on people, it may be a beautiful picture, it may also be a little memory, a little emotion, a little impression buried deep in your heart, and you are still I can't explain clearly at the moment. This process is called from big to small, from surface to point. You must choose such a 'small', otherwise, you will not be able to conceive or write, and you will not know what to write. "

(3) Exploit strengths and avoid weaknesses, and choose talents based on your own life. Generally speaking, the author should write about themes that he is familiar with, because these themes are refined based on a large amount of material accumulated in his own life. They are easy to write and can be written vividly and profoundly.

Most of the outstanding contemporary novelists started writing novels by writing about the people and events in their own life experiences. Material selection is the first important step in short story writing. The purpose of selecting materials is to select themes that can be written into novels from a large number of materials - typical episodes in life. To achieve this goal, we must have the ability to "capture" themes from diverse life phenomena. This ability to "capture" typical fragments of life is extremely important for novel creation. Mao Dun pointed out in his "Afterword to the Selected Short Stories": "In the horizontal aspect, if you are ignorant of various aspects of social life; in the vertical aspect, if you cannot see clearly the development direction of social life, then you will be in trouble. It is rare that among the complex social phenomena, the most representative thing, that is, the most profound thought, can be chosen as the subject matter of the short story. "Therefore, when selecting the subject matter of the short story, one cannot only focus on the story of the event. sex and attraction, but focus on examining the aspects and fragments of life in the context of the entire era, grasp the "vertical" and "horizontal" aspects of society, and be good at analyzing ordinary daily life phenomena. Capture extraordinary things, thereby reflecting the entire era and society from a corner of the era and society, allowing readers to see the surging ocean from a wave in the ocean of life.

We must also attach great importance to the "exploration" of short story themes - the refining of themes. "In almost all cases, the first thing that comes to the writer's mind is always the theme, or ideological content, of the novel. He conceives the plot of the novel to express this theme, and creates the characters around this theme. Good novels always There is a good theme. "([English] "The Novelist's Skills") The important thing to measure the aesthetic value of a novel is not the subject matter itself, but the depth of the author's thoughts on the subject matter - the theme. The degree of refinement. The so-called excavation is to deeply discover the essential meaning of life materials; the deeper the author digs into the essential meaning of life materials, the deeper the theme will be, the greater the educational effect of the work, and the higher the aesthetic value. . Therefore, a novel without a good theme will not be able to reach the level of elegance. When Li Shidong commented on the new generation of writers in the 1990s in "The Birth of a New Literary Level", he pointed out: "The literature of the 1980s was distinguished by the expansion of the realm of expression and the exploration and experimentation of expression methods. Characteristic. Accompanied by the previous generations of writers are conflicts and confrontations, publicity and abandonment, experimentation and inheritance, advancement and lagging, innovation and conservatism, counterattack and establishment, etc., which we can still find in literary creation today. ""In the new time and space of the 1990s, this generation of younger writers was able to enter the literary world because they were obviously alienated. The topics that writers used to care about in the past few years have maintained a trend of keeping pace with the new changes and developments in society... Linking personal emotions with the life outlook and spiritual situation of the times, seeking to fit in with the society of the 1990s , reflecting the new progress of Chinese society, this is their effort to achieve the integration of literature in a dissolving attitude, to return to a simple emotional attitude in an anti-avant-garde way, and to enter literature in a personal way. This is the literary intention of this new generation of writers in their creation. "(General Preface of "New Generation Novels Series" published by China Overseas Chinese Publishing House in 1996) It should be pointed out that the analysis of materials in novel writing and scientific research are the same. Analysis of materials are two fundamentally different things.

"The path of the 'creative process' that a literary writer should take is opposite to the path of the research process of social scientists." "The data that social scientists take for research are those intricate and natural Phenomenon, literary writers are the living people who caused those phenomena. Social scientists compare and analyze those phenomena and reach conclusions; literary writers, on the other hand, see something clearly from those living people-from their mutual relationships. If a writer uses artistic means to 'explain' a phenomenon, if he has a correct vision and an in-depth vision, he will be able to draw conclusions without drawing any conclusions.

"("Mao Dun on Creation" page 466) Therefore, the novel author's analysis work is combined with his own observations and feelings of characters and events, and his experience and understanding of life. This kind of analysis is rational, but it is It is melted in image thinking.

The creative practice of many novel authors tells us that the themes of some works are generated before the characters, while some themes are determined after the characters are created. For example, when Mao Dun created "Spring Silkworms", he first had a theme, "and then he dealt with the characters and constructed the story. "("How I Write "Spring Silkworms"") And Wang Meng said that many of his short stories did not come up with the theme first and then write it. He said: "What comes first in "Eye of the Night"? It is the feeling first, the feeling. First, the experience of the city’s night scene comes first. There is my personal feeling here, but not entirely. ... "Eye of the Night" is about how a person who has been in rural areas or remote areas for a long time feels about big cities and our lives. ... This feeling feeds on deep thinking about our lives. This deep thinking has not yet reached a clear conclusion, but it is full of deep thinking. "Wang Meng added: "Eye of Night also has a theme, which is about the turning points in our lives. ...The so-called 'turnaround' is full of difficulties and the burden of history, but something new has begun to appear, and there is great hope. In "The Eyes of the Night" there is both burden and hope; there are both scars and efforts to move forward beyond the scars; there are both thoughts and feelings; there are places where you can't think clearly and there are places where you are quite clear. I think "Eye of the Night" contains a lot of things. "("Creation of Romance Novel")

In short, we must dig deep into the novel's materials and painstakingly refine the theme. When conceiving and writing, we cannot separate theme refinement and character characterization. It can come first, it can be the theme first, or it can be the feeling first. Moreover, the theme can be one or several, that is, it can be a novel with multiple themes.

The first type is based on a certain prototype in life, and is summarized, imagined and fictionalized to create a typical character. For example, the madman in Lu Xun's "Diary of a Madman" is his prototype. A cousin. Lu Xun transformed the content of the image of the madman based on his daily experience of the dark society, and gave the character a profound social significance, thus creating the second type of artistic model.

, to create typical characters on the basis of extensive concentration and generalization of many characters. This is the method of "mixing various people and combining them into one". Balzac pointed out when talking about character creation: "In order to create a beautiful character." For the image, take the hands of this model, the feet of another model, the chest of this one, and the bones of that one. The artist's mission is to infuse life into the human body he creates and turn the depiction into reality. If he simply wanted to imitate a real woman, his work would not arouse people's interest, and readers would simply throw the unvarnished reality aside. "

Most of the characters in Lu Xun's works are like this. He said: "The deeds written probably have some reasons for seeing or hearing them, but this fact is never used entirely. Modify it, or develop it, until it is almost complete enough to express what I mean. The same goes for the character models. There is no one dedicated to the character. Often the mouth is in Zhejiang, the face is in Beijing, and the clothes are in Shanxi. It is a pieced together character. "("How do I start a novel")

There are many excellent short stories in which the characters cannot be pointed out from life prototypes. The creation of typical characters in such works can be It is more difficult than using a certain prototype to create a character. However, a real novelist must master this method of creating a typical character. The above two typical methods of character creation can sometimes be used in one work at the same time. Use, that is, you can use one method to shape a certain character and another method to shape another character.

Notes on characterizing characters in novels

(1) In novels. The characters are different from real people.

He is a fictional character created by the author, and this fictional character comes from the mind of the novel author. It is a "fictional" character that incorporates the author's flesh, soul, character, and temperament. The characters in the novel live in the country of the novel, which is a world where the narrator and the creator become one. British novelist Forster pointed out in "Aspects of Novel": The five main activities of novel characters in life - birth, diet, sleep, love and death, etc., all have characteristics that are different from real characters. As long as he understands them thoroughly, and as long as they are his creations, he has the right to write whatever he wants. This shows that because the characters in the novel are created by the author's imagination and fiction, they are different from real characters in life. To learn novel writing, you must first understand this issue.

(2) There is a contradictory yet unified relationship between the novel’s characters and the author’s self. Maupassant told us in "On Novel Creation": No matter what characters the author writes, "what we express is ourselves after all." "If we want to make the characters different, we can only change their age, gender, and social status." and the living conditions of our 'self', which is formed by nature with insurmountable organ limitations. ""To prevent readers from seeing this 'self' under the various masks we use to hide it. 'Identification is a clever technique. "

At the same time, Maupassant also pointed out: "If we, the authors, fully observe the characters, we will inevitably determine their personalities quite accurately so that we can be able to determine them. Foreseeing the manner in which they will act under various circumstances, if we can say: 'A man of such a character would do such a thing under such circumstances', it by no means follows from this that we Be able to identify, one by one, all the most hidden activities of the character's own thoughts that are not ours, all the mysterious desires arising from instincts different from ours, his organs, nerves, blood, skin, and constitution that are unique to ours. "This means that the author shapes the characters according to his own artistic conception, but the characters remain relatively independent of the author; the author makes artistic conceptions again and again, revising his character and making the characters lively. Stand up is both a model and a personality; once a character's character is formed, once he comes alive and stands up, he must think, speak, act, act and express tenaciously according to his social status, living environment, ideological character and personal temperament. Inner emotions. At this time, he often had to argue with his author, reminding him how he should be described. Under such circumstances, the author's pen has no choice but to follow the actions of the characters themselves. Of course, this situation will only occur after serious and profound artistic conception. It is impossible to write real novel characters if you do it hastily.

(3) The personality characteristics of the characters in the novel need to be reflected through true and detailed descriptions. In novel writing, detailed description is of paramount importance to the personalization of characters. Real typical details are first of all action-related, but they can also be language-related, psychological activity-related, and other aspects. Writer Liu Zhen realized from his creation: "The details in the work are like the cells in a living person, which are the soul of the work of art. The so-called height and depth of the work are determined by its details." "A detail is very important. It is difficult to form a novel, but it is often the lead or foundation of a novel. "("The Difficulties to be Overcome First")

When learning to write novels, you must work hard to find such details-- Details that may seem insignificant but are of great significance. Because the typical character in a typical environment is completed by many appropriate and powerful typical details. Only by organically connecting and organizing many typical details can we achieve the purpose of describing a typical character from a typical environment.

In addition, some authors often analyze characters' personalities by writing biographies. This kind of character biography is helpful for the author to grasp the character of the character, and beginners can also use it when writing novels.

I want to learn to write novels

Let’s find a job first, because if the novel is not well written, it will have fewer clicks and less money. Find a stable job first, and then use your free time to write novels. If you write a novel, you must persevere and update it regularly to be attractive. I want to learn sketching. How can I get started?

I don’t know. I want to learn to write novels. Who can teach me?

Hehe, I still need to read more and practice more. Let me give you some advice first. Let’s take a look at the basics:

Because I had just started writing novels, and I always thought that writing novels was nothing more than this, I realized that I couldn’t write anymore, so I started to study the creation of novels and read some books. , listen to some netizens’ opinions. Here are some insights into writing a book. Please forgive me if there are any shortcomings, and please discuss your writing experience together. In today's era of overflowing novels, more and more novels are gradually neglecting creative skills, and there are more and more phenomena such as blind pursuit of pornography, venting, and frivolous words.

No matter how good the writing is, no matter how gorgeous the sentences, no matter how exaggerated the plot, it is just superficial, like a handsome boy or a beautiful woman. This type of novel may be very attractive at first, but then, can you turn that batch of Reader retention depends on the author's true ability. I think the article cannot be separated from human nature. As far as I know, the most popular and popular anime today are often those works with average painting skills but fascinating stories, especially works that successfully portray human nature; and those paintings There are many works that have reached the "master" level, but have been relegated to the sidelines because the story cannot meet the readers' requirements. For example, the relatively successful anime "Gundam" mainly describes the nature of war - is war brought about by strong power, or is power needed to maintain peace because of the need for peace? Whether war is right or wrong has always been a question that everyone is looking for. It describes war vividly and uses war to highlight the multi-faceted phenomena of human nature. Therefore, the anime of Japan’s “Gundam” series has always topped the list.

Now let’s discuss the writing skills of novels:

The plot of the novel has a sense of rhythm. It is like a piano music. Its melody is light, heavy, urgent, and slow. When the music is gentle and docile, or when it is exciting and high-pitched, it can only be completed after careful design. A piece of music with a weak melody will sound very comfortable and touching. But if the music is disorganized and disharmonious, it will sound particularly harsh and uncomfortable, and you will not know what it is trying to express. The music has cadences and ups and downs, so the structure of the story is also the same.

1. Characterization of character personality

1. The elements of character expression are:

a. Unique expression b. Habitual movements c. Commonly used Dialogue d, thoughts y, ideas and desires f, weaknesses and flaws g, character’s likes and dislikes

2. Use of these elements:

The above elements can be used as creative elements Tools, these tools must be used well. You can list these settings and mark the parts that are expressed. The more important personality parts should be repeated repeatedly to deepen the reader's impression of the character.

2. The use of supporting roles and foils

There is a joke that handsome boys and beautiful women always like to stay with people who are uglier or shorter than themselves, because they are foils. The same is true for story creation, which also requires this kind of foil, especially the foil of supporting characters. Constantly use supporting characters to foil the protagonist, and try your best to shape your protagonist into an idol. Therefore, all supporting characters are set up to set off the protagonist.

1. Types of supporting roles:

Positive - mentor, adoring, assisting

Uncertain - mysterious, competitive, buffoon

Negative - Framing type

2. Assisting type: A necessary role that often appears inseparable from the protagonist, sharing difficulties and sharing wealth.

Mentor type: A supporting role that gives the protagonist correct knowledge and concepts

Admiration type: The protagonist’s crush is usually the (male) heroine, which has a great influence on the protagonist’s state of mind. , is an important role that affects the changes in the entire plot.

Mysterious type: It will have an obvious positive or negative impact on the protagonist. He will never name himself. Usually he will be deified.

Competitive type: The strength will definitely not be the advantage of the protagonist, but you will be excited or afraid of the protagonist's hidden strength. It will not hinder the protagonist's progress, but will promote the protagonist's growth and become enough to compete with yourself. opponent.

Framing type: Usually in order to get something owned by the protagonist, or for different reasons such as not liking the protagonist, he often goes against the protagonist, and is also an indispensable role in the plot.

Harlequin type: A character who often pulls people back, does very outrageous and ridiculous things, and does it just for the sake of being funny.

3. Each character has its necessary functions. Just like an online game, you must constantly create a balance in your plot and then break the balance, so the interaction between the characters will be corresponding. is important. When the positive force is too strong, it means that the sense of crisis is insufficient; when the negative force is too strong, it means that the protagonist's status is about to collapse. *** are constantly being created under such a stack.

3. The performance and setting of the bridge section

1. The contrast method bridge section: In terms of the protagonist’s positioning, arrange another bridge section to be jealous of the protagonist’s setting Contrast and comparison can easily give readers a standard of measurement and highlight the differences between the protagonists.

For example: a desperate prodigal meets a protagonist who is impoverished but full of hope for the future. There is a great contrast between the two, which can set off the protagonist and shape his image.

2. Stacking bridge section: Arrange the layout of the bridge section to a certain height in advance, and then stack the protagonist at this height. Naturally, the protagonist will reach the highest position effortlessly.

For example: A legendary swordsman, whose swordsmanship is quite exquisite, no one is his opponent, and those who challenge him are killed within three moves. But the strange thing is that when he faced an inconspicuous middle-aged homeless man, he was defeated with one blow. When everyone admired him, an eighteen-year-old boy appeared, and the homeless man called him master

I want to learn photography. How can I get started?

Buy a New York School of Photography textbook. It’s not expensive. The content is comprehensive and practical. I want to learn to write novels! I want to become a disciple!

You should be fine if you read more novels and have some basic knowledge of Chinese. Those writers have never had any masters. They mostly polished it by themselves. I want to learn to write horror novels

There is a way to render horror, and that is gore. I like the Gothic style of writing, which gives people a sense of darkness.

The following is what I saw online.

A beautiful and brutal murder. The man touched her cheek with a dagger, aimed it at her throat and stabbed it deep. The blade penetrated the skin and penetrated the arterial trachea. The sticky blood spurted out and splashed everywhere, including sheets, pillows, and clothes. The woman stared at the ceiling with dull eyes, while the man licked away the excess blood from the wound with the tip of his tongue. This doctor, who had a history of anatomy, cut open the woman's white and smooth abdomen. The flesh was opened, and the skin tissue was vaguely visible. Blood oozed from the edges. He dug out the living, dripping internal organs. The blood dripped until the floor tiles seeped into the cracks, and the flesh was connected. The sound of flesh breaking was heard. I saw your viscera and snow-white bones, extremely perfect. Your intestines, lungs, kidneys... were paralyzed and terrifyingly soft. I think you love me, my heart is still beating.

(Selected from QQ286071316)

The cold invades the blood instinct and lets it be released. The moonlight surrounds my blood-stained body

Looking at the black shadow under my feet, I dance wreaking havoc on it. Sometimes intense

Sometimes soft, until my feet were covered with bright red excitement. I strode and jumped, cheering "One...Two..."

I shouted in the air "Three...four" my soul has also been released

It is still bloody and bloody at my feet, constantly gushing out blood

Fusion in the milky white viscous liquid

I am excited again because it is brighter than the moonlight. This will be the baptism of my rebirth.

(Selected from QQ325939077)

I cut off my head

Playing with you

A scar as big as a bowl

The blood gradually turns black and solidifies (selected from 325939077) Looking for a book with good writing, I want to learn to write novels

Yi Qianqian

----- "Morning" Ann, My Husband" A Rich Family

The author uses playful writing techniques to describe the story of a playful female protagonist and a calm and sinister male protagonist. The plot is touching and clear and smooth. The article as a whole is very attractive, and it is a favorite among favorite articles.

Peach Cat

-----"The Billionaire Sweetheart" Rich Family

The author is experienced in writing, and the protagonist's development path is worth looking forward to. The love scene It also has a strong sense of humor, and the plot's over-development at the beginning is very natural. It's smooth and comfortable to read, and the characters are well established.

Sleeping while drunk

-----"Like a Proud Wife" A wealthy family

What started out as a fun-filled affair turned into a burning passion. The subject matter is very novel, and the author's character setting is also lifelike and vivid.

The Only Lost Butterfly

-----"Ex-Husband, Please Come In" A wealthy family

The heroine’s gorgeous return, the hero is furious, and the writing is smooth , the content is novel and eye-catching. I want to learn C language. How can I get started?

When I first learned C, the teacher asked us to draw a flow chart. I still don’t realize how important it is, but the teacher said that it will be a good helper when we encounter complex problems in the future. , although I don’t feel it, but you can give it a try. You have to choose a good book, preferably with more examples to facilitate your understanding. Don’t look for books that only have text explanations. If you just read the definition, you will not understand what it says. What is it, anyway, step by step, don't be anxious, you must lay a solid foundation, what is the foundation, the foundation is the so-called variables, order of operations, FOR, while and other syntax, you must do it step by step, just like in When building a house, if the foundation is not solid, you will suffer in the end. In the past, when I was studying in junior high school, I was eager for success and could not understand what the teacher meant when he said that the foundation was not solid. Now I know that if you have a solid foundation, your grades will be among the best, so This is my suggestion. I want to study psychology. How can I get started?

Recommend a book:

"Behavioral Psychology" (Xueyuan Press, 2003). Books recommended by Zhang Naiqi College instructors: znq.zjgsu.edu./eWebEditor/UploadFile/200810309249872.xls

Download from Baidu Library

TXT format: wenku.baidu./view/9796dfbff121dd36a32d82b7.

PDF format: wenku.baidu./view/5e381540be1e650e52ea993f.

DOC format: wenku.baidu./view/6dd4eac75fbfc77da269b13f.