As Wei Xiaobao, why is Stephen Chow liked and Zray spits?

First of all, from the perspective of an ordinary audience, there is a gap between the ability of the crew and the ability of the actors.

Let's open these two versions of the duke of mount deer and compare the appearance of two Wei Xiaobao. Both of them are storytellers in Wei Xiaobao, and each of them tells a long story, which does not involve antithesis. The sensory gap is also obvious.

Shortly after the opening, what was the story of Stephen Chow's storytelling in a brothel in Wei Xiaobao?

In Stephen Chow's version, the environment is very lively. When a person sits on a high place with a tiger hat and walks out in a novel and unique way, you will feel "Oh, this is a strange person".

What does Stephen Chow tell a story about? It's Chen Jinnan. Is it exaggerated? To exaggerate, Chen Jinnan's martial arts turned Fiona Fang to ashes, which even the audience said was impossible. Then he said that he had seen half of Chen Jinnan's face, and the audience retorted. Stephen Chow just communicated with the audience. This is not a story, but it is obviously a cross talk with the audience.

Note that in this process, the camera has been turning, from the lower part of the high platform to the distant view, to Stephen Chow alone, and then to the audience, interspersed with the introduction of fan props. You'll feel the scene moving.

Look at the version of Zray again. Even if you have a big face, you will make faces, all by one person's mouth, and the content is still boastful.

Zray said that pregnant Wei Chunhua gave birth to Wei Xiaobao. Is it suitable for telling jokes to the audience in public? It makes sense not even to tell dirty jokes about other prostitutes. Besides, it's really not funny. This content basically has no effect on promoting the plot, but it has been played for a long time and the narrative rhythm is very poor.

Comedy is a more vivid form of expression, and a good comedy must be deeply rooted in life.

In other words, Wei Xiaobao by Stephen Chow and Jordan chan, including Dicky Cheung and Tony Leung Chiu Wai, is deeply rooted in people's hearts because these people are grounded and have experienced the ups and downs of the bottom people.

Stephen Chow was a walk-on for six years, obsessed with learning acting. His innovative and nonsense performance style, whether original or reference, must be like reflecting the sadness, joy, good and evil of this world. And the classic sentence "I once had a love in front of me, but unfortunately I didn't cherish it" was inspired by Stephen Chow's confession to a strange girl by a strange boy on the bus.

Many of Stephen Chow's inspirations came from his life, which tempered his acting skills. Jordan chan, Dicky Cheung and Tony Leung Chiu Wai, too, had a hard life. They all put down their bodies to observe the lives of ordinary people, and they all found the tension of performance in the smiles of ordinary people.

However, an "academic school" like Zray must have little experience in the life of the poor in the most youthful days. Such Zray may be able to perform other works well, but it must be difficult for him to perform comedies well.

Therefore, Zray has no change in state and level, and his expression has always been very big and exaggerated. He has been out of touch with his own life, he has been working so hard, the rhythm has disappeared, and he has been out of touch with stories and rival actors. Looks inappropriate, not like the protagonist, not like Wei Xiaobao.

Besides, Stephen Chow, as an actor, will take the initiative to change his lines, scripts and scripts, and ask for repeated shooting. After he became a director and made a rough cut of the film, it was a routine operation to choose the best shot.

Therefore, if a good work wants to be comprehensive, it should not be completely in accordance with the director's meaning. It must require actors to have different ideologies about the role itself. The classic plots of many classic dramas are improvised by actors. Zray's voice in the cast is not as good as Stephen Chow's. He can only accept his exaggeration, and there is no chance to think and improve repeatedly, so this dish is served.

The book of the whole drama, at this level, how to act. None of the actors in the new version of Duke of Lushan are in place. Zray is a representative because all the plays are on him. Therefore, everyone is naturally the first to criticize Zray for being grandiose and abrupt. Of course, the actors who played Wei Xiaobao well in past dynasties are not in the same class as Zray. I hope Zray can choose his own drama in the future, and I hope he can improve himself to adapt to most dramas!