Crime movies with high IQ crimes

Movies with high IQ are suspense movies on weekdays.

Not only does the film keep a confusing feeling from beginning to end, but the audience who appreciate this kind of film needs to have high appreciation, thinking and analysis ability. Jessie swam to the sea, but she always had a feeling that something bad had happened. Sure enough, the yacht was caught in a storm, and everyone had to change to a big cruise ship that just passed by to ensure safety. But Jesse was sure that he had taken this big cruise ship, and the clock on the ship suddenly stopped, and some terrible things followed. ...

Cruises of Terror is the most complicated of all suspense films, but it seems to have a very clear idea. In the process of watching, your brain should run at full speed and sort out the structure of the whole movie. The American film Fatal Magic released in 2007. It tells the story of two talented young magicians and two good friends, Robert Angel and Alfred Burton, who appeared in the Victorian era when magic prevailed. Because of mutual jealousy and suspicion, the two became enemies. They used various methods to prove that they were the first magicians of that era.

The ending of Fatal Magic was shocking, and it was really unexpected at first. But in fact, many places in the film revealed this ending, but perhaps because of inertia, I didn't think much. So everyone should think more about that young girl Caroline (Kate; Hudson kate hudson was employed by the old woman violette (Gina; Rowlands gena rowlands), went to her house to take care of her husband Ben (; Hutt john hurt). The big house in violette is located in an area famous for its mysterious customs and religious ceremonies. Caroline felt very strange when she first came here. As the days passed, Caroline began to doubt the big house and the eccentric violette. By chance, she got a master key from violette, with which she could open all the rooms in this big house. Caroline saw a shocking scene when she entered the room hidden on the top floor. Her intuition tells her that Ben's illness in bed has a great relationship with violette and this room, and she is determined to solve this mystery!

"Master Key", if there is no such ending, then this is actually a rather trite story, but as long as you watch the ending, you will never regret it.

Identity is a thriller movie with the main content of killing games, which was introduced by American director James Mangold. The plot structure of the film is rigorous, the plot is completed in one go, and the ending part is unexpected.

There are many thrilling movies, and well-deserved identity is the best. In a word, the mood of watching this film is quite tangled: from affirming that A is the murderer to affirming that B is the murderer, to affirming that C is the murderer, to affirming that D… finally, I don't know who the murderer is, and finally I thought it was like that, and finally I was deeply shocked.

The zodiac in the style of Seven Deaths is adapted from Robert Graysmith's best-selling documentary Unlocking the Zodiac: The Mystery of the American Devil's Identity. A mysterious criminal named "Black Boy of the Zodiac Killer" made a series of bloody cases in Los Angeles last century, making him one of the most terrible and elusive serial killers in American history.

San Francisco, shrouded in darkness, has always lacked self-confidence during the day, and the smell of blood has stirred up the hidden pain of panic and anxiety, which has entangled the citizens for 12 years. In the 1970s, a murderous maniac who claimed to be the "Chinese Zodiac" happily played a life-and-death game, killed a person, sent a letter, kindly left a clue for the police, and then watched an atypical chase that only saw the cat but not the mouse. Life and death is a film that needs careful consideration, every word, sentence and thing. Even if you are careless, you will lose your feeling and don't know what it means. More expressions such as hints and bedding are used in the film. At the end of the film, all the mysteries were uncovered, and a new mystery followed.

Many people think that Nick is the one who should be killed the most. Personally, I beg to differ.

The protagonist's desire for revenge was released after dismembering the principal offender, and all subsequent actions stemmed from his anger and hatred for the old and flawed judicial system, and also aimed at achieving a more far-reaching goal. ...

He spent 10 years planning revenge plans and studying the judicial system, so that he could talk to Nick in the confession room without leaving any loopholes and even be his own defense lawyer. He already knew that Nick was not on the evil side as he saw. But he knew that in the face of the dilapidated judicial system, Nick dared not take risks even if he knew the facts and the truth in his heart. In the end, he chose to compromise between the settlement rate and justice. The hero also knows that he can't subvert the whole system by himself, so he chooses to create a person who can defend justice by himself. Nick didn't, but he knew Nick wanted to. So he killed the judge and the mayor's attorney general. In this way, Nick can naturally upgrade to a higher level politically and gain a certain leading position in the judiciary. He made deals with Nick again and again, which made Nick realize again and again that making deals with criminals would only make tragedies happen again and again.

Killing innocent people is not what the hero wants. However, angry and desperate, he believes that a series of bloody lessons are needed to guide this prosecutor named Nick to the real road of justice. In the film, if I remember correctly, the hero showed deep guilt at least twice after killing.

As mentioned above, if the hero just wants simple revenge, it doesn't take so long to plan. With his ability, he doesn't even need to go to prison. The police can wait for him and try those he thinks are guilty one by one without evidence. But why did he choose Nick as the center to implement such a huge plan? If he regards Nick as an accomplice of the criminal, why not put Nick in the first few steps of the plan and kill him?

Yes, the hero is waiting for Nick's last words, "I won't deal with murderers again".

So that when he finally saw the bomb he made, he didn't have much surprise and fear, but only showed remorse and relief. He has made up his mind to die, asking only an honest prosecutor to stand up and defend justice.

The ending is perfect. After the death of the hero's wife and children, he left the world with only despair and hatred, but with his own death, he gained the people's hope for justice. ...

Good actor, good script, good director ... very good film!

Revenge at the cost of six lives has brought prosecutors a one-sided understanding of law enforcement: I will not make a deal with murderers again. The prosecutor's sensory decision and extremely selfish side are deeply imprinted in the audience's mind. This is what makes others feel sad. The background of phoenix nirvana at the end of the protagonist is intentional, which means the continuation of anger. The director wants to touch the soul of the audience. Playing a few cold jokes with prisoners is to slow down the tragic atmosphere of the film. Generally speaking, I have a high opinion of this film, which is very appetizing to me. I constantly challenge the bottom line of the legal system and pale justice. This is a beautiful slap in the face. The film is suspected of posing as an egg. Director gregory hoblit tried to make the content look elegant and complicated, but it turned out to be a bit pretentious and hypocritical. -Los Angeles Weekly

This legal thriller captured two excellent actors, one old and one young. Their persistent confrontation in will is enough to make the audience concentrate, even if the plot is full of loopholes. -The Austin News Manual sniper phone booth.

When the movie was being shown, that is, around 10, a real indifferent killer appeared in a city near new york, and a dozen people were shot for no reason, but the police could not find out what the murderer's motive was, and all the people were shrouded in the shadow of serial shootings. At that time, the film had just begun to be publicized, and in the face of real shooting cases, this "telephone booth" even seemed so naive. As for Falar, the leading actor, to finish the film in a telephone booth that is difficult to turn around, his acting skills have to undergo a double test. Interestingly, in the film, the subtle psychological conflict between four kinds of people (gunman-Shepard-policeman-onlookers) in a small place is very subtle and exciting. Interesting dialogue, occasional violent scenes, dissolute sex, political corruption, the concept of happiness first, directed by Roger? Donaldson contributed a robbery film with a compact plot and an old-fashioned style.

-"Rolling Stone"

The whole story is set against the background of social customs and sex scandals in Britain, showing a rare atmosphere of joy.

-"International Film Magazine" It is obvious that this film completed a very important bank robbery in British history in the spirit of schadenfreude in other countries and then through artistic expression.

-Financial Times

Perhaps the film will not become a classic of this type of film, but its carefully arranged plot content is enough to firmly grasp the eyes of all audiences.

-"A Journey to London"

Although it has grasped such an excellent story premise, the film has embarked on a disappointing road of no return.

-"Empire"

Interesting but easy to forget, this thriller brings the forgotten British bandit back to the big screen.

-"The Complete Movie"

There are some good jokes, and sometimes there are some violent, sexy, political corruption, usually with a happy style first.

-"Le"

The rhythm is tense and exciting, and has nothing to do with morality. The charm of Bank Robbery runs through it, and even if the audience only takes a look occasionally, they will firmly grasp it.

Generally speaking, bank robbery has successfully jumped out of the framework of historical events, and its innovation lies in turning it into a lively comedy. Some selected movies with high IQ (crime) may be old movies from a long time ago, but you may not have seen them. I recommend them to you.

The usual suspects and Miami vice.

Identity and Los Angeles secrets.

Ambush on all sides. X-files and getting away with it are also called catch me if you can.

Memory rift, life and death stay

Donnie Dakota Pirates of Dreams

Ghostbusters and thieves, strategists

Hurt the city and steal Leonardo da Vinci

"Attempted murder" and "out of control jury"

Instinct and escape

Revolver, 88 minutes

Win 2 1 point, Hawkeye

Great, perfect thief

Mr. talented mr. ripley and the Dark Knight.

Swordfish operation, stealing the sky trap

First-degree fear and footprint

Oxford murder, eleven arhats, twelve arhats and thirteen arhats

The enemy of the public, the flower of darkness

Identity and deceiving the world

Silent Lambs 2: Hannibal.

Prequel to the Silence of the Lambs: The Red Dragon, Prequel to the Silence of the Lambs: The Rise of Hannibal.

Steal Leonardo da Vinci

Perfect exchange/scam 2

wild animals

I'm crazy about money.

The Shawshank Redemption

Matchstick Men

insider

The Butterfly Effect

Sniper phone booth (mentioned in the film review of "Flaw" above, but not listed)

Perfect.

muddledness

Operation of ghosts and gods

The dedication of suspect X (Japan)

Suspect X (Korea)

Black dahlia.

Ace VS Ace

Death note

Human bone puzzle

V stands for vendetta.

Detective, also known as if you can catch me (nothing to do with getting away with it).

Dark war

Seven deadly sins (produced in different years, not related to the above seven deadly sins)

The Matrix

A profound mystery

La habitación de Fermat

Highly suspicious

Speed 60 seconds

perfume

Task: Impossible.