How did Degang Guo realize the great reversal of wind direction and comments from Stepping on it?

There should be no one who doesn't know Degang Guo, but he is the head of Deyun Society and a brother in phonology. Every time he says cross talk on the stage, he can give the audience a stomachache. Crosstalk, as the inheritance of our China culture, was originally thought to disappear with the changes of the times, but it ushered in the second spring, and even pushed cross talk abroad to the whole world. Only Deyun Society can say cross talk abroad.

The foil and hype of peers accompanied the outbreak of Degang Guo's popularity, but his remarks took a turn for the better. First, he teased his lover without a bottom line and became illiterate on the internet. Then he refused to apologize and the defendant went to court. This is obviously Degang Guo's fault. Subsequently, Yang Zhigang, the former master, once again went to court online, and a heated discussion was held between Degang Guo and Yang Zhigang.

At the same time, it constantly provokes quarrels with peers. In the cross talk contest, Hou ignored decency, ordered to retire, and so on. In those one or two years, Degang Guo became a hot topic. Crucially, at this stage, Degang Guo's cross talk level began to decline, and fragmented jokes, plagiarized jokes and repeated jokes made him no longer have classic works.

You're welcome to say that at this time, Degang Guo has now become a second-tier star, accumulating popularity through litigation and speculation, but his writing level is declining. On the one hand, Degang Guo became so popular that people began to alienate him. On the other hand, there are problems with his guiding ideology. Now he is not satisfied with being a cross talk star.

I want to be an entertainment star, so I don't refuse to go to court, but I am willing to create hot spots through litigation to speculate myself. This is the usual way for some small stars to become popular in those days. At this stage, my favorite job is to participate in the post-legacy case and speculate on Master's family affairs in the media. After the hype, he went back on his word when he needed to testify in court.

The reason for this poor card transfer is August 20 10. Degang Guo also realized his own shortcomings through experience, and began to regain his confidence and change his style of play. On the one hand, Deyun set up "victims" on the Internet and played the pity card. This move succeeded, and many people who eat melons began to pity Degang Guo and Deyun Society under the guidance of some big Internet V.

On the other hand, Degang Guo began to restrain his feathers, and no longer made or participated in hot things easily. Instead, he slowly faced his disciples and went to the front desk. He began to cultivate himself and set himself up in the direction of traditional artists. It was also during this period that Degang Guo established a wide network of contacts, paved various channels for Deyun Society, and diversified the development of the Three Caves of Cunning Rabbit.

The sign of Degang Guo's criticism turn this time is his success in variety shows such as the legendary swordsman and Happy Comedian. At this time, Degang Guo, although the level of crosstalk works is still declining, has fully demonstrated his current skills through various variety shows and gained many fans. Now Jia Ling and Shen Teng are using the same trick.

It can be said that Degang Guo's critical turn is not only the gradual maturity of his personal style, but also related to catching up with variety shows. The outcome of this review is two things. One is that Deyun Society is bound to "screen the audience with high appreciation level", and the other is the big argument with Cao Yunjin.

The reversal of Degang Guo's criticism is actually the process of a mortal becoming a big star. In this process, he gradually became more sophisticated and cunning. His former blood gave way to real money and silver, and his former ambition, after all, could not compete with the temptation of the world of flowers and flowers. The former self became others, and the former others became themselves.