How to understand the sentence "one point two consecutive three solutions, four ink five tight six flying white" in calligraphy cursive script?

It's the first time I've heard the phrase "one point two even three accounts, four ink five tight six flying white", probably because I haven't practiced cursive. But this sentence is not only cursive, but also for other words, such as running script or cursive. Let me talk about my understanding of this sentence.

The "point" here is not the point we often say, but the meaning of "stippling". Sun, a famous calligrapher in the Tang Dynasty, said in his cursive book Shu Pu:

"I really don't understand, learning grass will lose. Really take stippling as the form and turn it into affection; Grass takes stippling as its emotion and turns into shape. The grass is too cute to write. " Cursive writing has a faster pace and can highlight the emotional expression of calligraphers. When writing, there are many connections between strokes. Therefore, the brushwork is mainly based on turning, so Sun said "turning to forming". The frustration, jumping, slowness and slowness of stippling have become the feelings of cursive writing. It can be said that stippling is the soul of cursive script.

When writing cursive script, many strokes are replaced by dots. For example, the word "Shang" in the above picture is divided into three parts, while the word "Kou" as a radical is often divided into two parts. This processing can speed up writing, achieve the purpose of concise strokes, and increase the spatial relationship between reality and reality in cursive script.

Second, as the saying goes, running script is linked to Chinese characters, so cursive script is more linked to Chinese characters. Let's take a look at the words of Zhang Xu and Huai Su, the masters of wild grass in the Tang Dynasty. Almost all of them are linked up and down.

In order to ensure the continuity of cursive writing, most of the paintings and characters are connected. There is a fixed connection on the strokes and a broken connection in the middle. In short, it keeps the continuity of strokes and qi. Pay attention to the alternation between the lines, and the whole composition forms a whole. Therefore, the composition layout of cursive script is embodied in a word "Lian".

3. Explain that cursive script is not a scrawl, and its regularity is not weaker than regular script. The writing methods of many words and roots in cursive script are agreed and regular, and they are not created by themselves or scribbled on a whim.

Many cursive characters are written in a similar way, which may become another word with a slight change. Therefore, we are required to explain every stroke clearly when writing cursive script, otherwise it will be easy for others to misunderstand.

In addition, although cursive writing is fast, it requires a high level of handling each stroke. It is necessary to make clear where each stroke comes from and where it goes, otherwise it is easy to form a slippery habit.

It is a high level to skillfully use the four-ink ink method in cursive script. It is difficult to master the application of ink painting without very skilled pen skills. Cursive writing is fast. When writing a book, the pen is dipped in ink, removed, prioritized and cadenced, so that the ink flowing from the nib and the paper form different artistic effects, either thick or light, or moist or dry. This is "Ink painting comes from brushwork".

When we go to see those famous calligraphy posts, such as Yan Zhenqing and Wang Duo, we are often amazed at the exquisite ink color, especially the beauty of those that are not stagnant or dry, and the embellishment is fine and silent, which makes people marvel. But these cannot be forced to learn, and can only be stimulated by observation and appreciation.

Xie Jin, a famous scholar and calligrapher in Ming Dynasty, said in Miscellanies of Spring Rain:

"It's stuffy and wet, alternating shades, and the cover is inadvertently written, perfect and wonderful. This can't be forced, and you can't force learning ... It's natural to work hard at this for a long time. " The calligraphy in cursive script is between caution and carelessness, so this cursive script has its beauty. If you deliberately arrange everywhere, you will lose your charm.

Because the five tight cursive scripts are too loose, unskilled people at home often write more than enough, but they are not so compact. When writing, cursive script should be elastic and easy to put away. If it is too wild, it will easily lead to scattered shapes, and scattered shapes will lead to scattered spirits.

Using a pen can increase the vitality and beauty of cursive script. Everyone in ancient cursive script attached great importance to the use of dry pen and flying white. It is also appropriate to fly out of Bai Mo. Too much flying out of Bai Mo is too shabby and unclean, but not flying out of Bai Mo, there is insufficient change and lack of vitality.

When we write cursive script, we can refer to Sun's calligraphy: "

Dry and moist, dry when it is thick.

",a cursive work must use the flying white pen properly. We can use several flying white pens in the whole work according to the composition and layout, which can make the picture change just right.

When writing, you should try to dip in ink at one time. When one side of the ink is used up, you can usually write seven or eight words to a dozen words with the ink on the other side, and dip them every time, so that the color of the ink naturally changes and the picture also increases the sense of rhythm.

The above is my superficial understanding. If not, please correct me.