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Thoughts on Kung Fu Yoga
On the ninth day of Lunar New Year, I went to the cinema to watch the movie Kung Fu Yoga starring Jackie Chan. This film mainly tells the story of Professor Chen, the hero, leading his treasure-hunting team to explore the treasures of ancient Mejietuo. The whole story combines China Kung Fu with Indian yoga, action and passion, tension and laughter, glacier beauty with Indian exotic customs, presenting us with a rich visual feast.
Professor Chen is an expert in archaeology. He is experienced in the restoration of cultural relics. He led his research team to invent a technology that can restore the color of cultural relics. With this technology, it is easy to restore the colorful terracotta warriors and horses that have lost their colors. This technology quickly attracted the attention of two groups of people in India, one is the princess of Mojeto, and the other is the descendant of traitors at that time. They all want to use this technology to restore the lost treasure map and then find the treasure. These treasures are a group of treasures that Mojeto paid tribute to China more than 0/000 years ago. As a result, they disappeared mysteriously on the way because they were chased by traitors. Princess Mojeto pretended to be an Indian archaeologist, asked Professor Chen to repair the map, and invited Professor Chen to join the treasure hunt. According to the restored treasure map, they easily found the treasure in the glacier area on the Sino-Indian border, only to be robbed by the rebellious Capricorn descendants, but the most precious scepter, the eye of diamond Shiva, was stolen by the professor's nephew and auctioned by Saudi Arabia. Princess Capricorn, descendants of traitors and Professor Chen all want this diamond, but they have different purposes. Professor Chen wants to dedicate the cultural relics to the country. The princess and the descendants of traitors all know that this diamond is the key to unlock the national treasure of ancient Maha. As a result, a series of thrilling fights were staged around this diamond. Finally, Professor Chen and the princess were both caught by the descendants of the traitors and coerced to open the treasure together. After the witty struggle between Professor Chen and the princess, the treasure was successfully exposed to many tourists and monks, and the rebellious descendants failed in their attempt to keep the treasure for themselves.
After watching this movie, I realized the thrill, and I laughed at it from time to time, which also made me bow my head and think deeply. A line from a princess in the movie left a deep impression on me: "Shiva's eye, according to legend, whoever owns it will own the whole world." So everyone desperately wants this scepter diamond, at the expense of their own lives. But when I finally opened the treasure chest, I saw bundles of bamboo slips, without gold or jewelry. As we all know, these bamboo slips record medical, astronomical, agricultural, mulberry and economic documents. This is the real treasure, the real inexhaustible treasure. Only knowledge can change the world and destiny. In addition, Professor Chen and his assistants worked hard to protect cultural relics from falling into the wrong hands, which made me understand the great mind of being a cultural relic worker! Cultural relics are the embodiment of national culture, belonging to the country and people, to the whole world and to all mankind. We should protect them well, let more people know about them, and understand the past of the world through them.
Chapter 2: Comments on the movie Kung Fu Yoga A person goes to the cinema to watch Kung Fu Yoga. Late 10 minutes. After arriving, I found a seat in the dark cinema and sat for most of the day. The audience is full, but I can't find a seat. I can only see the figure pressing down, and then I found a seat with the help of the staff. After sitting down, I began to read the newsletter of Indian professors. Although it's a pity that I didn't see the grand opening picture, it doesn't affect the viewing of the main line. People who watch movies are not limited to young people, but to realize real family fun.
The play is divided into three parts: the treasure key under the iceberg, the treasure key in Dubai and the treasure hunt in India. Actors include Jackie Chan, Lei and Aarif Lee's bacon and fresh meat combination, as well as beautiful women's assistants, Indian princesses and other high-value treasure-hunting teams. The treasure robber was led by a handsome Indian aristocrat. The whole drama does not consider other things first, and Yan value accounts for 3 points. The whole process was full of laughter. From "Big Brother's Breakfast" to the program, every time LAY says "the first time", it will cause a lot of laughter. Fighting wolves behind your back, or spitting in the face of an Indian princess, is the time to laugh. It makes you wonder what you will answer later, but the jokes are all so sudden and just right. At the same time, you will find that this is the correct way to laugh. The scene of flying cars driving on Dubai highway is wonderful and exciting, and the turn with a lion expression is even more ingenious and admirable. The process of treasure hunting seems incredibly simple, but it is accompanied by going to the wolves to save Jones and fighting with the wolves and "can you help me take drugs?" This kind of boring joke. I think the story should be like this.
I read the comments on the website before reading it. Most of them are talking about LAY's acting skills, and there are many bad reviews. However, after watching it, I obviously feel that the three views of the film are very positive, the acting skills are online, and the visual sense of Hollywood blockbusters is revealed everywhere, which is not as bad as the online reviews. Even if LAY's acting skills are not very online, it is enough to contract all the stupid jokes. Coupled with the martial arts scenes from boxing to meat and the wonderful car chase staged in Dubai, the evaluation should not be like this. In my opinion, this is a classic comedy worth watching.
Chapter III: Comments on the Composition of Kung Fu Yoga With Jackie Chan's huge market appeal and LAY's small fresh meat effect, I still walked into the cinema to watch this movie.
When I walked out of the cinema, I had to say I was a little disappointed. This is a noisy popcorn New Year movie. You can guess the ending story from the beginning, the cliche jokes, the unchanging play path, and Jackie Chan-style humor run through the whole movie.
In my opinion, this is not a "good movie", but a "meaningful" movie.
The original intention was good, to abandon selfish desires, respect history, and promote the prosperity and progress of world culture on the premise of the interests of mankind all over the world. This is a major premise, and the plot of the whole film is unfolded under this major premise.
It is a good choice for the whole family to enjoy this film. After all, nothing is more important than laughing on a happy day. Exquisite pictures, witty dialogue, fantastic animals, magnificent history and so on are all remarkable places in this film.
Regardless of national boundaries, it is a thought-provoking question whether the treasure of any nation should be used as a tool to vent selfish desires or a treasure to enrich the human spirit. The group headed by "Jack" is saving some human beings whose values are distorted. In the end, their efforts paid off and became the sublimation of the whole movie.
However, many details can't stand scrutiny, and the final turning point is very stiff and unnatural.
Naturally, judging the value of a movie, I believe everyone's psychology has different standards. As long as you are happy, it is a good movie.
Chapter IV: Comments on Kung Fu Yoga The year before last, the State Administration of Press, Publication, Radio, Film and Television and the Indian Embassy in China hosted a news briefing on Sino-Indian film cooperation and exchange, and released three films showing the theme of Sino-Indian friendly exchange, namely, Tang Xuanzang, Kung Fu Yoga and Making a scene in Heaven, starring Huang Xiaoming, Jackie Chan and Wang respectively. In the Year of the Rooster, all three films were released. Among the three films, Xuanzang of Datang failed in the box office, while Kung Fu Yoga and Tianzhu Make a Big Scene in Heaven appeared together on New Year's Day, and The Journey to the West of Star Master made the Spring Festival of the Year of the Rooster more fierce.
Because I have seen Kung Fu Yoga, I can tell you what this film is like. It can be said that in less than a year, Jackie Chan's three films Kung Fu Yoga, Jedi Escape and Flying Tigers dumped ten blocks on the railway. Jackie Chan's director partner Tang Jili in "Peak" is more reliable, and Kung Fu Yoga vaguely reminds people of simple mission+eagle plan.
In fact, the story is as simple and interesting as ever, and the characters are as clever, witty and humorous as ever, and are good at fighting against the environment. Adventure, the unique symbol of Jackie Chan's movies, has an effect comparable to that of the Chinese zodiac in Kung Fu Yoga. Iceland ice cave battle, Dubai luxury car race, Indian street magic melee, Indian hyena war ... every scene is wonderful enough. Considering that Jackie Chan, who is over 60 years old, still works so hard, it is no wonder that he became the first Chinese to win the Oscar for Lifetime Achievement.
Jackie Chan has driven luxury cars in Dubai, Bugatti, Bentley, Lamborghini, McLaren ... Not to mention how many luxury cars have been destroyed, there is actually a lion racing with him in the back seat. When flying in the air, his expression is synchronous, thrilling and hilarious, and the visual effect is staggering; The street magic melee seems to be a gag, but it has eliminated India's most famous magic. What is the sky rope, street suspension, flute dance, snake dance ... The hyena war has made the younger generation charge, which can always be skillfully resolved in times of crisis, enough to make Aarif Lee and LAY fans scream. ...
The comic elements of this film are much stronger than Jackie Chan's previous films, which is due to the interesting collocation of actors. The actor combination is a typical one-on-one, which is similar to the Chinese Zodiac. Jackie Chan brings a lot of fresh meat, and handsome men and beautiful women can also punch and kick, not to mention attract attention. Interesting guest coffees, such as Ceng Zhiwei and Zhang Guoli. In particular, Zhang Guoli's auction in Dubai showed off his wealth, and the audience burst into laughter.
Jackie Chan once said: If you want to see high-tech and gunfight movies, Hollywood movies and action movies, then come to me. I've always wanted to be different, not like others. When everyone goes the way of Bruce Lee, I go an action comedy. When everyone is shooting an action comedy, I shoot a dangerous action; When everyone is playing dangerous moves, I will take a dangerous move called putting all my eggs in one basket. After that, no one studied me, and I became lonely. Moreover, in the film directed by Tang Jili, Jackie Chan's life and death adventure is definitely memorable in the history of Hong Kong-made films, such as the thrilling scene of sliding down from a tall building in Who am I? In the red sail area, he jumped from the roof to the balcony of the adjacent building; Fighting great white sharks in Bai Jinlong ... You can also find many thrilling adventure scenes in Kung Fu Yoga.
In fact, looking at today, Jackie Chan and Jackie Chan's movies have already gone far beyond the definition of an actor and a movie, and they are the representatives of a spirit of self-improvement and perseverance, and the representatives of positive energy in the entertainment circle. Perhaps many viewers will say that Jackie Chan has been unable to rebuild the glory of that year, and it is difficult for the criticism to be definitely covered up in the current online environment, which also reflects the audience's expectations for Big Brother. Because he is Jackie Chan, he has deeper expectations and higher requirements.
Chapter 5: Comments on Kung Fu Yoga Recently, the Chinese-Indian co-production action movie Kung Fu Yoga starring Jackie Chan reported that "India withdrew its capital". Although it was later confirmed by two filmmakers, Yaolai Film and Taihe Entertainment, the incident was purely out of thin air, but it also made people curious about this new virgin land co-produced by China and India. In this regard, our reporter contacted Zhang, general manager of Taihe Entertainment, for an exclusive interview. This is also the first time that the film producer of Kung Fu Yoga officially disclosed the relevant information of the film and the co-production between China and India to the media. Talking about the previous news about the divestment of the Indian film Viacom 18, he said that the company has never participated in any specific work part of Kung Fu Yoga from beginning to end. "They have never invested money, and there is no such thing as divestment." The film will be completed in Dubai at the beginning of 1 1, and it is expected that all the filming will be completed before April next year, and it will enter the post-production stage. As for the release schedule of the film 20 16, he stressed that it was by no means a summer file released before. "The eleventh and New Year's files will be good schedules, but they need to be considered comprehensively in the future."
Kung fu yushang yoga
The ideological collision between the two ancient civilizations
On September 20 14, when China president visited India, he said that China is willing to work out a cultural exchange plan with India to expand exchanges and cooperation between the two countries in the fields of culture, education, tourism, religion, film and television, media and human resources. According to the understanding reached by the leaders of China and India, Cai Chuchao, director of the State Administration of Press, Publication, Radio, Film and Television of China, and Yawadkar, Minister of Information Industry and Broadcasting of India, signed a film cooperation agreement on June 18. On the occasion of Indian Prime Minister Modi's visit to China this year, that is, at the "China-India Film Cooperation and Exchange Press Briefing" on May 14, Kung Fu Yoga and Da were officially announced for the first time.
Like most classic Jackie Chan movies, Kung Fu Yoga focuses on adventure and action. According to the information, an archaeologist who has not left school for many years met a mysterious Indian girl. The other party used a thousand-year map closely related to the history class he had just finished, which aroused his curiosity and led him to explore the "mysterious gem" between China and India. In fact, "Kung Fu Yoga" is not the first time Jackie Chan has become attached to India. As early as 2005, Myth was filmed in India, with the participation of local actress Mallika Sherawat. As one of the three films co-produced by China and India, Kung Fu Yoga originated from 20 13 10 according to Zhang. At that time, Jackie Chan accompanied the leaders of the State Administration of Radio, Film and Television to visit India. The local media asked him if he was interested in making a Chinese-Indian co-production film that could sing and dance. He replied that as long as there is a good script, of course. As can be seen from the title of the film, China and Indian elements are obviously intertwined. "Kung Fu" comes from China and "Yoga" comes from India, which is "the exchange and collision of ideas between two ancient Asian civilizations".
China has the creative initiative.
Not less than 30% of Indian dramas
Recalling the communication process between Kung Fu Yoga and India in July, 20 14, Zhang said that the script and contract details took the most time, because lawyers, creators and other staff needed to be present, and many Indian film companies' staff were in Britain or Los Angeles, and only some producers were in Bollywood, so the telephone conference often started at two or three o'clock in Beijing time and lasted for two or three hours. Then, in the specific implementation process, who has the more initiative in China and India? According to Zhang, "the right to innovation still belongs to China." The investment ratio between China and India will also abide by the relevant laws and regulations of co-production, that is, the total amount of foreign investment will not be less than 30% of the total investment. While ensuring this minimum requirement, "China film companies certainly want to invest more, because they have great confidence in the mainland market and the international market value of Jackie Chan's films", and the later share will be calculated according to the investment proportion. Although the final editing version is still uncertain, he predicts that in future films, the scenes about India will not be less than 30% of the film content.
Zhang said that if China and India co-produce next time, we need to pay more attention to two aspects: First, we must go to India several months in advance to communicate with partners who may or have reached an intention to understand each other's way of speaking and humor. "We have watched too many American and Korean movies and understood where their pain points and jokes are, but we still know too little about India." Second, I have a better understanding of the production technology and process of Indian films. We need to see more Bollywood movies. "Bollywood movies have a huge output, and only a part of them can enter the eyes of China movie audiences every year, which cannot fully represent the production technology level and mode of the Indian film industry." Asked about the biggest feeling of this cooperation, he thought for a moment and said with a smile: "The road is long and Xiu Yuan is awkward, and Xiu Yuan is embarrassed."
Three major problems
Cultural differences are hard to find.
Although the Indian film Caravan was released in China in 197 1 year, much earlier than the first Hollywood imported film "The Desperado" in 1993, on the road of film co-production, compared with the increasingly mature co-productions of China, the United States, France and China and South Korea, China and India co-produced like a child just learning to walk. Taking Kung Fu Yoga as an example, Zhang described the difficulties and challenges encountered on this road, mainly in the following three aspects.
1, the strangeness of cultural system
Although the two countries are bordered by Tibet and Xinjiang, India has not been influenced by China culture like South Korea or Japan, especially in the film industry. China film academies are mostly influenced by American, Soviet or European film ideological education, but less by Bollywood films. The barrier of Bollywood film system is stronger than that of the six big Hollywood companies. "They only have two or four big companies to control film investment and communicate with one. You can learn about other families, and at the same time, other families will know your information. Ask one of the actors the schedule, and he will tell you the schedule of others. They have a small circle and are too familiar with each other. "
2. Cultural barriers in communication
Including the understanding of the film ontology and types, as well as the expression of the relevant laws of the two countries. For example, in the process of negotiation, the definition of distribution area usually refers to Hong Kong, Macao and Taiwan, and most of them radiate to Southeast Asia. However, the Indian side is used to thinking that the Indian language areas are divided, including not only India, North America, Europe and even China and Hongkong, but also countries and regions where Indian films are shown in cinemas. When the Indian side asked for the right to shoot in the Indian-speaking area, the Chinese representative of Kung Fu Yoga was really puzzled, because it was a division model that had never been encountered before in cooperation with other countries. At the same time, it also needs the professionalism of relevant lawyers. "But it is not as rich as the resources of lawyers co-produced by China, the United States and China and South Korea. At present, there are few experts in this field in China. They can only make analysis and comparison based on the laws of China or Hongkong. The specific details and judgments need to be studied and handled by ourselves. "
3. Differences in cognition of movie themes
Whether you can identify with the Jackie Chan label of the film, rather than the Bollywood film under the pure cooperation between China and India, is the most critical core for choosing the Indian partner of Kung Fu Yoga. But in this respect, the mainstream Bollywood film companies are conservative and tend to stick to the traditional expressions of Bollywood films, such as song and dance elements. On the contrary, they are not as open and young as Indian independent production systems such as Bollywood and Tolywood.
Chapter VI: The review of Kung Fu Yoga has experienced the embarrassing outbreak of Jedi Escape and the hodgepodge of the red action of the main theme of Flying Tiger on the Railway. Kung Fu Yoga finally showed us the once familiar Jackie Chan, an adventure hero with his own worldview and Indiana Jones skills, who traveled all over the world and was accompanied by all kinds of beautiful women.
Perhaps Tang Jili, who once wrote Jackie Chan's classics such as Hong Fan District, Super Policeman and Simple Mission with Jackie Chan, is most familiar with Jackie Chan: exotic national scenery, simple and lively plot, simple and effective characterization, happy situations everywhere (Lei said three "firsts", which made young and old audiences laugh), and most importantly, those long-lens fights that made people feel overwhelmed.
Just like the companion piece of myth, the protagonist of Kung Fu Yoga is Jackie Chan, an archaeologist, who also fights against the wicked to protect the national treasure. The difference is that the former protects the Mausoleum of the First Qin Emperor to prevent treasures from falling into the hands of the wicked, while the latter protects the ancient Indian gold treasures from falling into the hands of greedy people in India. Unlike the view of grave robbers in the two films, Jack does not think that these underground treasures should be "handed over to the government" because they were originally "owned by the government".
Although Big Brother's movies are inevitably publicized, the villains in the movies are still handsome and powerful, which sets off the plot. Before, Sun Zhou played the mythical rich and evil guest, but this time, he was a local villain who was determined to take the national treasure as his own. Under the aggressiveness of the wicked, the ice cave group fights, Dubai chases cars (serial collision with luxury cars is more appropriate), small fresh meat fights with female hyenas, and the Buddha cave is dazzling and overwhelming. Although there is still a gap between the action intensity and Big Brother's masterpiece, as a New Year's action movie, enough homework has been paid. Big Brother never hides that he is too old to fight, so he has to give way to young actors: Aarif Lee's fighting in the film is a bit surprising, showing vitality and good skills, while Xiao Xianrou LAY's skills are not bad, and his funny kung fu is even more orderly. He is cute as soon as he opens his mouth, which makes the audience smile. He used fresh meat pk hyenas, which not only showed his kung fu, but also showed his smart energy that he had never seen in other films.
Just like 007, beautiful women from all over the world are also the standard of Jackie Chan's adventure movies. The Indian princess in "Beautiful Women" was created by Indian supermodel Disha. Patani, with picturesque eyes, tall figure and extraordinary skill, looks pleasing to the eye and won't be beaten, which fully shows the characteristics of Jackie Chan's films that combine the beauty of the world. But beautiful women are for the audience, and Jackie Chan has never had a relationship with them that transcends the boundaries of comrades. This is different from Bond's habit of sleeping with women, and it also continues the tradition of "not approaching women" in martial arts movies. Love (myth is an exception) has never been one of the themes of Jackie Chan's movies.
Kung Fu Yoga, as a return to the classic film mode of getting married, shows the production level and film texture of commercial blockbusters. Although the villain can't be "loyal", the teachings of the eldest brother Dundun are not diminished, but they are better than the positive energy of joy and excitement. As a happy New Year movie, it can bring joy to the whole family in China, and it is still an irreplaceable code for the film industry in China.
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