What did Brother Nong tell us?

Truth: Good brothers should be new. They should not only consider themselves in everything, but also their own interests. Those who take away all the benefits will lose their blessings. Eat your own meat and don't forget to leave soup for others.

Good story "Brothers Farming"

The two brothers farm together. When the wheat is ripe, the two brothers discuss how to divide it. The elder brother said to the younger brother, "I want the first half and you want the second half."

The younger brother accused the older brother of being unfair. The older brother said, "Next year, you want the first half of the year, and I want the second half." My brother agreed. The next year, my brother urged him to sow, and he said, "I want to plant taro this year."

Traditional crosstalk and folk jokes

"Brothers Farming" was transplanted and adapted into "Dare not follow". The remolded characters didn't hurt the brotherhood, and turned the brotherhood into the relationship between exploitation and exploitation of Zeng Jiu and Silly San Er, showing Zeng Jiu's ugly face of squeezing and robbing others' achievements.

Judging from the development and trend of the plot, the speech act of "Silly Three Children" seems a little dull, giving people a dull negative impression. However, the incident plot derived from this made Zeng Jiu's gaffes and actions make people laugh.

Folk jokes are typical, which brings development space for remolding characters. Mr. Hou said: "The truth of art is based on the truth of life, and we must pay attention to depicting the characters truly when performing."

From the fun brought by one thing, grasp the dominant factors of the content, and combine the known objects with other similar, deeper and deeper objects into clearer, clearer and more vivid characters. Artistic exaggeration is carried out on the basis of real personality. After removing the weeds and preserving the essence and rearranging them, the characters are alive. The manners and expressions in laughter and laughter are a state of life that can be said and done.

Remodeled characters should grasp the internal unity of their characters, and creation or performance should not be separated from their characters because of a few burdens that they are reluctant to throw away, which will distort their characters. Shaping characters should not be a hash of personality, but a unity of the whole.