Who are some seriously underestimated crosstalk actors in today’s crosstalk world?

Basically all of them are in Tianjin

The cross talk actors who are seriously underestimated are basically all in Tianjin. The fundamental reason is that the city of Tianjin is too closed and is close to the imperial capital, but the influence of the two is vastly different. In order for Tianjin's local crosstalk actors to gain nationwide influence, they basically had to go to Beijing. The top ten laughing stars of that year were basically Beijing crosstalk actors, and Gao Yingpei only got a spot by joining the ACFTU Art Troupe. Even outside of Tianjin, it has little influence.

Those like Ma Zhiming, who are highly respected in the industry, have little influence outside of Tianjin. One of the peak works of his peak period, "Five Flavors", was also sold by Sun Tzu. The senior Li Jindou beat him. Rather than saying that Ma Zhiming's skills are inferior to others, it is better to say that the Beijing crosstalk circle, which controls media resources, has an absolute crushing advantage over the Tianjin crosstalk circle. And his enthusiasm for the stage has not diminished

In his later years, Ma Zhiming finally had an identity that could be spread to the outside world-Xingmu Porter. This is the carnival of traffic, but the sadness of cross talk. Liu Junjie is one of those people who is easily misunderstood when he comes out of Tianjin. There are too many men called "Junjie", but there are very few who can truly bear the name of Junjie. But in the cross talk circle, he is definitely a Junjie. , and extremely handsome. Liu Junjie, who is now nearly 70 years old, still maintains creative vitality and his enthusiasm for the stage has not diminished. This is better than his senior brother Zhao Weizhou. Both of them were born in the 1950s and were apprentices of the same master. The dog god is very weak now, but the joke basket is still full of firepower. This is the difference in spirit. If you don’t believe it, give it a try

As the saying goes, if you’re an outsider and watch the show, an insider knows the ropes. The disciples of Ma Ji, the Marquis of Beijing, are not as good as Guo Degang. If you don’t believe it, give it a try. One-liners. If you are not good at kung fu, just talk about the "three vulgarities". In the past, the key to "showing off" was the word "sell". If your box office cannot make as much money as Guo Degang of Deyun Society, you have to say that others are better than you and talk about other things. Useless. There are many crosstalk activities in Tianjin

Look at traditional crosstalk in Tianjin, and there are many crosstalk activities in Tianjin. After the founding of the People's Republic of China, the survival of crosstalk was the biggest problem. This led to the reform of crosstalk headed by Hou Baolin. "New crosstalk" basically covers the whole country, and they are all included in city troupes, district and county troupes, and there are no individuals! The "tradition" can only be continued through private practice. Count the crosstalk actors. How many of them liberated the living people? In the 1990s, there were individuals and private companies, and crosstalk was blatantly called a "traditional art." It has been around for more than 40 years. Who has passed down the tradition? Who passed it on? Without a master who is 70 or 80 years old, where would the tradition and inheritance come from? If you can perform by just reading and reciting jokes, why do you still talk about "orally transmitted and heart-taught" listening, watching, learning, performing and practicing? No need to tell anyone, just look at the age.