Appreciation of good lines in ancient poetry and prose

1. Appreciation of famous verses from various ancient poems

Ranking of famous verses [Reposted] Ranking Author’s poem title Selected famous verses Total number of votes 1 Liu Yongfengqi’s Wu clothes got wider and he never regretted it, for Yixiao makes people look haggard.

3599 2 Anonymous Drumming "The Book of Songs. Beifeng" The relationship between life and death is broad, and it is said with Zicheng. Hold your hand and grow old together.

3418 3 Qin Guan Magpie Bridge Immortal If the love lasts for a long time, how can it last day and night? 3213 4 Li Bai 357 words When will we know each other when we miss each other? It's embarrassing to be at this point in the night.

2671 5 Anonymous A phoenix begging for a phoenix, singing on the piano. There is a beautiful woman, and you will never forget her when you see her. If you don’t see her for a day, you will miss her like crazy. 2482 6 Zheng Chouyu Farewell This time I left you, it was wind, rain, and night; you smiled, I waved my hand, and a lonely road spread to both ends.

2467 7 Li Bai 357 words Entering the door of my lovesickness, you know that my lovesickness is painful, long lovesickness brings long memories, but short lovesickness brings endless memories. 2330 8 Yuan Zhen Four out of five poems about Li Si Once the sea was filled with water, except for Wushan it was not cloud.

2323 9 Cao Zhi The bright moon ascends the high building. You are like dust on the road, and I am like muddy cement. They rise and fall in different ways. When will they meet in harmony? 2280 10 Nalan Xingde, Poppy The desolate farewell, the last two echoes, the most overwhelming is the clear and grudge in the moonlight. 2165 11 Zhang Ji Jie Fu Yin Huanjun Mingzhu sheds tears, wishing to meet again when she was not married.

2159 12 Xi Murong A Flowering Tree How to make you meet me at my most beautiful moment For this, I have been praying to the Buddha for five hundred years, begging him to let us form a mortal relationship. 2143 13 Chen Hengke’s inscription on the portrait of Chunqi. How can we live together but die differently if we only have a shadow in the human world? 2130 14 Liang Qichao Taiwan Bamboo Branch Poetry The bottom of the acacia tree talks about lovesickness, and Si Lang hates it and Lang Lang doesn’t know it.

2096 15 Xu Qian's Thoughts on the Chamber Since the king came out, the bright mirror and the dark will not cure it. Missing you is like running water, there is no end to it.

2087 16 Sima Guang Xijiang Yue When we see each other, we feel like we have not seen each other. How can being affectionate seem like heartlessness? 2065 17 Gong Zizhen Ji Hai’s Miscellaneous Poems Falling red is not a heartless thing, it turns into spring mud to protect the flowers.

2043 18 Zhang Xian Qianqiu Sui is not old, but love is hard to die. The heart is like a double mesh with thousands of knots in it.

2025 19 Huang Jingren One of two beautiful poems It seems that these stars are not last night, for whom the wind and dew set up the midnight. 1995 20 Li Shangyin Three of the six untitled poems Straightforwardly, it is useless to miss lovesickness, but to feel melancholy is pure madness.

1958 21 Li Shangyin Traveled alone in Qujiang in late autumn. I knew that my love would always be there, and I looked at the sound of the water at the head of the river. 1952 22 Nalan Xingde Breaking Through the Sands of Huanxi People's passion has become less passionate, and now they are really not passionate.

1917 23 Li Shangyin Jinse This feeling can be recalled later, but it was already at a loss at that time. 1905 24 Zhang Zhongsu Yanzilou Lovesickness is as much as a one-night stand, and the ends of the earth are not long.

1890 25 Yuan Hao Wen, one of two poems by Mo Yu'er, asks what love is in the world, and it directly teaches the promise of life and death. 1886 26 Li Shangyin Untitled There is no colorful phoenix flying in the body, but there is a clear understanding in the heart.

1884 27 Zhang Kejiu Sai Hongqiu The water smoke sinks in the beast's furnace and the remaining flowers in the green marsh are written line by line in the biography of lovesickness. 1860 28 Xu Zaisi's Order of Gui Gui Only if you don't miss lovesickness in your life, you will miss lovesickness, which will harm lovesickness.

1835 29 Li Guan Die Lianhua There are thousands of lovesickness in one inch, and there is no place in the world to arrange it. 1805 30 Su Shi Jiang Chengzi Ten years of life and death are vast, without thinking or forgetting, thousands of miles away in a solitary tomb, with no place to express desolation.

1794 31 Anonymous Prepared by "The Book of Songs. Tang Feng" Tonight or later, I met this beloved man. 1770 32 Bai Juyi's Song of Everlasting Regret. As time goes by, this hatred will last forever.

1735 33 Bai Juyi's Song of Everlasting Sorrow I wish to be a winged bird in the sky, and a twig on the earth. 1722 34 Wen Tingshi Die Lian Hua Overlapping tear stains and brocade characters, the only thing in life is love that is hard to die.

1689 35 Cao Xueqin Ningmei in vain One is the Immortal Flower of Langyuan, the other is the Immaculate Jade. If you say there is no romance, you will meet him again in this life; if you say there is a romance, how can you end up lying? 1671 36 Li Shangyin Untitled Spring silkworms will not run out until they die, wax torches will turn to ashes before their tears dry up.

1670 37 Kuang Zhouyi, minus the character Huanxisha. He should not be obsessed with love in his life. There is no place in the world for lovesickness. 1647 38 Ouyang Xiu Yu Lou Chun I was about to tell you the date of my return, but Chun Rong swallowed hard before saying anything.

1613 39 Anonymous Guan Ju "The Book of Songs. Zhou Nan" Guan Guan Jujiu, in the river island. A graceful lady, a gentleman is a good man.

1598 40 Ouyang Xiu Yulouchun Life is full of love and obsession, and this hatred has nothing to do with the wind and the moon. 1594 41 Liu Yong Yu Linling It has been a long time, it should be a good time and good scenery.

Even if there are thousands of styles, who can tell them. 1589 42 Li Zhiyi Divination Operator I only hope that your heart will be like mine, and I will live up to my love.

1582 43 Yan Jidao Linjiang Immortal Two of Two The Falling Flower Man is independent, and Wei Yuyan flies together. 1572 44 Chen Tao Journey to Longxi The poor bones by the Wuding River are like those in a spring boudoir's dream.

1563 45 Xin Qiji Moyuer A thousand pieces of gold can be bought like a gift, but who can complain about this feeling? 1563 46 Wen Tingyun Three of the Three Genggluozi Poems: Wutong trees, rain in the middle of the night, unreasonable separation and true suffering.

One leaf, one sound, the air drips into the sky. 1549 47 Su Wu Wedding hair as husband and wife Wedding hair as husband and wife, there is no doubt about love.

1541 48 Nie Shengqiong Partridge Sky Looking for a good dream will never come true. Who knows how I feel at this moment?

Tears in front of the pillow, rain in front of the curtain, and raindrops in front of the window until dawn. 1535 49 Liu Yong Day and Night Music Who can complain about loneliness?

As a preface, it’s always an understatement. 1533 50 Li Bai One of two songs about long-lasting lovesickness. The journey is long and the soul is in pain. It is difficult for the dream soul to reach Guanshan. The longing for long-lasting lovesickness is heartbreaking.

1532 51 Xi Murong Imprint Don’t refuse to say that beautiful vow just because it might change, and don’t dare to ask for a heart-to-heart meeting just because you might be separated. 1529 52 Fan Chengda Che Yaoyao Chapter May I be like a star like the moon, and the light will shine brightly every night.

1529 53 Dai Shulun Lovesickness Song Yu Shen Yan Yao Tianya Road, only to believe that parting in the world is painful. 1499 54 Liu Yong Yu Linling Holding hands and looking into each other's teary eyes, she was speechless and choked.

1479 55 Yuan Zhen Two out of three poems expressing sadness I sincerely know that everyone has this hatred, and poor and lowly couples suffer from everything. 1474 56 Gu Xin expresses his heartfelt feelings. If my heart is replaced by yours, we will know each other deeply and remember each other deeply.

1457 57 Yu Xuanji Jiangling is worried and hopeful. I recall that your heart is like the water of the West River, flowing eastward day and night without rest. 1446 58 Li Shangyin Six of the six untitled poems In the heart of spring, don’t let the flowers bloom, every inch of lovesickness and every inch of gray.

1434 59 Lewan Bu Suanzi Lovesickness is as deep as the sea, and past events are as far away as the sky. 1412 60 Bai Juyi Lang Tao Sha Hatred is not as good as tide and faith. When you miss each other, you will realize that the sea is not deep.

1395 61 Wen Tingyun New sound of willow branches, exquisite dice and red beans, deep in the bones, do you know? 1379 62 Shao Ruipeng Die Lianhua Can you bear to pay thousands of dollars for a smile? After all, missing each other is not as good as meeting each other. 1374 63 Yan Shu Yu Lou Chun When the ends of the earth are limited, there is only endless love.

1360 64 Cao Xueqin’s Lifelong Mistake. All are said to be a good match of gold and jade. I only remember the alliance between wood and stone. Facing the sky, you can see the crystal clear snow in the mountains; never forget the lonely forest in the fairyland.

1359 65 Zhou Bang. 2. Appreciation of famous lines from ancient poems

Learning ancient poems focuses on perception and taste.

The "Chinese Curriculum Standards" clearly states: "When reading ancient poems, you should consciously improve your appreciation and aesthetic taste through accumulation, perception and application." Therefore, in the high school entrance examination questions in almost all provinces and cities, All involve poetry appreciation.

When we appreciate the poem, we can start from different angles and taste one or more aspects of the poem's thoughts and emotions, expressive content, rhetorical techniques, word refinement, etc., in order to obtain higher points. . Here are a few examples for your reference: 1. There are close friends in the sea, and there are neighbors in the world.

Wang Bo of the Tang Dynasty "Send Du Shaofu to Shuzhou" These two sentences are derived from Cao Zhi's sentence "The husband has ambitions all over the world, and he is like a neighbor thousands of miles away", but they are different from it. This sentence mainly emphasizes that the most important thing between friends is knowing each other. Even if they are far apart, they will still be like close neighbors.

The poems are powerful, open-minded and unrestrained, and the emotions are positive and exciting. It swept away the melancholy and ecstatic state of farewell poems and became a famous farewell sentence that has been passed down through the ages.

2. Hai Ri is born and the night is over, and Jiang Chun is entering the old year. Tang Wangwan These two sentences from "At the foot of Cibeigu Mountain" are still popular and popular.

It depicts such a scene for us: when the sky is about to dawn, a red sun is rising slowly on the river; when the old year is about to end, the phenology in the south of the Yangtze River has brought spring. breath. Now, these two sentences have been given new connotations - Hai Ri is born in the remaining night and will drive away the darkness; Jiang Chun steps into the old year and will drive away the harsh winter: new things will surely replace old things, this is irreplaceable nature law.

The poems are filled with positive and optimistic thoughts and emotions, which not only infect readers but also bring high artistic enjoyment. 3. The lonely smoke is straight in the desert, and the sun is setting over the long river.

The two sentences "Let it be blocked" by Wang Wei of Tang Dynasty show the poet's extraordinary artistic thinking. The desert outside the fortress is so boundless that the thick smoke rising from the beacon tower is particularly eye-catching; the nine-bend Yellow River stretches across the desert, and the red sunset looks big and round on the long river.

The word "straight" and the word "round" here are quite meaningful: the word "straight" shows the strong, straight and perseverance beauty of Guyan; the falling sun can easily make people sad, and the word "round", But it gives people a warm, warm and confused feeling. The poet uses rough and vigorous lines to outline the unique and magnificent scenery outside the Great Wall. The picture is broad and the artistic conception is profound.

No wonder Wang Guowei of the Qing Dynasty once praised it as "eternally spectacular". 4. I feel the flowers splashing with tears when I feel sad, and I hate the other birds that are frightened.

These two sentences in "Spring Hope" by Du Fu of Tang Dynasty mainly describe the feeling of separation and chaos. Flowers and birds in spring are meant to entertain people, but when they think of the current events of the country's collapse and the sadness of parting, the flowers seem to "splash tears" and the birds seem to be "scared" by it, and they themselves become even more sad. Tears.

Here the author uses the technique of empathy to touch the scenery and empathize with the flowers and birds, so that the emotions expressed in the poem blend with the scenery in front of him, truly reaching a state of grief. 5. Suddenly a spring breeze comes overnight, and thousands of pear trees bloom.

The snow scene has always been the object of praise by literati, and many famous lines about snow have been passed down in history, and these two lines can be regarded as famous lines about snow. Famous sentences in it. The poet uses the blooming pear blossom to compare the trees full of snowflakes, and paints a magnificent picture of the ice and snow scenery of the North for readers.

The word "suddenly" accurately conveys the poet's surprise: the desolate northern country, after a night of snow-covered scenery, makes the poet who gets up early to enjoy the snow feel as happy as if he was in the south of the Yangtze River where pear blossoms are in full bloom. ,surprise! These two poems are full of magical imagination and emotional ups and downs, leaving people with endless aftertaste and imagination. 6. The light rain on Tianjie is as moist as crisp, and the color of grass looks far away but not up close.

Tang Hanyu's "Early Spring Presents the Water Ministry Zhang Shiba Yuanwai" This is a famous scene describing early spring. A drizzle fell across Chang'an, and the streets seemed to be moistened by butter. From a distance, the grass looked green, but when you got closer, you couldn't see any color anymore.

The first sentence cleverly uses metaphorical rhetoric to vividly describe the hazy spring rain and moist streets; the second sentence seems to make people see the beginning of grass buds appearing on the fields where the drizzle is drifting. The light green color brings the atmosphere of early spring. The poet's meticulous observation, delicate feelings, and novel angles are breathtaking. 3. Appreciation of famous lines from ancient poems

Appreciation of famous lines from ancient poems 1. It is not enough to regret the stains on your clothes, but your wishes are true.

("Returning to the Garden and Living in the Fields") This sentence may seem plain, but it fully emphasizes "nothing against your wishes" and contains the meaning of not losing yourself in the turbid real world. 2. Green trees border the village, while Qingshanguo slopes outside.

("Passing Through an Old Friend's Village") Writes about the scenery of a mountain village.

As you get closer and farther away, the scenery becomes more and more open, creating a quiet and tranquil atmosphere.

3. The random flowers are becoming more and more charming, so only Asakusa has no horse hooves. ("Spring Journey to Qiantang Lake") The two words "gradual desire" and "talent" are full of dynamics, showing the vitality of random flowers and Asakusa.

4. A river of water protects the fields and surrounds them with green, and two mountains with rows of gates bring in green.

("Mr. Shu Huyin's Wall") Use personification to write "one water" and "two mountains" into humane and friendly images. The words "protect" and "circle" appear to be very affectionate.

5. There is no way out in the mountains and rivers, but there is another village with dark flowers and bright flowers. ("Visiting Shanxi Village") This is a scene in motion. It describes the realm where the road is doubtful but actually exists, and the scenery seems to be gone but then comes back. It contains the philosophy of life, which is later extended to people who will have a lot of hope when encountering difficulties.

6. The movement of the sun and the moon is as if it were within it; the stars are shining brightly as if they were within it. ("Viewing the Sea") These lines of poems create a grand artistic conception and express the author's broad mind as he swallows the sun and the moon.

7. Hai Ri is born and the night is over, and Jiang Chun is entering the old year. ("Under the Mountain of Cibeigu") "Sun" and "Spring", as symbols of new and beautiful things, are emphasized by mentioning the position of the subject, and the words "生" and "入" are used to personify them, giving them a The wonderful thing about human will and emotions is that the author has no intention of reasoning, but there is a kind of natural rationality in the description of scenery and seasons, giving people optimism and upward power.

8. When you reach the top, you can see all the mountains and small mountains at a glance. ("Looking at the Mountain") describes the poet's ambition and spirit of not being afraid of difficulties, daring to climb to the top, and overlooking everything, and has a certain philosophy of life.

9. The fragrance of rice flowers speaks of a good harvest, and the sound of frogs sounds. ("Moon over the Xijiang River") In the fragrance of rice flowers, it is not people who talk about a good harvest, but the sound of frogs. This kind of sideways writing that highlights the poet's intoxication in the joy of the harvest is extremely moving.

10. There are close friends in the sea, and they are as close to each other as far as the end of the world. ("Farewell to Du Shaofu for Appointment in Shuzhou") This is to comfort friends not to be sad about parting, but to be open-minded and treat it calmly.

The language of these two poems is vivid and concise, full of affection and philosophy. It washes away the sad and sad mood of previous farewell poems and replaces them with open-minded and optimistic feelings, giving people great encouragement and encouragement. comfort. 11. Where is Higurashi? The smoke on the Yanbo River makes people sad.

("Yellow Crane Tower") The feeling of "nostalgia" blends with the scenes of "sunset" and "smoke waves", making the poetry return to the vague state at the beginning. 12. Thousands of sails pass by the side of the sunken boat, and thousands of trees spring in front of the diseased trees.

("Rewarding Lotte and Seeing Gifts at the First Banquet in Yangzhou") The scene is magnificent, changing the sad and low mood in front of it, into a generous and high-spirited spirit. These two sentences also use the changes in natural scenery to imply the development of society and contain philosophy. 4. Appreciation of famous poems

The bright moon shines among the pines, and the clear spring flows up the stone.

From "Dwelling in the Mountains in the Twilight of Autumn" by Wang Wei, a poet of the Tang Dynasty. After the new rain in the empty mountains, autumn comes late. The bright moon shines among the pines, and the clear spring flows over the rocks.

The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat. The spring fragrance rests at will, and the king and grandson can stay.

Appreciation This poem describes the fresh, quiet, tranquil and beautiful dusk scenery of autumn in the mountains. The Wangchuan Villa where Wang Wei lives is at the foot of Zhongnan Mountain, so it is called Mountain Residence.

After an autumn rain, the autumn mountains are washed, refreshing and pleasant. It was almost dusk, the sun was setting and the moon was rising. The pine forest was quiet and the stream was clear. Huan Nu returned and the fishing boat followed.

Such a beautiful autumn scene, elegant and interesting, can make the princes and grandsons stay intoxicated and forget about the world. This poem starts with the word "empty" and has a noble rhyme, setting an ethereal and pure tone for the whole poem.

The whole poem is a combination of movement and stillness, complementing each other and bringing out the best in each other. The moonlight shining on the pine forest is static, while the clear spring overflowing is dynamic.

The first four sentences describe the tranquility of the evening scene in the autumn mountains, and the five or six sentences describe the noise of Huannu's fishing boat. The four couplets of the poem are about feeling, vision, hearing, and feelings respectively. They are interesting because of the images and emotional because of the scenery.

It contrasts the laziness and greed of officials and officials in today's society. It writes the poet's own noble sentiments and carefree life, expressing the author's yearning for this kind of life. It also expresses the author's admiration for a quiet and indifferent pastoral life, his unwillingness to join the crowd, and his attitude towards life that is pure and self-sufficient.

There is another point worth noting: ancient literati often used Qingqiu to express sadness, and this poem is a masterpiece of Autumn.

"Additional Commentary on the Zhengsheng of Tang Poems" Guo Yun: "The color and rhyme are pure and pure.

"The Interpretation of Tang Poems": "There is interest in elegance and lightness." "Tang Poetry Ju": "Youcheng's edition starts from Gongli. , became dull in his later years, and then became a natural person.

"Detailed Explanation of Selected Tang Poems" Wang Yunyi said: "The first part is about the scenery of living in the mountains in the dark autumn, and the second part is about romance, and the intention of not wanting to be an official is obvious." " This famous landscape poem embodies the poet's noble feelings and pursuit of the ideal state in the poetic and picturesque atmosphere.

The two middle couplets of the poem both describe scenery, but each has its own emphasis. The chin couplet focuses on describing objects, and the fragrance of things makes clear the ambition; the neck couplet focuses on people, and the harmony of people and political affairs are seen.

At the same time, the two complement each other. Spring water, green pines, green bamboos, and green lotus can be said to be the portrayal of the poet's noble sentiments and the environment for the poet's ideal state. Since the poet is so noble, and he has found a satisfactory paradise in the seemingly "empty mountain", he can't help but say: "Let the spring fragrance rest at will, and the kings and grandsons can stay!" Originally, "Songs of Chu: Recruiting Hermits" " said: "When Wang Sunxi comes back, he can't stay in the mountains for long!" The poet's experience was exactly the opposite. He felt that "in the mountains" was better than "in the court", clean and simple, and he could stay away from officialdom and keep himself clean, so he decided to go into seclusion.

An important artistic technique of this poem is to use natural beauty to express the poet's personality beauty and the beauty of an ideal society. On the surface, this poem only uses the method of "fu" to model mountains and rivers, and to describe the scenery in detail and touchingly. In fact, the whole poem is a metaphor.

The poet expresses his aspirations through the description of the landscape, which is rich in meaning and thought-provoking. Wang Wei's life ambition is also hidden between the lines.

Center: Writing about a quiet and peaceful place expresses the poet's compliance with nature and his comfort.

Reference materials:. 5. Seek appreciation of ancient poems (and famous sentences). Introduce and appreciate ancient poems, and there is also a famous sentence, seek excellence,

At night in the monk's residence in Ganlu Temple, Zeng Gongliang's pillow is filled with clouds and thousands of peaks are approaching, and the sound of pines under the bed is mournful. .To see Yinshan Mountain and the waves in the sky, open the window and put it into the river. "Open the window and put it in the river" shows the majesty of the Yangtze River from the horizontal direction. "Put it in" can be said to be the most important thing. It is an ordinary word. "Opening the window" does not mean seeing the river, but "putting it into the river". When the poet places it in a specific environment, it produces an unusual effect, turning a dead scene into a living scene. , turning the ordinary into magical, giving people a new perspective. At the same time, it creates an image of a giant with extraordinary courage and infinite power who "opens the gates to divert water". The last sentence stirs up the whole poem, heroic and unrestrained, and is a vivid pen. It transforms the Yangtze River It is rare to see the huge waves and huge waves written so magnificently and breathtakingly in ancient and modern poetry.

6. Beautiful ancient poems, author introduction and appreciation of good sentences

Jiangnan Spring Dynasty: Tang Dynasty Author: Du Mu Original text: Thousands of miles of orioles singing green and red, water village mountain Guo wine flag wind. There are four hundred and eighty temples in the Southern Dynasties, and how many towers there are In the Misty Rain. Du Mu (AD 803-about 852), courtesy name Muzhi, nicknamed Fanchuan Jushi, Han nationality, was born in Jingzhao Wannian (now Xi'an, Shaanxi Province), and a poet of the Tang Dynasty. Du Mu was known as "Xiao Du" to distinguish him from Du Fu. Together with Li Shangyin, he was called "Little Li Du". Because he lived in Fanchuan Villa in South Chang'an in his later years, he was called "Du Fanchuan" in later generations. He wrote "Collected Works of Fanchuan". "There were four hundred and eighty temples in the Southern Dynasties, and there were so many towers in the mist." The splendid Buddhist temple with its numerous buildings already gives people a sense of depth, and the poet deliberately made it appear and hide in the misty mist and rain, which adds a hazy and confusing color. Such pictures and tones are in harmony with The bright and splendid contrast of "Thousands of miles of orioles singing green and red, Shuicunshanguo wine flag wind" makes this "Jiangnan Spring" picture more colorful. The word "Southern Dynasties" adds a long-lasting historical color to this picture. "Four hundred and eighty" is a way of saying that people in the Tang Dynasty emphasize the number of numbers. The poet first emphasizes that there is more than one Buddhist temple with magnificent architecture, and then follows it with the exclamation "how many towers are in the mist and rain", which is particularly fascinating. This poem expresses the poet's praise and fascination for the scenery in the south of the Yangtze River. However, some researchers have put forward the "irony theory", believing that the emperors of the Southern Dynasties were famous for their monstrances in Chinese history, and that Buddhism also developed viciously in Du Mu's era, and Du Mu There are also anti-Buddhist thoughts, so the last two sentences are ironic. In fact, the interpretation of the poem should first start from the artistic image, but should make abstract inferences. Du Mu's opposition to Buddhism does not mean that he must also dislike the Buddhist temple buildings left over from history. When he was in Xuanzhou, he often visited Kaiyuan Temple and other places. He also visited some temples in Chizhou and made friends with monks. Famous poems like "Yunzhe Temple on Jiuhua Mountain Road, Liufu Bridge on Qingyi River", "A place where spring rains linger in the autumn mountains, leaning against the towers of Jiangnan Temple" all shows that he still appreciates and lingers on the towers of Buddhist temples. Of course, while appreciating it, it is possible to occasionally have a little historical emotion. It expresses the author's emotions very well. Neutral, there is neither obvious hatred nor obvious evil, just a simple description of scenery and Wing Chun.————I hope it can help you! Please click to accept the answer if you think it is good. Your acceptance is my motivation, thank you! ———.