The main content of "Qinhuai River in the Sound of Oars and Shadows of Lanterns"

The Qinhuai River in the Sound of Oars and Shadows of Lanterns is a lyrical prose about travel and scenery. The article begins with the author and his friends hiring a "seven board" for a tour of the Qinhuai River. It cleverly uses the "sound of paddles and lights and shadows" as clues in writing, from the Lishe Bridge to the outside of the Dazhong Bridge, from the setting sun to the full moon. The complete travel trace forms an obvious sequence of time and space. At the same time, there are emotional clues of the author running through it. At the beginning of the tour, the author was in a calm state of mind, enjoying the scenery calmly, enjoying the scenery, and being intoxicated by the scenery of the Qinhuai River at night. And when describing the lights, water colors and moonlight, he poured his own deep emotions into them. Then the prostitute boat in the Qinhuai River caused Zhu Ziqing to "encounter an intractable dispute", and the article took a big turn. The author's mood changed, from being intoxicated with the beautiful scenery to feeling lost in reality. In the second half of the article, the author expresses his "disillusionment", creating a space for readers to reflect and imagine. Another outstanding feature of the structure of this prose is that the author closely follows the characteristics of summer nights on the Qinhuai River, using moonlight, lights, water color and other scenery as description objects, focusing on lighting, not only describing in detail different times and different waters It also expresses the unique artistic conception of the lanterns reflecting the water and the lanterns and the moon shining together, allowing readers to appreciate many of the meanings of "The reason why Heaven is thick with the Qinhuai River" and "The reason why Heaven is thick with us". A new taste.

The short answer is as follows

Main content: It mainly describes that the Qinhuai River has always been a gathering place for literati and poets, reflecting the beautiful night and bustling scenes along the Qinhuai River

Central idea: Although the author tries his best to avoid social reality, he cannot detach himself from it, which leads to many troubles.

Appreciation of Yu Pingbo's "The Qinhuai River in the Sound of Oars and Shadows of Lights"

Appreciation of this work, written in Beijing on August 22, 1923, selected from "Za Mixer". Many years ago, Yu Pingbo and Zhu Ziqing traveled to the Qinhuai River together. They each wrote an essay with the same title of "Qinhuai River in the Shadow of Oars and Lanterns", which has been handed down from generation to generation with different styles and strengths, and has become a good story in the history of modern literature. .

The Qinhuai River in Nanjing, with its beautiful scenery, especially its historical sites containing the rise and fall of past dynasties, has always been a place where many poets and poets sang and paid tribute. "Po Qinhuai" by Du Mu, a famous poet in the Tang Dynasty, is one of the most popular poems. The poem goes: "The smoke is in the cold water, the moon is in the sand, and I stay in Qinhuai at night near the restaurant. The merchant girl does not know the hatred of the country's subjugation, but she still sings the flowers in the backyard across the river." It combines the description of the beautiful scenery of Qinhuai with the deep emotion about the current situation. In the Qing Dynasty, Kong Shangren wrote the legendary "The Peach Blossom Fan", which described the prosperous atmosphere of the Qinhuai River and the tragic scene of the destruction of the country and the family. Therefore, people are fascinated by the Qinhuai River, as Zhu Ziqing said in his article, not only because of its beautiful scenery of lanterns reflecting the water and painted boats lapping the waves, but also because of many historical images.

These two essays were written just three or four years after the May Fourth Revolution. At that time, with the deepening of the revolution, the united front of the "May 4th" New Culture Movement further differentiated, "some were promoted, some were retired, and some were advancing." Compared with the May Fourth Movement, the entire cultural field seemed relatively neglected. Since the new revolutionary upsurge has not yet arrived, some intellectuals feel that their future is uncertain. As Mao Dun pointed out: "As of the eve of the May 30th National Day, an air of depression and hesitation dominated the entire literary world, even if there was a cold and wry smile on the outside. There is a difference between seeking pleasure and anesthesia, but the same feeling of depression and hesitation in the heart. The literary world at that time was only wandering on the cross streets." ("Novel Collection of Chinese New Literature") These two essays with the same title can confirm this. . It is not difficult to see from the article that whether it is Yu Pingbo or Zhu Ziqing, because they are both trapped in the narrow world of intellectuals, it is impossible for them to unearth more positive ideas from the history and current situation of the Qinhuai River. Come. They are also dissatisfied and pursuing something, but they also feel very confused, so there is a sense of bewilderment in the article. They do not hide their ideological anguish. Zhu Ziqing wrote: "This is really because our hearts have been dry for a long time and become fragile. Therefore, if we moisten them occasionally, we will become crazy and unable to control ourselves.

History is the nourishment of the Qinhuai River. It can be said that history has made the Qinhuai River a success. The Qinhuai River without history has lost all meaning. The author walks from reality into historical memories, awakening the Qinhuai River in both form and demeanor. "There are always lanterns hanging under the roof in front of the cabin; the number of lights, lightness and darkness, the fineness, thickness, and color of the lanterns are all different. But at least there is always a lantern for you." This lantern is really the most attractive one. Thing: "In this mist and ripples, listening to the leisurely intermittent sound of oars, who can not be led into his sweet dreams? I just worry that there are too many dreams, how can these big and small boats carry them? We were vaguely talking about the beauty of the Qinhuai River in the late Ming Dynasty, such as those recorded in "The Peach Blossom Fan" and "Banqiao Miscellaneous Notes". We seemed to have seen the lanterns reflecting the water and the boats gliding. The scene of waves has become a heavy load of history.” The author began to fall into history from the lamp, and it was actually caused by many historical images: walking ships, looking through the fog. The flowers are all fluttering and hazy; the ethereal songs are like illusion and reality... The author uses the memory of historical images to describe the Qinhuai River in a hazy and imaginary way, which makes people intoxicated and fascinating. The author focuses on the natural landscape of the Qinhuai River, but downplays nature and his aesthetic taste with the appearance of singing girls. The author vividly and vividly analyzed his contradictory feelings of wanting to listen to music, but being restrained by the moral law, wanting to transcend reality, but not forgetting the reality. It is true and concrete, and the kind of true feelings gives readers great inspiration. Infectious, and the meaning is profound and natural. It paved the way for returning to reality in dreams. In general, the article "Qinhuai River in the Shadow of Oars and Lanterns" clearly reflects the careful and meticulous characteristics of Zhu Ziqing's prose. When Zhu Ziqing painted the scenery of the Qinhuai River, he integrated natural scenery, historical images, and real emotions, filled with sincere, deep and delicate emotions, giving people a feeling of nostalgia and nostalgia. "The Qinhuai River in the Sound of Oars and Shadows of Lights" presents an evocative image of the Qinhuai River in the shadows of sound of oars and lights.