What is Teresa Teng's singing style?

Hello! About Teresa Teng. . . I want to say something. . .

Talking about the vicissitudes of life in detail and recalling the fleeting time, the ups and downs are bitter and sweet.

Teresa Teng's singing has the flavor of "telling the vicissitudes of life and recalling the fleeting time". Although her life experience is so bumpy, she has never been so confident, natural and calm on the stage: no wailing, no screaming at the top of her lungs, no pretentious kitsch, no high-profile rhetoric. Her singing, her smile and every gesture that runs through her daily life are so unpretentious and natural.

Since ancient times, there is only one person in history, which is comparable to it.

The pace of modern urban life is so urgent that people living in "cement boxes" are often so uneasy in their inner world, so people try to get rid of music and art, and Teresa Teng's songs have become the first choice for many people. Listening to her elegant, natural, smooth and leisurely singing is like listening to the past like "recounting the vicissitudes of life and recalling the fleeting time", which makes people feel peaceful, cordial and warm. Teresa Teng's elegant, natural and leisurely manner and style are expected by many stage actors, but they are beyond their ability. Su Shi has a poem: "If you want to compare with the West Lake, light makeup is always appropriate." This is also a portrayal of Teresa Teng, which is not only external but also internal. People only rely on imitation, but lack Teresa Teng's talent, understanding and diligence. In the end, they can only become "learning from foreigners".

Clear pronunciation and mellow voice, this gentleman has been in the music world for thousands of years.

Teresa Teng's charm lies not only in her appearance, her softness, her sweetness and her singing, but also in her clear pronunciation and mellow voice, natural fluency, composure, perseverance and self-confidence, as well as a series of "natural" stage performances.

Stage art is a very influential art, and there is no room for perfunctory and "making up the numbers". In contrast, although Teresa Teng grew up on an island, his Mandarin is so pure, and his pronunciation and articulation when singing are so accurate and in place. It is no exaggeration to use "clear pronunciation and mellow voice" to describe it. Looking at her series of singing, there is neither the "southern accent" of Minnan dialect on the island nor the "qi" that Hong Kong and Guangdong singers often have. Her Mandarin pronunciation has always been so pure and full of "emotional flavor", which many stage actors yearn for but rarely achieve.

If gold is not enough, it is gold. No one is perfect, let alone a god.

It is said that Teresa Teng's early singing also had the problem of inaccurate pronunciation, but they were all rare words. Besides, she made a joke about forgetting words. But people are not gods, and mistakes are inevitable. Lu Xun once described Zhuge Liang's "unpredictable things" in the Romance of the Three Kingdoms, pointing out that the novel portrayed the characters as "almost demon". Teresa Teng is not only clever, but also very diligent. Through continuous efforts, her singing art almost reached perfection in the middle and late period. In her twenty or thirty years of stage career, comparing her mistakes and successes, we can see that the probability of her mistakes is very small. Defects can't be concealed, and setbacks and mistakes can't hurt her at all as a great singer with epoch-making significance.

. . . I hope you are satisfied. . .