The Influence of Liaozhai

The Influence of Modern Pu Xue Works, Academic Activities and Liaozhai on Literature and Film Creation | 1 | 2 | 3 | 3

Liu Yuxiang

Third, domestic influence.

After the publication of Strange Tales from a Lonely Studio, it was all the rage and imitations emerged one after another. There are Shen Qifeng's Harmony Duet, He Bange's Night Talk, Hao Gezi's firefly window and different grass, Yuan Mei's New Qi Xie and so on. Most of these works imitate the form of Strange Tales from a Lonely Studio, but do not involve its positive spirit of "loneliness and anger". Although there are many works with fluent writing style, they lack progressive ideological content and their artistic level is not high.

From Qianlong to the early years of Jiaqing, Ji Yun's Notes on Yuewei Caotang had the greatest influence. This book is deliberately opposed to Strange Tales from a Lonely Studio in terms of system, denying its creative contribution, trying to imitate the note novels of Han and Jin Dynasties, but still elegant in quality and concise in notes. Ideologically, it advocates "being beneficial to exhortation and punishment" and "not good at moral education", so the ideological content and artistic level are not as good as those in Strange Tales from a Lonely Studio. However, because of his book "think tactfully", it is enough to solve the problem; There are a lot of miscellaneous textual research and opinions (Lu Xun's A Brief History of Chinese Novels), and the author's fame and position made the book have great influence at that time. From Jiaqing to the end of Qing Dynasty, the classical Chinese novels influenced by Strange Tales from a Lonely Studio and Notes from Caotang are mainly related to Shadow Talk, Three Notes from Xu, Notes from Yin Xuexuan by Yu Hung-chien, Notes from Song Yin by Wang Tao, Raining at Night in Qiu Guang by Xuan Ding and Notes from Yu Jiao. Some of these books have faded their strange colors and flowed in the description of fireworks and gunpowder; Some give priority to exhortation and punishment, full of decadent feudal preaching; Others are pure game works, and classical Chinese novels are gradually declining.

In addition to classical Chinese novels, the creation of vernacular novels has also been greatly influenced by Strange Tales from a Lonely Studio. Among them, Wu's Scholars and Cao Xueqin's Dream of Red Mansions are the most important. The former inherited and developed Pu Songling's critical spirit of the imperial examination system, satirized the evils of feudal intellectuals poisoned by the imperial examination system with painful pen and ink, and further denied the imperial examination system of eight-part essay selection. A Dream of Red Mansions takes the love tragedy of Jia Baoyu and Lin Daiyu as the main clue, exposes the ugly corruption of the feudal ruling class in the broad social background through the rise and fall of the Jia family, and foretells the historical fate of the inevitable collapse of the feudal society.

Strange Tales from a Lonely Studio has a particularly prominent influence on China's traditional operas. Since the publication of Strange Tales from a Lonely Studio, there have been a lot of drama scripts adapted from Strange Tales from a Lonely Studio. According to Ji Genyin's book Pu Songling's Works and Local Opera, the adaptation of Strange Tales from a Lonely Studio involves almost all major operas in China. Among them, the adaptation before the founding of the People's Republic of China is:

① Sichuan Opera: 60 kinds

② Peking Opera: 43 kinds. Famous performing artists such as Mei Lanfang, Xun Huisheng, Zhou, Shang Xiaoyun, Cheng and Jin Shaomei all performed Liaozhai Opera.

8 Hebei Bangzi: 12 species.

④ Kunqu Opera: 9 species

⑤ Shaanxi Opera: 7 kinds.

⑥ Yunnan Opera: 5 kinds

⑦ Pingju: 4 kinds

⑧ Lu Opera: 1 species.

Pet-name ruby Puxian Opera: 1 species

Attending Shandong Bangzi: 1 species.

⑾ China's plays: 1 species.

⑿ Wu Opera: 1 species.

The adaptation of the above-mentioned dramas involves 77 stories of Strange Tales from a Lonely Studio. Only one piece of Rouge has been adapted into many repertoires such as Beijing Opera, Shaanxi Opera, Sichuan Opera, Hebei Bangzi, Shandong Bangzi, Pingju and Yue Opera. Others such as Huapi, Judge Lu, Rizo, Geng Niang, and Master Xihu. , are adapted from more serial stories.

In recent years, the dramas adapted from Strange Tales from a Lonely Studio are almost related to all major domestic dramas and have made remarkable achievements. In 1950s, Painted Skin, adapted from Painted Skin, became popular in Hebei Bangzi. 1959, the coloratura "Deng Huaji" adapted from "Prison" went to Beijing to report its performance. In 1979, the 30th anniversary of the National Day, Lu Opera "Married Sisters" and Yue Opera "Rouge Kou" won the first prize for creation. In Zibo, Pu Songling's hometown, the adaptation of Liaozhai Opera has made remarkable achievements. Up to now, Zibo Wuyin Troupe has performed six series: Rouge, Story of the Great Wall, Sisters Easy to Marry, Chivalrous Woman, Dou Nv and Continued Huang Liang, among which Rouge was performed in Beijing, Dou Nv and Continued Huang Liang won many awards, and the latter was also rated as one of the five outstanding projects in Shandong Province.

There are also many film adaptations. The earliest film adapted from Liaozhai was 1922, the film department of the Commercial Press, which was adapted from coral. Since then, until the national liberation, seven film studios (companies) have shot eight films adapted from serial stories. After the founding of the People's Republic of China, from 196 1 to 1992 and 10, many film studios filmed 16 serial stories. The films made in recent years mainly include: Ghost Girl by An Film Studio, Two Spirits in Clear Water by Shanghai Film Studio, Ghost in the Ancient Temple by Beijing Film Studio, Golden Mandarin Duck jointly produced by Emei Film Studio and Anhui Film Studio, Tomb in the Desert directed by famous director Xie Tieli, and Ghost by Xiaoxiang Electric Film Studio.

The TV adaptation of Strange Tales from a Lonely Studio started late, but it has developed rapidly in recent years. Zhejiang TV Station and Gansu TV Station have recorded series. However, the biggest one is Liaozhai TV Series jointly recorded by Fujian TV Station and Nanchang Film and Television Creation Research Institute. The series gathered dozens of screenwriters, directors, hundreds of actors and thousands of creators from all over the country. It was planned to shoot 60 films and 80 episodes, and actually completed 48 films and 78 episodes. After being broadcast on TV stations one after another, it caused certain repercussions throughout the country. And exported to Japan, Singapore, Malaysia, Thailand, Taiwan Province and other countries and regions. Wang He and Wang Linshu wrote Liaozhai Film and Television Review and Liaozhai Film and Television Editing respectively, and made a profound discussion on the success or failure of this series of blockbusters.

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