What are the classic lines of Stephen Chow?

Stephen Chow, born on June 22nd, 1962, is a China comedian, director, screenwriter and producer. The following are the classic lines of Stephen Chow that I compiled. Let's review these classic sentences together.

1. Sweeping the floor is just my superficial work. I am really a research monk (student). Shaolin soccer.

2. If there is no dream, what is the difference with salted fish?

Yes, Fei is Xiao Li's flying knife, and the knife is Xiao Li's flying knife.

My admiration for the emperor is like a raging river, and it is like the uncontrolled Yellow River flooding.

I have been lying to you, you know? Just cheating, just like a moth to a fire, knowing that it will get hurt, or it will jump on the fire-moths are so stupid! A Chinese Odyssey The Great Wedding

6. You can call me a walk-on, but you can't call me a "smelly walk-on"! King of comedy.

Stephen Chow: What are you doing here? Zhao Wei: I want to help you enter the competition. Stephen Chow: How? Hurry back to Mars, the earth is very dangerous. Shaolin soccer.

8, unhappy, even if it is useless to live forever, happy, even if it can only live for a few days! -"Moonlight Box of a Chinese Odyssey"

9. I'm talking about my children. I'll talk about such a small matter as the country another day! "Domestic Lingling Paint" Stephen Chow

10, you think I don't know what you think? Zhao Wei: Say what, I hate it! Zhou: You can't scare me. I am afraid of everything, so I am not afraid of ghosts! Shaolin soccer.

1 1, Tang Priest: So being a demon is just like being a man. You must have a kind heart. With a kind heart, you are no longer a demon, but a shemale. A Chinese Odyssey

12, Piao Piao: I hate people's mouths broken. Qiu Tian: I don't want to have a broken mouth. Piaopiao: Then why don't you wear more lipstick? Qiu Tian: Then put it on! King of comedy.

13, at this point, I can't help but express my true identity. In fact, I am the descendant of Condor hero, the master of Dong Fangbubai-the loser of the West! Shenlong religion

14. In ancient times, Guan Yunchang concentrated on playing chess and scraping bones to cure poison. Now concentrate on the movie, dig bones and get warheads. Domestic Lingling lacquer

15, although you are a passerby, you are still alive with a soul. King of comedy.

16, poor writing and martial arts, wake up! I think you'd better go back to being your promising mountain thief! A Chinese Odyssey

17, Bai Jingjing: Let you go? You give me a reason not to kill you! Supreme treasure: I was thinking ... give me a reason to kill me first! A Chinese Odyssey

18, I left Qinglong, right white tiger, the old cow is at the waist, the faucet is at the chest, people stop killing, and the Buddha stops killing! Flirting Scholar

19, it's not that I like fighting, but that many people like being beaten by me! Duke of Lushan

20. The earth is dangerous! You'd better go back to mars ! Shaolin soccer.

2 1, seven bleeding is seven bleeding, and death is death. These are two completely different feelings. Don't confuse you. Night of the soul

22. Next, a well-proportioned tree is better than Pan An, and a week of bugs, pear blossoms overwhelm begonia. Flirting Scholar

Stop fooling around, big brother. Look how clean you are. Go in, put on your costume and come back. Look at me, my life is rotten, and my hands are covered with sores. How can you beat me? Flirting Scholar

24, like a flower! It is really you! Hail the Judge

25. Zhou: "I am a coward!" Wu: "I can see that! Should have come last night! Cut the crap. 18! " Lord of Destruction

26. Will you shake your father Zhou and say, That depends on it? Xia Qing said: What if it is good? Zhou said: Then shake him! Ludingji Shenlong religion

27. Your melancholy eyes, sighing beard, magical knife skills and crystal-clear martini can't hide your Excellence, but no matter how excellent you are, you have to pay for the night! Zero zero seven

28. To be precise, I am an actor. You can call me a walk-on, but don't put the word "death" in front of me King of comedy.

29. Face is not given by others, but lost by yourself. Night of the soul

30. The food you just ate was poisoned by me ... and died in one day. Hahahaha ... the first strange poison in the world won't kill you in one day. It should be our Tang family's smiling half step. Ha, ha, ha ... nonsense, we were killed by seven different poisonous insects and crane-top red for 7749 days a day. Colorless and tasteless, there is no trace of murder. The smiling face of our Tang family is made of honey, Fritillaria cirrhosa, orange stalks and Saussurea involucrata. It doesn't need to be refrigerated or preserved, except for its fierce toxicity and delicious taste. Flirting Scholar

3 1, which is really disappointing. Hearing your voice, I think you are a very emotional and imaginative person. Look at you all over, I know you have no connotation. 92 families have happy events

32. Hello! Would you mind pulling up your pants and showing me your legs? Shaolin soccer.

To tell the truth, I don't think you are a beggar from head to toe! Su Qier, the champion of Wu Dynasty

33, useless! An excellent person like you, no matter where he uses ginseng tea, is as bright and outstanding as a firefly in the dark. Zero paint

When you see a puppy, you should call it "Wang Cai".

35. Look at your hairstyle, it doesn't match your face, it doesn't fit, it doesn't match your hairstyle, it doesn't match at all! ! Brother Huan! What the hell do you want! Counting dead grass

36. He is arrogant but kind-hearted. He is low-key, but he is admired by thousands of people. He can use the fire that God gave to mankind to create a super dish called the art of fire. Is he the incarnation of the immortal? Or the Hellscream? No one knows, but what is certain is that everyone gives him a title-God of Food! God of cooking

37.don't worry! I didn't think you were really anti-Qing righteous men! But in this field, I have to show my true identity. In fact, I am the successor of Condor hero and the master of Dong Fangbubai, and the West failed! Ludingji Shenlong religion

38. I passed by here just now, and a man in rags came over and said that he had no clothes to wear and nothing to eat, and he had a wife and children at home. As he spoke, he took off my clothes and asked me if I mind. I said I mind a little, but you are so pitiful, you can do it yourself. I took off my underwear voluntarily, so I will help others to the end if I want. I called the police for fear that others would think I was an exhibitionist. Let's communicate first! Lord of Destruction

39. I have already seen through your heart, spleen, lungs and kidneys. Do you want to sit in my seat? A Chinese Odyssey-Moonlight Box

40. Everyone is curious. You three must remember that every day you arrive in the street on time in three shifts to attract the attention of the guests, and the money will naturally roll in. Counting dead grass

Extension extension

Stephen Chow is an outstanding comedian in China's films. He wrote, directed and acted in many films, such as Lingling Lacquer, Gourmet, king of comedy, shaolin soccer and Kung Fu, which formed a unique "Stephen Chow comedy style". His unique comedy style is highly recognizable and influential. However, Stephen Chow once said that his greatest failure in life was to be a successful comedian. Since he is a successful comedian, why is he a loser? How to understand the comedy in Stephen Chow's films?

First, the content: the tragic connotation in comedy

In the words of Master Xing, "success" and "failure" are antonyms, and the antonym of "comedy" is tragedy. In fact, Stephen Chow's comedies, which make people laugh, have profound tragic connotations. Take "king of comedy" as an example, the keynote of this film is tragic ―― the fate of nobody. Yin Tianchou loves acting, not only to make a living, but also to teach in daily life, which shows that he really loves acting. However, he was repeatedly frustrated on the set and couldn't get a box lunch. When body double was almost burned down, he failed to get the role ... This series of stories is undoubtedly tragic. When talking about tragic social conflicts, Lu Xun once pointed out: "It's just on the stage. Tragedy destroys valuable things in life, and comedy tears worthless things to people. " Satire is just a tributary of comedy simplification. But tragic and funny are both enemies of the Ten Scenes Disease, because they are destructive, although they are destroyed in different ways. If China's "Ten Scenes Disease" still exists, not only Rousseau's madman will never come into being, but also a tragic writer, comic writer or satirist will never come into being. They are just comedy characters or non-comedy and non-tragedy characters, living in ten scenes that imitate each other, each with ten diseases. "[1] It can be seen that tragedy destroys value, so people are sad; Comedy destroys worthlessness, so people are happy. This is a very simple theory. Stephen Chow's films combine tragedy and comedy, destroying the worthless and valuable, thus producing the film and television effect of "tears in laughter". In film and television works, the comedy effect is usually achieved through the funny words and deeds of characters, grotesque mindless lines, different behaviors or unrealistic ideas, and no matter which form, it must be achieved through the "dressing up" of film and television actors, that is, dressing up as clowns and shaping themselves into funny images. Yin Tianchou in king of comedy is a typical representative. He is different from the people around him, both in the way he talks and in the way he behaves. When I was attacked and insulted by others, I also resolved my embarrassment in a self-deprecating way and still worked hard on my own road. He knew he was an incompetent clown, but he had to do it for face and self-esteem. Self-esteem and inferiority, the opposite poles, are unified in a small person. Stephen Chow has a good grasp and it's easy for people to sing. [2] Here, Yin Tianchou no longer pretends to be a clown, but consciously lives as a clown to achieve his goals. At the beginning of the film, he shouted at the sea: "Work hard, struggle!" " "After being bullied by the box lunch, he shouted for self-defense. After helping the police officer solve the case, the first sentence asked: "Did I play well?" All these behaviors prove that Yin Tianchou, as a nobody living at the bottom of society, can feel inferior to others, but at the same time he is trying to prove himself and has a strong self-esteem. Reminiscent of Stephen Chow's difficult road as an actor, the tragedy of this autobiographical nobody is undoubtedly more profound and moving.

King of comedy is obviously a comedy because it has a perfect ending. Watching the movies of Master Xing, we find that he always gives love a perfect ending and a proper placement for the protagonist. In his film and television works, he revealed his beautiful vision for the future, but what about real life? Are people often in tragedies and unable to arrange their own endings? Desire is the emotional sustenance, which is undoubtedly beautiful. In this layer, the tragic implication of Xingye's comedy films is even more thought-provoking.

Second, the form: "Wulitou" expresses grassroots feelings

Wulitou is a Cantonese dialect and should be written as Wulitou. Because the pronunciation of Cantonese is similar to that of Li, it is written as nonsense. The definition of this word in Xinhua Dictionary is: a way to connect or distort some irrelevant things and phenomena inexplicably and deliberately to achieve the purpose of being funny or ironic. Nonsense behavior will bring people a sense of humor. Wulitou culture is a subculture that rose in Hong Kong in 1990s, with Stephen Chow's film and television works as the primary representative. In Stephen Chow's films, the hero often makes incredible behaviors and utters incoherent words. The splicing of the plot is also very fragmented, and the characters' language is exaggerated and their behavior is fantastic, which are typical signs of nonsense. Meaningless people are often regarded as marginal people in society, living in their own world and unable to be understood by the public. On the contrary, most of the characters in Stephen Chow's films are the subjects in society-the people at the bottom. A Xing in Kung Fu and Yin Tianchou in king of comedy are ordinary "grass roots" with no complicated life background and simple life goals. Such a grass-roots figure makes a nonsense move, which constitutes an alternative expression of Stephen Chow-style warmth. Stephen Chow is known as "the master of post-modern deconstruction". On the surface, everything in his films can be the object of his deconstruction, which seems to convey a nihilistic value. Can't help wondering if his nonsense is meaningless? However, when we deeply discuss the connotation of movies, we can see deeper grassroots feelings through the surface of nonsense, which is a rich humanistic concern.

(1) Basic needs

Yin Tianchou in king of comedy, his behavior is meaningless, but his goal is clear. From the beginning of the film, we found that he had a clear life pursuit-to be an actor, to work hard and to struggle. This clearly expresses the grass-roots people's life planning and pursuit of ideals, and expresses the profound humanistic care in Xingye's movies. When Sister Juan told Yin Tianchou that his role had been replaced, he asked himself what role he played in a very interesting way. How many lines are there, and then I repeat the dialogues such as "ah" and "oh" seriously, in an attempt to integrate my feelings into them and make the performance more exciting. Such plots are too numerous to mention. Some people say that king of comedy is the autobiography of Master Xing, and Yin Tianchou's insistence is the movie pursuit of Master Xing. Through the nonsense behavior of such a grassroots figure, he expressed profound and meaningful bottom demands.

(2) Emotional expression

Affection, friendship and love are fully expressed in the movies of Master Xing. Liu Piaopiao and Yin Tianchou have also become classic lovers on the screen, and the traditional feelings are even more touching under the nonsense expression. Yin Tianchou asked, "I support you?" Liu Piaopiao asked, "Is it true that you said last time that you raised me?" In fact, the lines chosen by Master Xing are the most undisguised and direct emotional expression, which directly hits the depths of people's hearts and makes people think about the most authentic and primitive emotional expression without material conditions. This kind of emotional expression undoubtedly reflects the respect and inheritance of the traditional values of Xingye. Among the nonsense expressions, "tradition" is more prominent and thought-provoking. With the help of Twitter, a nonsense expression, it is an exploration of expression in Stephen Chow's comedy films, which not only adheres to the connotation of the film, but also enhances the appreciation of the film. Giving up the emotional expression of bitterness and hatred and adopting the way of setting off can make joy more joyful and sadness more tragic, which has high artistic and aesthetic value.

Third, the theme: promoting the development of comedy with loved one as the main line.

Grace Wai Wong said meaningfully and blankly, "With Stephen Chow in the film, the audience will forget everything. No matter what role he plays, no matter who he matches, he is a green leaf, just to make it more colorful with red flowers! As for the part that does not appear on the screen-director, screenwriter, photography ... no matter how big or small, it seems that it is no longer important. " [3] But when we discuss Stephen Chow's comedy films, we have to discuss the collocation of "green leaves" and "red flowers". Love is the eternal theme of art, and the movies of Master Xing also have love stories. The Supreme Treasure in A Chinese Odyssey has an emotional entanglement with Bai Jingjing and Xia Zixian. A Xing and Sargam in Kung Fu have lovers, and all shall be well. In king of comedy, Yin and Liu Piaopiao are unforgettable lovers on the screen. In Stephen Chow's movies, there are many humorous ways to promote movies, but what really exists as the development vein of movies is still love stories. We can only use the story of Yin Tian, Chou He and Liu Piao Piao to construct the overall context of king of comedy. Ever since Yin Tianchou longed to be an actor, he has been desperately looking for opportunities and living in poverty. Dancer Liu Piaopiao learned acting from Yin Tianchou, and they gradually fell in love. When Liu Piaopiao gave up her job as a dancer, Yin Tianchou's career as an actor improved a little. Their feelings run through the whole movie as the main force to promote the development of the plot. The personal emotional expressions of the two protagonists, such as confusion, hesitation and persistence, are also revealed under love. Looking at this theme choice, there are great advantages worth discussing.

As we all know, a profound film can stand the test of time and leave its own artistic value, and in what form can it be expressed? Be easy to accept and love? There is no doubt that love is a popular theme, which can carry extremely heavy implications. In other words, the theme of love is full of great artistic tension, which can be expressed in the most relaxed way under the most "load-bearing" situation, so that people can understand, feel, accept and think. In king of comedy, the emotional development of Yin Tian, Chou He and Liu Piaopiao begins in a ridiculous way. They had a long talk after getting to know each other. It was in this lecture and listening that the audience learned the tragic story of Liu Piaopiao's first love and the reason why she became a dancer. The background of the characters is easy to explain, not abrupt or astringent, and it is natural. This is the "power of love" in the film. After the relationship between the two developed further, Yin Tianchou asked directly: "I raise you?" It shows a beautiful vision that makes people feel soft. Liu Piaopiao cried in the taxi, which greatly infected the mood of the audience. From here on, the film ushered in a climax. The climax of film and television art must be achieved through conflict. This ultimate conflict was realized in Thunderstorm by the great dramatist Cao Yu. In a very short time, countless pairs of contradictions and conflicts have been directly created, which constitutes a tragic society. In king of comedy, there is a conflict between love and career, and Yin Tianchou is inexplicably chosen as the leading actor by Juan's sister. What kind of feelings Juan's sister has for Yin Tianchou is not directly explained in the film, but we can also see women's affection for men through various signs, which has brought about the start and development of Yin Tianchou's career. Where are the willows fluttering? When Liu Piaopiao shouted at Mercedes-Benz, "Is it true that you said you raised me last time?" When Yin Tian, Chou He and Juan Jie turned back together, Yin Tianchou made a choice ―― Stephen Chow also made a choice. The result of the conflict is not so much that love wins, but rather that the spiritual appeal and value support behind love win. This is the emotional power that Master Xing finally wants to convey.