A program introduction full of jokes

Judging from the 50 episodes that have been broadcast, the reason why "Full of Jokes" is welcomed by the audience and praised by experts is mainly because: First, the content is healthy, the style is high and the connotation is deep. The scripts are all based on a large number of wonderful ancient folk jokes and fables in China. After screening and processing, from the initial "The County Official Draws a Tiger" and "The Watermelon Case in Public Trial" to the recent "A penny", he also lashed and satirized those confused corrupt officials, bullying, stingy and rich, pedantic scholars, uneducated rich children and so on. All these can inspire the audience with a knowing smile. Secondly, its form is short, pithy and lively, each episode lasts no more than 20 minutes, with singing and doing, and most of the songs are catchy and lively Cantonese tunes. The performance is humorous, close to life, and not limited to traditional opera programs, which is quite innovative. Thirdly, these sketches are all shot in real scenes, paying attention to the flexible use of TV techniques and lenses, which makes Cantonese opera art and TV art become attached to each other and the artistic image is more vivid. For example, the sketch "Million Dollars" tells the story of a poor man who got an egg and went home to tell his wife that he was going to make a fortune. He whimsically thought that this egg would hatch into a chicken, and when the chicken grew into a regenerated egg, the egg hatched into a chicken, selling chickens to buy cows, selling cows to open a cowshed, and making a fortune to build a big house and marry concubines ... If he performed on the stage, he could only rely on the lyrics and dialogues of the actors to stimulate the imagination of the audience, but on TV. Fourthly, the directors of these sketches have rich practical experience, starring famous comedians Zhang Yuekai, Lu Haichao and Kong Xianzhu, as well as many veteran and rookie Cantonese operas. They perform seriously, cooperate tacitly and meet the requirements of TV shooting, so they can receive strong artistic effects.

Of course, it can't be said that the editing of "Duan Zi" is impeccable. After watching 50 episodes, I still feel unsatisfied. For example, some dramas are still too rough, not rigorous in art, and not strong enough in comedy and "laughter"; Some actors' performances are not delicate enough, the dubbing is rough, and the leading role lacks new faces. How to make this kind of sketches not only use TV techniques, but also have the characteristics of Cantonese opera needs further discussion and research. But since it is a new attempt, there will inevitably be immature places, so we can't ask too much. I believe that through repeated practice and constant exploration (including arguments of different opinions), we can "go up a storey still higher" after the meeting.

It is said that the title "full of jokes" has two meanings, one is the meaning of its own proverb, and the other is that this series of essays should be shot in 100 episodes (out). We earnestly hope that friends in the Cantonese opera and TV circles will make more efforts to shoot 100 episodes or more, which will make the audience laugh and play a greater role in this newly developed position.

Subsequently, Guangdong TV filmed 40 episodes of Cantonese TV series "The Legend of Sun Xiucai". This humorous TV play retains many elements of Cantonese opera. Tan-Ching Yeh plays the role of Sun Xiucai in the film, which is quickly sought after by people through TV communication.

"Sun Xiucai is a' sour scholar' who reads dead books. Although he devoted himself to learning from sages, he ran into a wall everywhere in his life because of copying mechanically. He is a poor and ridiculous pedant. His experience of hitting a wall has given many inspirations to people in real life. When I played this role, I borrowed many classic characters, such as Kong Yiji written by Lu Xun and some old scholars on the stage of Cantonese opera. Because it is a Cantonese opera TV, when you play this role, you can't exaggerate the stage of Cantonese opera, nor can you copy real life and lose the characteristics of Cantonese opera. You must consider and weigh many things in order to perform well. " After The Legend of Sun Xiucai was broadcast, the social response was very strong, and Tan-Ching Yeh had a large number of "fans". "At that time, when I got on the bus, I was often asked to sign. Wherever you go, people call it' Sun Xiucai is here'! Once a bicycle collided with a person, and the perpetrator tried to escape, but was caught by a large number of fans ... "When talking about the influence of Sun Xiucai, Tan-Ching Yeh smiled slightly. It is said that a big boss once encouraged Tan-Ching Yeh to open a "Sun Xiucai Hotel" in Xiguan area, claiming that it was "full!" With the help of modern media, Sun Xiucai also has a large number of fans in San Francisco, Los Angeles, Macau and Hong Kong.

Classic reappearance, starting from July 26th, 2005, TVS-2 of Southern Satellite TV will be broadcast every Monday to Friday night 19: 30-the legend of Shuai Huang Duan Zi.

In recent years, short plays and sketches in Guangzhou have become more and more popular. However, compared with a series of classic operas and sketches such as The Legend of Sun Xiucai and Jokes more than ten years ago, it still cannot reproduce the well-known grand occasion of that year. This time, they collected all the classic works of this series, repackaged them with innovative ideas, broke the regular broadcast mode of unit drama, and enabled Huang Junying to host in a small town, supplemented by guest participation and outdoor scenes of the original drama, which put on a fashionable coat for these outstanding works.

Jokes, legends of Sun Xiucai, Cantonese Opera and other classic TV dramas (Cantonese Opera), or adapted from wonderful folk stories, jokes, fables and legends in ancient China; Or concentrate on the theme of modern social life and reflect life from all angles; The plot is humorous and relaxed, and the picture is lively, which is deeply loved by all ages in Xian Yi. In addition to guest appearances, well-known screenwriters and directors are also invited to join in the production. For example, Shi Lang (the screenwriter of The Legend of Sun Xiucai) will be responsible for most of the cross talk, making the program more local cultural features, digging deeper Cantonese cultural connotations, and reflecting the profound cultural heritage of Lingnan.