The relationship between Xú Zhēng, Bo Huang and Ning Hao has developed step by step. How did they develop and what are the interesting things between them?

Dying to Survive's director Muye Wen, Tian Zhuangzhuang's beloved disciple, has become a high-profile star because of this play. The driving force behind this is naturally Ning Hao and Xú Zhēng as producers.

As many people know, Ning Hao, Xú Zhēng and Bo Huang are very good friends, and they have worked together many times and contributed many classic movies. Today, the three have become a system, supporting different new directors under the same creative concept (creating high-quality drama films).

The Bad Monkey Company in Ning Hao has launched the "Bad Monkey 72 Change Plan" to escort 1 directors.

The 1 directors are: Lu Yang (published work Embroidered Spring Knife), Muye Wen (published work Dying to Survive), Zeng Zeng, Wu Chencheng, Wang Zizhao, Niu Han, bid for the Olympic Games, Xia Peng, Desert and Liu Xiaoshi.

Although Xú Zhēng has not set up a separate support plan, he has been doing his best to support the new director, and has produced many works, including Su Lun's Living Together in Time and Space, Pengyuan Ren's Behind-the-scenes Player, Song Haolin's Summer in Itaro, Zhang Yang's Battle of the Animals, Chen Zhengdao's Master of Hypnosis, Hai-shu Li's Meet the Father-in-law and so on.

Xú Zhēng and Bo Huang are both good at acting, and they need Ning Hao's guidance more in their creation.

In their series of works, it seems that they have always had a soft spot for the role of "Huang Mao".

For example, Bo Huang in Crazy Racing, Zhou Dongyu in Happy Flowers, Wang Baoqiang in Sorry, and even the short advertisement Miracle World all use the role of "Huang Mao".

what does "yellow hair" mean to Ning Hao and others? What's the point in the movie?

In 2, the behavior of "dyeing hair" was gradually accepted by China people and spread among young people. However, compared with some more "orthodox" hair dyeing, a group of young people called "killing Matt" spread on the Internet. In the same period, the group of "small fresh" began to be popular all over the country.

"Xiao Qingxin" is mainly composed of people who have received college education or are receiving college education, and has clear and identifiable cultural characteristics.

correspondingly, it is "killing Matt" who has a low education level and generally lives in the urban-rural fringe.

If "small freshness" is a grassroots culture, then "killing Matt" is a veritable weed culture.

They grow up in places that people ignore, and when they grow up, they are ignored. Not only are they not respected and valued, but they may even face the fate of being teased, consumed and forgotten.

The exaggerated modeling and perverse behavior of killing Matt is nothing more than the behavior of the young people at the bottom who can best reflect their anger and helplessness in their cognitive range, which is essentially the same as that of rock youth, hip-hop youth and literary youth.

In the films of Ning Hao Xú Zhēng and others, the image of "Huang Mao" looks rough, but it is actually carefully carved.

Geng Hao (Bo Huang) in Crazy Racing is a frustrated cyclist.

When the master pleaded with the leader of the sports bureau, he had a line: "This child will pedal from an early age, and if he is banned, it will be over."

Wang Baoqiang, a little brother who makes scallion cakes in "Embarrassment in Thailand", is supported by pure motives and simple and beautiful wishes behind all kinds of unreliable behaviors.

The most amazing thing is Zhou Dongyu in "Let Flowers Walk Away".

despite her exaggerated hairstyle, poor makeup and rude words and deeds, she is a little girl who dares to love and hate, and is outspoken. She is lively with the original wild nature and rude as a small animal. ?

Together with the little yellow hair in Dying to Survive, we can see that when they created these characters, the combination of local culture and foreign culture was just a weightless shell, and their hearts were no different from those of ordinary people, even stronger than ordinary people.

They are simple, pure and kind, and their personalities and behaviors are full of vitality, ready to become sacrifices to fate at any time, with their eyes shining and without hesitation.

When Ning Hao started the "72 Change Plan", he was interviewed and said:

"Bad monkeys represent a subculture, but subculture is not a minority culture. As a diversified culture opposed to the mainstream culture, there is only one mainstream culture, but there are thousands of subcultures in Qian Qian. People are easily imprisoned by the mainstream culture, resulting in a lack of independent thinking ability. "

I always think that Ning Hao is the director who knows best how to make China people look "cool".

This kind of "coolness" is different from the "coolness" of superheroes and the "ruthlessness" of people who plan things, but a kind of "earthy coolness" only possessed by low-level people in China.

Making movies is also being a human being. There are more down-to-earth honest and frank fools who are as simple as yellow hair, so there is hope for China movies.

I look forward to the follow-up works of "Bad Monkey 72 Change Plan".