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Holding up inspiring slogans
The Great River is adapted from Anai's novel The General Goes East, which reflects the great influence of reform and opening up on the masses through the growth process of small people. As a novel about social change, it is a bit boring. On the contrary, the adapted TV series should be more grounded and human. Moving the cold text content into the screen will make the characters more full and three-dimensional, and the plot will be more vivid and appealing, which is more in line with the tastes of modern people and is worthy of recognition.
In the era of social change represented by Lei Dongbao, Song Yunhui and Yang Xun, it reflects the process of collective economy, state-owned economy and individual economy from germination to maturity at that time, as well as the panic and expectation of the group when the new era comes, projecting the sparks and fruits of the friction between people and social change in the center of the screen more completely, reflecting the unique customs of an era. TV plays record the development and changes of the times in a realistic way, and outline the efforts of all people in social changes, from the leading bodies of state-owned enterprises to the industrious and rich masses, which have left a deep impression on the audience.
The TV series almost controls the plot to the extreme degree, which is highly consistent with the original work, thus making this TV series successful. We can find that, compared with the original, the TV series schedules the rhythm of the plot slightly faster. Whether Lei Dongbao and Song Yunping met and got married in the early stage, or Song Yunhui took off his hat at home because of the political review after school, it was obviously handled in a fast pace, which not only made people unable to keep up with the rhythm, but also made people feel good. The screenwriter Tang Yao once said: "The rivers are rolling forward, and we can't stay too much in small details", and he has always made choices, so he is not stingy with the plot he has taken over, which is actually the advantage of the play.
The college entrance examination was resumed in the TV series, but the political censorship of the Song sisters failed. Song Yunhui reads People's Daily and cares about great social changes. By reading Yu's scar literature, Song Yunhui's roommate, the brand of the times was aggravated. Liang dictated a Coca-Cola advertisement, which showed that it was 1979 when China and the United States established diplomatic relations. In many places, language is used to render the sense of the times, which is far more powerful than costume props. It can be seen that the crew is careful.
Although Song Yunping is the goddess of white moonlight in the eyes of countless people, she is unwilling to go offline. However, out of respect for the original work and the coordinated operation of the whole play, the screenwriter always chooses to let Song Yunping say goodbye, and even the cause of death has not changed. Although sad, it is conducive to the development of the story and aggravates the drama. Not only that, the characters in the play are also vividly interpreted by several leading actors, revealing the feelings of "fearless" and the determination and perseverance of hard work. They are so lifelike that they can't even find any traces of performance, and they have almost reached a perfect state, which is a great contributor to the success of TV adaptation.
After Song Yunping went offline, the traces of novel adaptation gradually appeared. For example, in order to create a drama conflict, Yang Xun changed the object of borrowing money from Lao Li to Lei Dongbao. The secretary of Jinzhou Water Affairs is not entirely an active role, he has adapted to the power after retirement. Cheng is actually very scheming and active, and Song Yunhui doesn't love her very much. He was adapted as Song Yunhui was moved by Cheng and proposed.
In particular, the role of Lei Dongbao has been beautified a lot and the tragic color has been weakened a lot. Song Yunhui was set up perfectly by the screenwriter, which showed his sunny side as an activist more, but missed the scheming performance in the original work. Compared with the truth and cruelty in Anai's novels, screenwriter Tang Yao pays more attention to "greatness and integrity" and enjoys their growth process, which is what the new era groups need to see and experience more.
Although the plot of "Big Rivers" has been changed, it is actually not abrupt, but it is more suitable for the tastes of modern audiences, and it is gratifying that it has not caused the plot confusion. Such an excellent adaptation is very rare in the domestic film and television industry and can be used as a practical advertisement for many adaptations.
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