Ask an expert: There is a dead background music in the TV series A Dream of Red Mansions, which is played by the cloud. I wonder where I can find it.

Painting: two dead trees with a jade belt hanging; Another pile of snow, with a golden hairpin under it.

Judgment: It's a pity to stop working, but it's a pity to praise talents! The jade belt hangs in the forest and is buried in the snow.

Comments:

Lin Daiyu and Xue Baochai, one is an orphan girl who lives under a sponsor, and the other is the daughter of a royal businessman; One is naive and straightforward, and the other is extremely shrewd; One is isolated, one is supported by many parties; One is the confidant of the judge, and the other is the moralist. Zhi Yanzhai once said that "women and wear are one", and the exact explanation can be tested; But this is undoubtedly not to deny the difference or opposition between Lin and Xue. The author put them in a poem, not only because they have the same position in the novel, but also through the comparison of Jia Baoyu's different attitudes towards them to show that Chai Dai's fate is different, but the result is tragedy.

2. Yuan Chun's regime judgment

Painting: A bow with citron on it.

Judgment: for twenty years, judging right and wrong, where pomegranate flowers shine in the palace; Three spring for the early spring scenery, the tiger and rabbit meet and dream of returning to their hometown.

Comments:

The Jia family ranks first among the four families because it is the richest and most powerful, and this is because it has a big backer-Jia Yuanchun. Jia Fu, a respected minister from generation to generation, became a relative of the country because of her. Therefore, the first half of the novel focuses on Yuan Chun's plots, such as "only choosing Fengzao Palace", "sealing a virtuous princess" and "mothering", and tries to describe the scene of Jia Fu's "cooking with fire and blooming flowers". However, "luxury is enviable, but parting is embarrassing." Who knows the joys, sorrows and sorrows when you win a hollow reputation? "Let's look at the scene where Yuan Chun went home to meet his relatives in a private room. Behind the "glory", we can see the tragic situation of the separation of flesh and blood. Yuan Chun said a word and cried a word, describing the palace ouchi as a "shady place" with no interest, just like coming out of a place imprisoned by claustrophobia. Cao Xueqin's vigorous brushwork reveals the glory respected by the feudal class. For an aristocratic woman like Jia Yuanchun, this is still an abyss, and she must pay the price of losing her freedom.

However, all this is not the foreshadowing of the subsequent plot development. After mothering, Yuan Chun returned to the palace, seemingly parting, but actually parting. She not only lost her freedom, but also lost her life. Therefore, writing about Jia's grand occasion brought by powerful people is also to show that the tree that sheltered Jia's family after her death was destroyed, and to contrast with Jia's tragic situation after her death and confiscation. Fat critics pointed out that Yuan Fei's death, like Jia Jia's defeat and Dai Yu's death, was "a great festival and a key to the whole book". However, in the existing sequels of the last forty chapters, this turning point has not been shown. On the contrary, the sequel greatly praised Yuan Chun's death, saying that "excessive phlegm" caused the disease because "the saints were solemn and fat", as if her death was enough to show the majesty of the emperor.

Among the characters in A Dream of Red Mansions, those who are short-lived have convincing reasons, but the reason for Yuan Chunying's early death in 2008 is not clear. This is thought-provoking in itself. It is impossible to infer how the author wrote it from the word "Tiger meets Rabbit", and some words in "Hate Impermanence" are also very strange, such as Yuan Chun's "loitering, consuming the soul" and "looking at my hometown, the road is long and the mountains are high". If Yuan Chun later died in the palace, it would not be too far for Jia Fu, who was built in the west of the imperial city. It's hard to understand the words "the road is long, the mountains are high and the waters are long" and "asking for advice from each other". This can only be an unsolved case now. However, one thing is clearly written in the song, that is, Yuan Chun cried to his parents in the form of a dream, saying, "My son's life is in the grave, and his family needs to step back and leave early!" Isn't it obvious that relatives should take a warning from her own swallowed their anger and die, get rid of officialdom as soon as possible, and avoid the coming disaster? Therefore, her death not only marked the political demise of the factions represented by the four major families, but also sounded the death knell of Jia's demise, and she herself was completely a victim of the infighting of the feudal ruling class. In this way, Cao Xueqin, who claimed to be "non-interference in the current situation", boldly opened a corner of the political curtain, allowing people to see the dirty activities of various factions in the feudal ruling group from the ups and downs of a feudal family. Jia Tanchun's sentence "I want you to eat me, I will eat you" has a profound meaning, so we might as well understand it from this aspect.

3. Spring Festival of Zhengquan Trial

Painting: a wolf, chasing a beautiful woman-trying to vomit.

Judgment: My son is a Zhongshan Wolf, and he will be mad if he succeeds. Golden boudoir flowers and willows, a burden to fight.

Comments:

The second young lady of the Jia family, Ying Chun, is honest, incompetent and timid, so she has the nickname "Second Mother". She is not only inferior to her sisters in guessing poems, but also only knows how to let others bully her and take an indifferent attitude towards the contradictions and disputes around her. Her pearls and jewels were gambled, but she didn't pursue them; Others wanted to help her get it back, and she said, "I'd rather not have it, why did I have it"; When things started to get worse, she ignored it and took a copy of Too Sensational to read for herself. Check the Grand View Garden, and the players are dismissed. Although Yingchun felt "reluctant to leave for many years", she shed tears. Si Qi begged her to intercede, but she didn't even say a word. Such a timid person will eventually have a tragic ending, which is indeed inevitable in the social environment at that time.

The seemingly image of Yingchun was eaten by "Zhongshan Wolf, heartless beast", but it was actually the whole feudal patriarchal clan system that swallowed her up. Her mother died when she was a child, and her father Jia She and Mrs. Xing showed no mercy to her. Jia She owed the saying five thousand two hundred pieces of silver, and marrying her was actually equivalent to paying her back. Although some people discouraged this marriage at the beginning, no one could help it, because the child's marriage depends on his parents. Later, Yingchun returned to Jia's home and cried about the abuse she had suffered in Sun's family. Although everyone was sad, she was helpless. Because the married daughter belongs to her husband's family, she had to reluctantly send her back to the wolf's den.

In the daughter country of Daguanyuan, Yingchun is a typical representative of being a victim of feudal arranged marriage. Through her unfortunate ending, the author exposed and accused the evil of this marriage system, which is an objective fact that no one can deny. However, some people just want to put the credit for opposing the feudal marriage system on the account of Cheng Weiyuan and Gao E's sequel, thinking that the sequel is also of higher value than Cao Xue's original work, that is, "it has a deeper anti-feudal significance-exposing the freedom of marriage in feudal society", thus "it has a greater anti-feudal role among readers". Even think, "marriage is not free. In A Dream of Red Mansions, it touches the clue of the whole book. This is nothing more than a sequel to Baodai's tragedy, a martyr's family tragedy caused by the freedom of marriage, which has improved the ideological content of the original work. Our views are just the opposite. The so-called "deeper anti-feudal significance", as mentioned above, the original text already exists. Although A Dream of Red Mansions exposes various drawbacks of feudal marriage, it is by no means a book with the theme or main line of opposing freedom of marriage. Taking this as a "full clue" will naturally change the extensive exposure of this highly political novel to the dark theme of feudal society, change the main line of the novel showing the decline of the four major families in the internal political struggle of the feudal ruling class, limit the basic contradictions to a small range of families, and draw readers' attention to the love and marriage between men and women. This is the true love of children. This is really the sequel author's distortion of the original spirit.

4. Explore the spring of official adjudication

Photo: Two people fly kites, a sea, and a big ship. There is a woman on board, hiding her face and crying.

Judgment: I am smart and ambitious, born in the last days. Qingming tears are sent to the riverside to see, and Dongfeng dreams.

Comments:

Tanchun, Miss Jia Fu San, nicknamed "Rose". Her ideological character is in sharp contrast with her sister "Ermu", who is also a monk. She is clever, scheming and decisive. Even Xifeng and Mrs. Wang are afraid of her. Give her some points. In her consciousness, the feudal hierarchy of master and servant is particularly deep. The reason why she is so contemptuous and heartless to her biological mother, Aunt Zhao, is that a man in the position of concubine dares to cross this line and offend her dignity as a master. In Tan Chun's view, copying the Grand View Garden is more important than anything else. She "ordered the maid to wait for the door with a candle", and only allowed others to search her locker and not to touch her maid's things. There was absolutely no room for manoeuvre. This is also to try to maintain the prestige and dignity of the master in front of the servants. "I didn't plan on it." Wang Shanbao's family didn't understand this and got a slap on the spot. Tanchun was deeply touched by the crisis that Jia Mansion was about to collapse. She wanted to save the decline of this feudal family with a small reform of "promoting advantages and eliminating disadvantages". But this can only be overworked, to no avail.

For people like Tan Chun, the author has class preference and class sympathy. However, the author did not violate the objective authenticity of history and characters, but still described this image very deeply and truthfully wrote the inevitable outcome of her "born in the last days". The plot written in the original is different from that written in the sequel. "After three spring leaves, the fragrance is exhausted." Yingchun married and wrote eighty times; Yuan Chunzhi's death and Tan Chun's marriage were written before the downfall of Jia's family, probably shortly after the 1980s. In this way, after 1980, there will be waves of turmoil, and the plot will develop quite rapidly. It will never be as sloppy and boring as the continuation of the author's "Four Beauty Fishing".

5. Xi Chun's official judgment

Painting: An ancient temple, in which a beautiful woman sits alone.

Judge:

It can be seen that the spring scenery is not long, and the clothes are replaced with the makeup of the year before. Poor embroidered maid, lying alone beside the ancient Buddha in Deng Qing.

Comments:

Jia Xichun's Exploration of Three Springs does not mean that she has the highest knowledge and the best understanding of the true meaning of life among the sisters in the Grand View Garden. On the contrary, in the novel, the author deeply analyzes Xichun and shows us the subjective and objective reasons why she chose this life path. Objectively speaking, she is the youngest of Jia's four sisters. Gradually sensible, she came into contact with the scene of Jia's decline. The declining fate of the four big families and the unfortunate ending of the three sisters made her worried about her future. As everything in reality lost its appeal to her, she had the idea of dying. Subjectively, it is her aloof and indifferent personality, which is shaped by the environment. This is a typical egoistic world view. People say that she is a cold person, and her own philosophy of life is "I can only keep myself." When inspecting the Grand View Garden, she gritted her teeth and drove away the maid who was not at fault, but was indifferent to the tears and sorrows of others. This is a typical performance of her insensitivity. Therefore, when Jia Fu was completely defeated, it was the only way for her to escape the infighting of the ruling class and save herself. Describing the spiritual outlook of people who convert to religion so realistically, and never adding a mysterious spiritual aperture to their heads, has actually become a criticism of religion, because Cao Xueqin used his artistic skills to "remove those illusory flowers decorated on chains." Similarly, Cao Xueqin did not treat Xichun's conversion to Buddhism according to Buddhist theory, but described her destination according to the logic of real life. "Poor embroidered maid, lying alone beside the ancient Buddha of Deng Qing!" In the original manuscript, her situation of "begging naked" is much more tragic than that written in the sequel.

6. jie feng, official ruling

Photo: There is an iceberg of a female phoenix on the mountain.

Judgment: Birds from the last days know that they love their talents in this life. Obeying two orders, three people were in a daze, and crying to Jinling was even more sad.

Comments:

Wang Xifeng's de facto position in Jiafu. She is in charge of politics, assisting Ning, and being a traffic officer, she does whatever she wants. This is a very political figure, not a housewife of an ordinary aristocratic family. Her distinctive feature is "playing for power", grasping power with one hand and money with the other, which fully shows the power desire and greed of the exploiting class. Wang Xifeng is not only a person, but also represents a class. It is not only Wang Xifeng's personal fate, but also the image portrayal of the dying feudal class and the complete collapse of the reactionary social system they represent.

In "Smart and Tired", "The agency is too smart, but it is a green life!" These two sentences tell the * * * law of all reactionary classes that are going to decline. Wang Xifeng is the leading "last-time talent" among the four families. During her short years in power, she tried her best to change the situation, using cruel and despicable means and creating many evils. Several people died directly at her hands. All this is just to prepare for her own final downfall. According to Cao Xueqin's original intention, the ending of this door bully is very bad. From "Fat Batch", we can know that the second half of the manuscript has the following plot:

First, I was convicted of running away from home, and I looked forward to being in the temple in prison with Baoyu. The reason is nothing more than the disclosure of her crimes such as collecting money and killing people. For example, unmarried couples are forced to commit suicide and enjoy a section of 3,200 taels of silver. Pang Tuan pointed out: "The manufacturer doesn't know how to cancel the contract, but he knows." "I don't need to write in detail, I know what he has done in this life, and I won't blame him for his painful state when I look back." Grandma Liu also met her in the prison temple when she was not at home. In addition, Xiao Hong and others met Feng in the prison temple.

Second, take a broom to sweep the snow in the Grand View Garden. This should be after experiencing some twists and turns, was sentenced to go out and return to Jiafu. I said in front of Qidian that it will be a place where the wind sweeps away snow and picks up jade in the future.

Third, she was abandoned by her husband and "cried to Jinling". Judging from the time sequence of 2 1 day, she found that many girls' hair hidden by their husbands was the fuse. The husband took this opportunity to turn his face and abandon it. At that time, Xifeng's "little luck" made her suffer humiliation, which was far from the "A Feng Ying Qi" when "Qiao Pinger saved Jia Lian softly". So the second half of that period was called "Wang Xifeng, a strong hero in know life".

Fourth, look back at the pain and die short-lived. You's wife said to Feng, "I'll carry the messenger into the coffin tomorrow." Fat criticism: "This statement is true, and it will be short-lived after lying down."

In a word, Xifeng's bitter ending is the result of suffering, not the fate of the world.

7. Zhengquan judged Xiangyun

Painting: A few wisps of flying clouds, a bay loses water.

Judgment: What is wealth? Parental disobedience between infants; The beautiful eyes hang oblique light, and the Xiangjiang River died in Chu Yunfei.

Comments:

A Dream of Red Mansions appeared in the form of "writing children's pen and ink" because the author paid attention to the political environment at that time. Therefore, many women who represent different personalities and types in the book are cut and refined from the perspective of real life and integrated into the characters and details of the prototype characters in the novel, which may not be limited to women. Shi Xiangyun is the most obvious pink man in the daughter country of Daguan Garden. Her parents died when she was a child and she was raised by her uncle. Her aunt treats her badly. So her life experience is somewhat similar to that of Lin Daiyu. However, she is outspoken, cheerful and generous, mischievous and unthinking. She even dared to sleep on a bluestone bench in the garden when she was drunk. She and Baoyu are also good friends. Together, they are sometimes affectionate and sometimes annoyed, but after all, they are open-minded and "never care about their children." However, on the other hand, she has no rebellious spirit of Lin Daiyu and is influenced by Xue Baochai to some extent. In Shi Xiangyun, in addition to her unique personality, we can also see some uninhibited characteristics of literati respected in feudal times.

Shi Xiangyun's misfortune is mainly the post-80s generation. According to the scattered materials provided by Treatise on Febrile Diseases and Comments on Red Yanzhai, Shi Xiangyun later married a noble son Wei who was quite chivalrous, and his married life was relatively happy. But the good times didn't last long, and soon the husband and wife separated, and she was lonely and haggard. As for the legend in some sequels that Baochai died young, Baoyu became a servant, and Shiyun became a beggar, and finally married Baoyu, it seems that this is not in line with Cao Xueqin's original writing plan, but the attached poem "The White-headed Double Star Kirin" produced in the thirty-first cycle. In fact, the "white-headed binary star" means that Wei and Shi Xiangyun live independent lives. Because Shi Xiangyun's golden unicorn and Xue Baochai's golden lock are very similar, and both are used as proof of marriage, as Zhifu said: "The unicorn attached to the nursery in Lan Ruo in the last few decades is also this unicorn. The outline lurks here, and the so-called grass snake gray line is thousands of miles away. " So, how does the Outline work? This time, it happened that Jin Qilin was found by Xiangyun, and Xiangyun's maid was talking with the young lady about the theory of "male and female" and "yin and yang". At first glance, it really looks like "Fu". Xiangyun and Baoyu have a "fate". Besides, it also conforms to the theory of "golden jade and good marriage". Daiyu also had doubts about this and said some sarcastic words to Baoyu. In fact, Baoyu just acted as a middleman out of nothing. Just like the "fate" between xiren and Jiang Yuhan is to exchange sweat towels through his biography. At this point, Fat Transfer made it very clear: "Today's marriage has decided that writing a golden unicorn is also a color method. I'm sure my son feels it, so my son is called' love'. " In order to make the main color bright, another color is used to set off the painting. This method is called indirect color matching. Xiangyun's marriage is a foil to Baochai's marriage: one became attached to the golden lock and the other to the golden unicorn; A second grandma seems lucky, but her husband is a monk and widowed; The phrase "the fellow villagers are talented and beautiful" is "the clouds are high and the Tang Dynasty is dry, and the Xiangjiang River is dry". In the end, there is nothing. "Double Star" is another name for morning glory and Vega. So Tanabata is also called Double Star Festival. In short, the "White-headed Double Star" means that after Shi Xiangyun and Wei got married, for some reason, they soon divorced and became cowherd and weaver girl. This just serves as a foil for Baochai's "good marriage". "Good Song Note": "What do you mean by thick fat and fragrant powder? Why are the temples frosted again? " Pang Tuan mentioned Baochai and Xiangyun together, saying they were both. It can be seen that the person who married Baoyu with Xiangyun in the future was also "impressed" by Baoyu's acceptance of Jin Qilin at that time because of misunderstanding.

8, can be called a just judgment.

Painting: Tall buildings, beautiful women hanging themselves.

Judgment: boundless love is in an imaginary body, and it is the main prostitute as soon as it meets; If you talk nonsense, you will have honor. It's a good start to trouble.

Comments:

Qin Keqing is an orphan who was abandoned in Yangshengtang. After she entered Jia Jia's family from her adopted home, she fell into the abyss of sin. Her destruction is the result of the corruption of Jia masters' lives, and Jia Zhen, a humanoid beast, is the first evil. One thing in The Good Things End is quite intriguing: in the novel, Qin Keqing died earlier, and then there were great events such as the Spring Festival and the Lantern Festival celebration. Why do you say she is "the root of the prodigal son"? Does the author really think that the downfall of Jia family in the future is "always due to emotion" as this song comes down to? The decline of the four major families is determined by the objective laws of social politics, and the decadent life and moral corruption of the feudal ruling class are also determined by its class nature. Even if Cao Xueqin is far from such an understanding, how can he blame all the reasons on a woman who was killed by the poisonous atmosphere of the evil feudal family Jiafu? It turns out that this is the same as "everything is for romantic feelings" in the introduction of Twelve Songs, except that the author consciously marks all the characters and events in the novel as deceptive. To a great extent, in order to give people the illusion that "most people are talking about love", the author invented dreamland and fairy tales. But if this "absurd talk" does not communicate with reality, it will not cover up the political truth. Therefore, in reality, the author chooses the one who died because of the exposure of an affair as the symbol of this kind of emotion, which makes her "fantasy" become the "emotional body" in Baoyu's dream, and also makes the immortal Ji, also known as "Ke Qing", confuse with the images of Chai and Dai, and finally fall into the maze with Baoyu, suggesting that this is the shadow of the subsequent plot development to justify itself. Of course, the author's thoughts are full of contradictions. It is a last resort to show people the truth. So he wrote a pair of couplets at the entrance to the dreamland, repeatedly warning readers to distinguish between "true and false" in advance.

As we already know, the direct fuse of Jia's later misfortune was Guo Rongfu, and Baoyu and Xifeng, who had lived in the prison temple for a long time, were all from Guo Rongfu. Baoyu's crime is nothing more than the kind of words that came from "all kinds of big crimes." Baoyu, of course, has the habit of philandering with aristocratic childe, but he has never been as shameless as Jia Zhen and his son, which makes this a crime involving the whole Jia family, of course, because hostile forces want to seize the handle and punish each other in political struggle. Now, we want to say that this is the evil caused by romantic love, but it comes down to its origin-the temptation of Qin. But even as far as this cause is concerned, it must be pointed out that all this is even more heinous. For example, if Jia Jing indulged his offspring in accordance with feudal etiquette, it would be more serious than Jia Zheng's attempt to teach his son to submit with strict training, and he should be regarded as a "first offense". Wang Xifeng's politics, finance and strategy also began with her assistant Ning Guohan. Jia Zhen tearfully begged Mrs. Wang to let Xi-feng take care of the funeral and connived at her "doing whatever she likes", which made her get carried away. After Tiejing Temple committed murder and took bribes, "Xifeng was emboldened. If this happens again in the future, she will be willful." This extravagant funeral was held because Jia Zhen had a special relationship with the deceased. Xifeng's plan to make second sister you and make trouble with Ningguo House also began with Jia Zhen and Jia Rong. And Jia Rong has an ulterior relationship with Feng, who is the closest husband of Qin to Feng! However, in spite of this, "all kinds of customs", "moon appearance" and even myself are just a means used by the author to reveal the various relations between the Jia family. The cause and effect of Jia's decline will be explained in his own specific plot, just as the author is unambiguous in describing the plot of Feng Yuan and Zhang Jinge's death. The meaning of Qin Keqing's "verdict" and the words in the song is more profound than the superficial impression we get after reading casually. Even the title of the song "Good Things End", we realize that what it refers to is probably not limited to Qin alone, but the downfall of the whole Jia family.

9. Li Wan's "Zheng Quan Judgment"

Painting: a pot of Maolan, next to a beautiful woman with Zhu Xi.

Judgment: Who is like an orchid in the end after the spring breeze of peaches and plums bears fruit? Like ice water, you are jealous in an empty space, and you play jokes on others in vain.

Comments:

Li Wan attended many important events in the novel, but she always only played the role of "beating gongs and drums" and left no special impression on readers. This may be in line with her status and ideological character-Guo Rongfu's eldest sister-in-law, a widow who abides by feudal ethics and stands aloof from the world, never settles down and refuses to get involved in the whirlpool of contradictions and struggles. At the beginning of the fourth cycle, the author introduced her, except for the ending, which can be used as her biography. She is a typical wife and mother in feudal society and the embodiment of "three obedience and four virtues". In Qing Dynasty, Taoist guardians advocated Zhu Cheng Neo-Confucianism and women's chastity, and women were more oppressed by the feudal "four ropes". People like Li Wan, in the eyes of the rulers, are fully qualified to be respected, set up a memorial arch and be included in Biography of Women. Although "impermanent life" did not give her more opportunities to enjoy belated happiness, she got the wealth and glory of "a crested phoenix and a summer dress" before her death, which can be used as a proof of the selflessness of heaven, and anyone who can endure hardships and be chaste all her life will be rewarded. Cao Xueqin, on the other hand, chose to include her in the book "Unfortunate Division", saying that all this was just a joke with others, a bold challenge to the traditional Confucian concept, and a bold challenge to the glory of democratic ideas transmitted from the darkness of the feudal kingdom.

10, the official judgment of Miaoyu.

Painting: A beautiful jade fell in the mud.

Judgment: If you want to be clean, you will never be clean, and the clouds may not be empty. Poor Xiaoyu finally got stuck in the mud.

Comments:

Miaoyu, a nun who does hair in Suzhou, turned out to be a rich woman. She lives in the temple of the Grand View Garden, depending on the right door and relying on the Jia family for support, but she claims to be an outsider. This is just as Mr. Lu Xun revealed: "Being such a person is like pulling out your hair with your own hands and leaving the earth." In fact, she did not stay out of the Jia family's various realistic relationships. Her "high" and "clean" are both melodramatic. She flaunts lofty, and even Daiyu is called a "laity" by her, but she only likes to associate with Baoyu, even forgetting Baoyu's birthday, and specially sends someone to have a Japanese post. The teacup of Wang Kai, a rich man in Jin Dynasty, which she treasured is also a satire on her. She pays special attention to cleanliness. Granny Liu took a sip of tea, which was too dirty. She wanted to smash the tea, but she specially treated Baoyu with the green jade bucket of "drinking tea every day". The so-called clean and unclean are deeply branded with class and feelings. She finally fell into the dust, as if it were an embarrassing punishment for being too tall and too clean. How can a person like Miao Yu, who is attached to the declining class, be detached and not decline with this class!

Some people say that A Dream of Red Mansions is a book that deduces the concept of "color emptiness", which is too exaggerated in terms of the social significance of the work and the author's creative thinking. There is a certain degree of "color emptiness" in Cao Xueqin's consciousness, which is his profound pessimism about reality. However, A Dream of Red Mansions is by no means a deduction of this or that concept, nor is it caught in the maze of preaching religious consciousness. Cao Xueqin's description of Miaoyu is very telling. The author didn't think that she would become a spotless master by entering an empty door, nor did she specially arrange a better fate for her.

The ending of Miaoyu in the original manuscript is different from that in the sequel. The continuation of Miaoyu was robbed because the strongman thought she was "really beautiful" and heard that she was "lovesick" for Baoyu, so she moved her evil thoughts. What does this have to do with Miaoyu's character of "too high", "too clean" and "too far"? This is the expression of the author's consistent consciousness: in the author's view, Daiyu's illness is also lovesickness, so there are the sayings that "heart disease must be treated with heart medicine in the end" and "this heart disease is not suitable either". Of course, the question is not just what kind of ending is better, but what is explained through the experience of the characters. What the sequel wants to explain is the crime of Miaoyu's unbroken lust, inner impurity, and internal deficiency and external multiplication. First, she was haunted by evil spirits, and then she was abducted by thieves. She deserved it. The conclusion is that monks want to destroy human desires, "if you don't think about it, everything will be silent." This is also advocated by Zhu Cheng's Neo-Confucianism, that is, "abstinence by reason and desire for reason". The handling of the manuscript is obviously closely related to the fate of Miaoyu and Jiafu. From this point of view, the objective significance of Miaoyu's tragedy is much more profound than the purely personal reasons such as "too high" and "too clean" in the song.

1 1, the clever girl judged by Zhengban.

Picture: An abandoned shop, where a beautiful woman is spinning.

Judgment: If you are defeated, you will lose your family. I met a benefactor because I helped Liu.

Comments:

After Jia's scandal was exposed, Wang Xifeng was found guilty, and her daughter Jia was cheated and betrayed by her cruel uncle and brother and lived in Yanhua Lane. Jia Lian and his wife, father and daughter, "the family died." Later, Qiaojie was lucky to be saved by her benefactor Granny Liu. These are the plots in the lost manuscript. So what is the special significance of describing Qiaojie's fate in the novel No Mud? We think it is very likely that after a long period of poverty, it will show some new people-friendly factors in Cao Xueqin's thought.

The author's real intention in describing the image of Granny Liu is not as claimed in the novel, because the Jia family has too many things to sort out, so she is the protagonist; Nor did she enter Guo Rongfu and make many jokes to amuse ladies and gentlemen, thus making the text colorful. The author's arrangement for this character is well thought out. Zhifu pointed out that the novel said "slightly related" when introducing Granny Liu's family, which is the positive pulse after dozens of times. In other words, Granny Liu's family, as a clever daughter-in-law, really became a relative of Jia's family in the second half, and was a respectable relative. "If you are defeated, you will lose your family." In the case of "falling apart", the intrigue between Jia's masters has developed into flesh and blood. By that time, people who are willing to lend a helping hand are all little people who are looked down upon, such as Jia Yun, Xiaohong and Xue Qian. Granny Liu, who was once laughed at by Jia Fu, is not only a witness to the rise and fall of Jia Fu, but also a person who can really help Jia Fu. It is not easy for Granny Liu to rescue talented people from the fire pit where they are sold as prostitutes, and she has to pay for intercession. Then, recruiting fireworks women as daughters-in-law is to bear the great pressure of feudal moral concepts. In the fat group's view, "the old lady has the heart to bear the burden of humiliation, so there is something to recruit big sisters." In fact, this is precisely a place where the ideological quality of rural working women is shown at a critical moment, far higher than that of the upper ruling class, which ostensibly maintains hypocritical feudal morality.

Jia finally changed from a daughter born under a royal family to a working woman who "spun yarn" in a "cold and cheerless shop", just like the second girl Baoyu saw on the way to Qin funeral. Contrary to the parasitic life of Twelve Women in the first half of her life, Qiaojie embarked on a brand-new road of self-reliance. So granny Liu's words of Qiaojie came true. The depth of Cao Xueqin's thought is beyond the reach of novelists in feudal times. There is a great distance between the thought of fat criticism and criticism. Not to mention those who renew books, in his view, it is better for a woman to die than to lose her virginity; As a fireworks girl, there is no "Qing Yu" to talk about; Liu is not a "benefactor" who recruited and made her a humble housewife living on "two acres of wasteland". Therefore, the sequel spared Joe, and finally he had to marry a big landlord with "rich family", and also let "Granny Liu meet Mrs. Wang and others, and then talk about how to be promoted, how to start a business and how to prosper her children and grandchildren in the future." This is far from Cao Xueqin's original intention.

Of course, grandma Liu described by Cao Xueqin also wears the heavy shackles of feudal class spiritual slavery; It is also a class prejudice to say that Wang Xifeng can "stay in Qing Yu" and "accumulate Yin Gong". "Stay in Qing Yu" advocates the superstitious idea of "multiplication, division, addition and subtraction", which is more obviously feudal dross. These should undoubtedly be criticized and eliminated. However, we should also see that the actual life foundation of the author's thought of "persuading students to help the poor" is different from the hypocritical and cheap charity preaching that the feudal exploiting class is used to.

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