Joke Collection Website - Cold jokes - Why is Wang Shizhen a "whistling sound"?
Why is Wang Shizhen a "whistling sound"?
First of all, Wang Shizhen said
Wang Shizhen's work "Jin Ping Mei" was first seen in the Ming Dynasty's block-printed "Economic Records of Linshan" and Wanli Nightless Edition. Wang Shizhen was mentioned in Song Qifeng's Narration written in Kangxi 12 and the Origin of Yujiao Pear in the early Qing Dynasty. Later, officials of the current dynasty added fuel to the flames, forming a public opinion that temporarily belonged to Wang Shizhen. This theory was severely attacked by Lu Xun, Wu Han and Zheng Zhenduo in 1930s. 1979, Zhu Xing advocated this theory again, and cited ten reasons: (1) Wang Shizhen was a "great celebrity of Jiajing"; (2) He can write novels and have novels handed down from generation to generation; (3) He has the ability to complete macro masterpieces; (4) He has enough time to finish his masterpiece; (5) He is a big bureaucrat, so he can write big scenes of officialdom; (6) The place names in Jin Ping Mei are consistent with Wang Shizhen's experience; (7) His belief in Buddhism and Taoism is exactly what Jin Ping Mei preached; (8) lascivious and drunk, with feelings of writing Jin Ping Mei; (9) Born in Shandong, he is an official in Shandong and has the conditions to use Shandong dialect; He has a wide range of knowledge and can write an encyclopedia like Jin Ping Mei. Zhao, Zhao and others have written articles to discuss this, but this theory is mixed with the confusion of various theories. Xu Jianping's Textual Research on Jin Xue and Huo Xianjun's A Brief Comment on Jin Ping Mei once again raised the banner of this theory, and comprehensively demonstrated it from two aspects: external evidence and internal evidence. Xu Jianping even thought that "the study of Jin Ping Mei in the 2nd/kloc-0th century should take Wang Shizhen as a new breakthrough and starting point".
Second, Jia Sanjin said
This is the first opinion of the new author of Jin Ping Mei in the new period of the 20th century. The proposer is Zhang Yuanfen. His new certificate "Jin Ping Mei" provides ten evidences: (1) Lanling is from Yixian County, Shandong Province, and Jia Sanjin is from Yixian County; (2) He is qualified to be called "Jiajing Celebrity"; (3) The writing time of the novel coincides with the life time of Jia Sanjin; (4) He is a thrifty official, and his experience is enough to make Jin Ping Mei; (5) There are a large number of dialects in Yixian, Beijing and North China in the novel, and Jia Sanjin lives in these areas respectively; (6) There are several advanced memorials in the novel, and Jia Sanjin is good at it; (7) Some characters in the novel are similar to Jia Sanjin; (8) There are many novels and operas, and Jia Sanjin has accumulated in this life; (9) He has lived at home for ten years and has time to create; He wrote a novel.
Third, the dragon slayer said
Huang Lin initiated it. He published a group of eight articles, and put forward seven bases: (1) The fifty-sixth novels "Poem of Mourning the Headscarf" and "Pen of Sacrificing the Headscarf" are from "Laughing with Opening the Book", and the author is Tu Long; (2) There are many Zhejiang dialects in the novels, which are consistent with the native place of Longtu; (3) The ancestral home of Wujin was called Lanling in ancient times; (4) His devotion to Buddhism and Taoism is consistent with the theme of the novel; (5) He dismissed the official with "obscenity" and insisted on writing "obscenity and elegance", which is the ideological tendency of the novel; (6) Having the life foundation and literary accomplishment of creating Jin Ping Mei; (7) He is closely related to Liu Chengxi and Wang Shizhen, both of whom have the full draft of Jin Ping Mei presented by Tu Long. In order to prove that Tu Long is the author of Jin Ping Mei, we should start with his life experience. Tu Long is a native of Tuyuan Lane, Cangshui Street, Ningbo. Tu family is one of the four major families in Ningbo in Ming Dynasty. Dragon slayer was gifted at an early age and was known as a child prodigy. /kloc-was admitted as a scholar at the age of 0/4, and was favored by the great poet Shen at that time. Later, he became famous in Ningbo. After that, I passed the examination from 15 to 33, but failed to pass the examination in 18. 34-year-old, barely promoted, became a small official. Because of his obvious achievements, he was recently promoted to a doctor, and then he was dismissed from his post when he met a villain, so he had to return to his hometown in Ningbo to sell literature for a living. Tu Long lived in Wanli for thirty-three years, at the age of sixty-four, and finally died of sexually transmitted diseases. He was also ridiculed by later scholars as the first scholar in China who died of sexually transmitted diseases. "From Ningbo to the capital, Tu Long traveled all his life, knowing the inside story of business and the local customs of the market, and from a Beijing official's life to a beggar's life, he had a thorough understanding of life and people's hearts, so he was able to write such a novel." In addition, the earliest version found in China in Wanli provides physical evidence for Dai's argument, which is also the most critical argument. "Wanli Edition of Jin Ping Mei is prefaced by Xinzi Xin, and Lanling is raining. The prefacer Xinzi Xin Yu Mingxian wrote this preface. This Li Mingxian is Ganxi in Jianqiaotou, Ningbo. According to genealogical research, Xinzi Xin is Tu Benjun, the grandson of Longtu. The Tu family originally moved from Changzhou to Ningbo. Changzhou was also called Lanling at that time, and the dragon map was Mr. Xiaoxiao, so Lanling Xiaoxiao was born as a dragon map. "
Fourth, Li Kaixian said
This theory began with a footnote in the "History of China Literature" 1962 published by the Institute of Literature of China Academy of Social Sciences, with doubtful tone. 1979 reprinted, the sentence "Li Kaixian is more likely" was deleted. It is said that this footnote was added by Wu Xiaoling. Wu Xiaoling reiterated this statement when he delivered a speech on the author of Jin Ping Mei in the United States in June, 1982. Shuofang Xu was the founder of the theory of collective accumulation, so he advocated that Li Kaixian was the author of Jin Ping Mei. Shuofang Xu's basis is: (1) Li Kaixian meets the basic requirements of the author of Jin Ping Mei. For example, a native of Shandong, he once worked as a Beijing official and created a variety of operas. His poems and songs show his love and cultivation of street literature, and he is one of the "eight sons of Jiajing" and a veritable "great celebrity between Jiajing and Jingjing". (2) Jin Ping Mei itself proves its close relationship with Li Kaixian. For example, the seventieth cycle of Gong Zheng Zheng Hao is from the fiftieth original of Li Kaixian's Sword. (3) Jin Ping Mei and A Dream of Red Mansions are similar in content and form. Nikita Cui (Japan)' s textual research on the author of Jin Ping Mei supports this theory, and puts forward four new opinions: (1) Li Kaixian's hospital version of Yixiaosan has similar naming meaning and feeling to that of "Xiaoxiaosheng"; (2) Li Kaixian's birthday is August 28th, and Ximen Qing's birthday is July 28th; (3) The sword makes the body double (servant girl Jin Er) die, while the protagonist (wife of Lin Chong) continues to develop the story, just like Jin Ping Mei; (D) Ximen Qing's image is not unified, with dual personality, because of Li Kaixian's "self-projection". Later, Bu Jian found Li's genealogy and wrote a book "An Examination of Li Kaixian, the Author of Jin Ping Mei", which was summarized as Dacheng from many internal evidences such as Sword and Jin Ping Mei, Li Kaixian and Ximen Qing, the meaning of Qinghe River, the meaning of Lanling, and some qualifications such as personal quality, composition style and friends. [2]
Verb (abbreviation of verb) Wei Xu said
The earliest disclosure of this information was Yuan Zhongdao's "Living in a Secluded Persimmon Record" in the Ming Dynasty. 1939 Arthur David Wiley (UK) first put it forward in the introduction of the English version of Jin Ping Mei, but he played a joke with a similar sound. Unexpectedly, 60 years later, Pan Chengyu's New Proof of Jin Ping Mei has completed a comprehensive demonstration of this theory. First of all, through the analysis of the description of Buddhism and Taoism in the novel, the book defines the author of Jin Ping Mei as "a figure whose life spans three generations of Jia, Long and Wan, but mainly lives in Jiajing Dynasty". Then "it is pointed out that the author of the novel is also a well-informed opera scholar, a highly skilled opera writer, an all-round painter and a guest who is good at practical writing"; "The author should have a life experience in frontier defense and even defending the enemy" and "have a strong sense of national hardship and a sense of defending the country and defending the country against the enemy"; "The author has a strong hobby of dialect spoken language"; "The author must have the life experience in the above dialect areas (referring to Shaoxing, Shandong, Beijing, Suzhou, Shanxi, Fujian, Guangdong, etc.). )"; I have a hobby of writing books and hiding my name in mysterious events. Through textual research on the geographical prototype of Jin Ping Mei, Shaoxing customs such as Shaoxing wine in Jin Ping Mei, Shaoxing folk customs in Jin Ping Mei and Shaoxing dialect in Jin Ping Mei, it is proved that the author of the novel must be from Shaoxing. Then prove one by one that "Xu Wei meets all the conditions of the author of Jin Ping Mei". Pan Chengyu also deciphered the riddles of "Twenty Duke", "Xu surname official", "Qinghe County", "Lan Ling" and "Xiao Xiaosheng" in the novel as "Xu Wei, Shanyin County, Fushan County, Shaoxing, East Zhejiang Province" and attributed them to "Shaoxing Confucianism". Pan Chengyu also researched the manuscript of Jin Ping Mei, and thought that Dong Qichang was the central figure in the circulating clue, while Tao Wangling was the key figure in the delivery of the manuscript. "Jin Ping Mei in Tao Wangling's hand was written by Xu Wei, which is probably Xu Wei's manuscript." Pan Chengyu also wrote a comparison between the text of Jin Ping Mei and the text of Xu Wei, "and drew a simple conclusion: Xu Wei's text was written by Xu Wei, and" The Thorn "was also written by Xu Wei". He further demonstrated "Shaoxing Scholar and Yan Song", "Shen Lian and Yan Song" and "Xu Wei and Shen Lian". In the section "Why did he take it out on whom", he thinks that "Xu Wei wrote Jin Ping Mei because he was impressed by the rural customs and was excited about Shen Lian's death, and the pen he wrote was full of all his misfortunes". Strictly speaking, Pan Chengyu is the founder mentioned by Xu Wei.
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