Deyunshe joke king

At present, the stage of the Spring Festival Evening is inseparable from cross talk. When it comes to cross talk, people will think of many famous artists, such as Hou and Ma, and the most famous ones are Deyun Society and his disciples. Recently, Shaanxi crosstalk groups "new forces", such as Lu Xin and Yu Hao, have become popular. Crosstalk can be said to be popular all over the country.

With the rapid development of cross talk, cross talk actors brought joy to people and were loved and missed by people at that time. However, time flies, and the children who listened to cross talk have grown up; With the passage of time, the artists of the older generation in the phonological circle have left us one by one, which makes people feel sad. Yesterday, another famous crosstalk artist, Xie Tianshun, passed away, and Degang Guo sent a message: People are thousands of years old. Sadness.

In fact, the origin of cross talk is very early, and cross talk pays attention to learning and teasing. Before the Song Dynasty, the basic forms of cross talk existed. However, at this time, crosstalk is in its infancy, and its spread is not wide enough. Folk crosstalk is basically the work of artists looking for food in teahouses and stalls. There were many zaju and many funny performances in the Song Dynasty, which were tricks to entertain everyone. At this time, crosstalk had a prosperous period, and its development forms also showed different performance styles, such as Tachen in the market, Niu Yuanzi, Dengaku in the village, social drama and Wuzhailang, which were very popular with the public at that time.

During the Yuan and Ming Dynasties, Yuan Zaju and Ming Dynasty legends became fashionable. At this time, crosstalk generally developed into a vassal, but there were still funny rappers in the folk or Ming court. At the end of the Ming Dynasty, "Neighborhood Play" appeared, which strongly supported the comic performance in the form of Quyi. Famous clowns and storytellers were both important parts of the development of cross talk at that time. People have nothing to do, and they also like to listen to books in teahouses.

In the Qing Dynasty, crosstalk once rose, and words such as crosstalk and Xiang Sheng were used in A Dream of Red Mansions, which shows that geisha in Xiang Sheng have been active among the people. Beijing Opera is the most famous drama in Qing Dynasty, but the development of cross talk is also on the rise. Time songs and pop songs didn't stop in the last years of Qianlong, just because with the decline of national strength, people lived in dire straits and the country was teetering. Who cares about these funny things?

Due to the turbulent situation, the cooperation between literati and artists is not very close. Feng Menglong can make up jokes and new folk songs, but he didn't think of making up cross talk. But at this time, storytelling based on storytelling began to be accepted by people. In the eyes of feudal literati, the crosstalk performance based on geisha is not elegant, and crosstalk artists have to keep pace with the times and learn from storytelling and joke books. This was all in the late Qing Dynasty and the early Republic of China.

During the Republic of China, the situation was more turbulent, with warlords fighting and suffering. It was only after the founding of New China that the development of cross talk was officially recognized by people, and cross talk really became a profession, a profession and an artistic performance form. At this time, crosstalk also paid more attention to content and irony. At the same time, combined with the current innovation, some good crosstalk jokes appeared, such as Yesterday, Selling Monkeys, Always Harming Mankind, Storm on the Stage and Photography Since the Third Plenary Session, which are all well-known masterpieces.

The perfect combination of cross talk and the development of new China. The new cross talk is the mouthpiece of the people. It was conceived for the four modernizations and people's spiritual civilization, and a hundred flowers blossom in the form of creation. Crosstalk artists have made bold attempts and opened up many novel art forms.

At this time, many famous artists appeared. Before liberation, the advantages of cross talk shifted from Beijing to Tianjin. If you don't enter Tianjin, you won't succeed. Among them, Zhang Shouchen, a famous crosstalk artist, cooperated with "heartthrob". In the 1920s, in the afterglow of Liu Baoquan, Quyi was comparable to Peking Opera. The heartthrob is also from Quyi, but it is relatively low-key and doesn't like those lively scenes. Zhang Shouchen's father is a storyteller, and Zhang Shouchen has practiced well under his father's influence since childhood.

Zhang Shouchen studied under Jiao Dehai and Li Deyang, and won the audience's love with his speeches. Colleagues call him "the king of cross talk". Among them, stand-up crosstalk is his specialty. Among them, his works "Three Dangers a Day", "Clever Mouth Matchmaker", "Doll Brother" and "Five Meanings" are deeply loved by the audience, among which the most famous is "Little Fairy", which tells the life of old Beijing through his clever mouth, as if the picture is in front of him. At that time, the famous crosstalk artists were Yun Lifei, Zhao Airu, Chang, Ma, Chang and so on.

As for Hou, who was born in 19 17, he was given a job as a cook by his biological parents at the age of three because of his poor family. In order to make a living, he learned to sing Peking Opera at the age of thirteen. Born with a good voice, he knows all about life, beauty and ugliness, and his skills in singing, reading, doing and acting in Peking Opera also add luster to his future speaking, learning, teasing and singing.

Later, he followed the teacher and formally embarked on the road of cross talk. After liberation, Hou's artistic talent was released perfectly, and his stage language was witty and concise, with elegant taste, harmony and good taste, which won many people's love. The combination of his creation and performance shows a new artistic outlook. Among them, Marriage and Superstition, Night Travel and Skillful Hands Make Perfect are widely circulated.

The rapid development of cross talk is closely related to the development of our country. In order to further promote the prosperity of crosstalk art and serve the socialist cause in China, at the symposium on crosstalk creation held in May 1980, it was proposed that crosstalk should satirize the old ideas and things left over from the old society, and at the same time, it should improve the interest of crosstalk and reflect people's lives.

Of course, crosstalk is a popular form of entertainment now. Along the way, the older generation of artists in phonology improved this art form with their youth and blood, and developed and spread cross talk. There are various forms of cross talk, among which there are three main ones: stand-up cross talk, mouth-to-mouth cross talk and group cross talk.

We usually see two people standing on the stage, one teasing and the other laughing. This is the most popular cross talk. Of course, there is a famous stand-up comedian Fang Qingping, who said that everyone sounds like a story, but it is also dramatic. With the development, like the current "new cross talk force", the most popular performance methods are generally combined with the audience's favorite performance methods, which are also deeply loved by the audience.

Crosstalk brings us joy, but it is also a cultural heritage. I hope this art will be passed down all the time. Bringing joy to more people, we are also in awe of the contributions made by the older generation of artists to the arts. The Sri Lankan people have passed away, as Degang Guo said: The day never leaves the old, and people are thousands of years old. May the dead rest in peace.