Exodus movie review

"Exodus" gives more scenes to men who are avenged and about to be avenged. The film is neither a humorous comedy nor a crime-solving film. If you don’t focus on solving the case when watching this movie, but focus on finding Moses, looking for Egypt, and looking for Ramses II, then in this movie that looks like a detective story, you can understand that Moses led the Israelites to escape from Ramses II. A microcosm of Egypt under ancient rule. The "Exodus" process of Zhang Fang and Zhan Jianye not only reflects the simple relationship between men and women, but also elevates the category to the level of personal confrontation with bad social trends, which has profound social significance. In terms of actors' performances, Simon Yam's performance is quite outstanding, and the rest of the actors don't have many roles and their performances are quite satisfactory. The biggest contribution of Wan Bixia, who plays the mistress, is that her intense sex scene with Simon Yam caused a stir in the later part of the relatively calm scene. From this aspect, Wen Bixia still relies on "body language" to perform in this film. In other aspects, she has not made much progress (NetEase Entertainment Review).

"Exodus" is a work in which Peng Haoxiang has completed a true transformation. His more sophisticated technology and broader vision make it a landmark movie, allowing the audience to see Peng Haoxiang's determination to keep going. , that is for the more ambitious artistic ideal in his heart. The film tells a story that has nothing to do with religion, but the title highlights the word "absurd". The film expresses concern for women, has beautiful lens language, and demonstrates Peng Haoxiang's unconstrained talent (Tencent Entertainment review).

In "Exodus", the absurdity is magnified to the extreme: a group of women gathered in the women's bathroom to discuss how to kill all the bad men in the world. This idea that sounds similar to a joke was made into a movie by Peng Haoxiang (Sohu Entertainment Review).

The title of "Exodus" sounds very literary, and the plot of "Paranoia" is more like the cleverness in Pang Haoxiang's previous films. But the organization of women who want to kill all the men is no longer the core of the story, but has become a clue. Emotions occupy a more important position in this movie than jumping plot conflicts and contradictions. This is another transformation of Peng Haoxiang. He continues to use his cleverness to attract the audience, but he no longer relies on them so much. He begins to wrap something with more connotation and depth outside the core of the clever plot, creating a unique strange effect. From this perspective, he has blazed a new path that belongs only to himself (reviewed by The Bund Pictorial).

"Exodus" has pictures and compositions with a very modern sense of space. From the subject matter to the sound effects, it is reminiscent of the Hungarian short film "Pastoral Spring". The whole movie is interesting and can be regarded as an anomaly in the Hong Kong film industry (Southern Metropolis Daily Review).