Which movie has the highest level of special effects so far?

Beowulf technology is the source of everything. 1997, Roger Avery and neil gaiman (a famous screenwriter and the original author of Stardust) wrote a new play for Beowulf. Avery is a good friend of quentin tarantino. This guy used to be the screenwriter of the latter's best movies (including Reservoir Dogs and Pulp Fiction) and Tony Sugert's True Love is a Dream. It took Avery several months to translate almost 3,000 lines of the original poem completely by himself, and the obtained movie script was very close to the original poem, which narrowed the gap between the image and the original poem as much as possible. In fact, the original poem is full of blood, scars and nudity, which is more than enough to turn it into a stunt in a movie. Although the script has been basically completed, it is surprising that until 2004, no one wanted to take the right to shoot this script. Finally, in 2005, Robert Zan Mikis began to persuade producer Steven Bing to buy the script, and he was willing to start shooting immediately if he could. As we all know, although Robert Zan Mikis became famous in Hollywood through classic films such as Back to the Future and Forrest Gump, he was actually a pioneer of computer animation from the beginning. Zan Mikis first persuaded Roger Avery to give up the dominance of the script, because he had greater ambitions, because he wanted to vividly express the whole story in the form of computer animation. He exaggeratedly described to reporters: "The horror created by CG technology can make children all over the world afraid of Santa Claus." But this is actually a famous joke, because for the previous technology, the most difficult thing to deal with is the change of human eyes. "The so-called creepy is easy, because people's eyes in moving pictures are dull and lack of emotional expression. This is called' Dead Eye-Clear Syndrome'. People's eyes are useless even if they are considered as the windows to the soul. Even when they see a lovely actor like Santa Claus, they think they see despair and the devil. " Zanmiki's passion for technology is unparalleled. In the production of "Polar Express" and "Monster House", he has never avoided this defect of animation technology, and has been persistently exploring, and even effectively used the "dead eye" effect on some shots, such as jumping, bouncing and some actions that we can't imagine. After a year-long study, Zan Mikis decided to borrow OE (; The technology to solve the "dead eye" is basically the refinement and complexity of dynamic simulation technology, which requires placing three sensors around the actor's eyes to accurately capture every tiny blink and eye muscle movement of the actor. During filming, Angelina Jolie's face was covered with more than 200 nail-shaped sensors, and every smile was captured by the instrument.