Appreciation of ancient poems recited by preschool class

# Infant # Introduction When I was in kindergarten, I had a strong memory. I could recite some ancient poems in kindergarten to increase my knowledge reserve. The following is the appreciation of ancient poetry recited by preschool class shared by KaoNet. Welcome to read the reference! 1. Preschool class recites ancient poems and appreciates them.

Overnight temple

Li Bai [Tang Dynasty]

The tall buildings of the temple on the mountain are really high, like a hundred feet. People upstairs are like a hand that can pick off the stars in the sky.

Standing here, I dare not speak loudly for fear of disturbing the gods in the sky.

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The temple on the mountain seems to be a hundred feet high. Standing on it seems to be able to pick off the stars.

Dare not speak loudly, for fear of disturbing the gods in the sky.

To annotate ...

Stay overnight.

Dangerous building: a tall building, referring to the temple at the top of the mountain. Danger: high. 100 feet: Fictional, not real. The buildings here are very high.

Stars: Stars in the sky.

Language: speak.

Fear: fear, fear. Surprise: Call the police.

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This is a short poem about travel and scenery. The content of the poem records Li Bai's interesting experience of visiting the temple at night. There is not a rare word in the whole poem. From beginning to end, it vividly describes the extraordinary height of the mountain temple and the wonder of the starry night with the technique of "exaggeration".

"Dangerous buildings are hundreds of feet high, and you can pick stars with your hands." These two sentences are about the height of a mountain temple. The first sentence depicts a steep, straight and towering temple building. The word "danger" is eye-catching and eye-catching. The ingenious combination with the word "high" in the same sentence accurately, vividly and vividly depicts the extraordinary momentum of the mountain temple standing on the top of the mountain and dominating the world. The second sentence uses extremely exaggerated techniques to set off towering peaks and temples. Every word leads the reader's aesthetic sight to the splendid night sky of Xinghan. Instead of feeling "too cold at the top", it gives people a broad feeling. The beauty of starry night arouses people's yearning for towering "dangerous buildings".

"I dare not speak loudly, for fear of scaring people." "Dare" describes the author's psychological state when he is in a dangerous building at night in two sentences. From the poet's psychology of "dare" and "fear", readers can completely imagine the distance between "Mountain Temple" and "Heaven and Man", so the height of Mountain Temple is self-evident.

Poets use exaggerated artistic techniques to describe towering mountain temples, giving people rich associations. The buildings on the mountain seem to be 100 feet high, and the poet can pick up the stars in the sky with his hands when standing on the roof. I dare not speak loudly here, for fear of disturbing the gods in the sky.

The language of this poem is natural and simple, but the image is realistic. There are no uncommon words in the whole poem, but the words are amazing, which can be called a peerless masterpiece. With the help of bold imagination, the poet exaggerates the extraordinary height of the mountain temple and vividly describes the towering mountain temple and the fear at night, thus presenting readers with an almost unimaginable magnificent building and giving people an immersive feeling. Picking stars and shocking the world, these seemingly naive ideas are used by poets and used in poetry, which makes people feel interesting and return to nature.

Li Bai's poetic style is bold and vigorous, his imagination is extremely rich, his language is naturally euphemistic, his temperament is changeable and harmonious, and he is full of romanticism. With only a few strokes, this poem vividly shows people's joy, boldness, loveliness and frankness at heights.

2. Pre-school poetry reading and appreciation.

Chang'e

Li Shangyin [Tang Dynasty]

The mica screen was dyed red by thick candles, and the Milky Way gradually tilted towards the morning star.

Chang 'e, I must regret eating the elixir, and now I am alone, in the blue sky, singing every night.

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This poem sings the lonely scene of Chang 'e in the middle of the moon and expresses the poet's self-injury mood. The first two sentences describe the indoor and outdoor environment respectively, render the empty and cold atmosphere, and show the thoughtful mood of the protagonist; The last two sentences are the feelings of the protagonist after a night of painful memories, expressing a sense of loneliness. The whole poem is sentimental, rich in meaning, fantastic and touching.

"The shadow of the mica screen is deep, the long river is gradually falling, and the stars are sinking." These two sentences describe the hero's environment and sleepless nights. Indoor, the candlelight is getting darker and darker, and a deep shadow hangs over the mica screen, showing the emptiness and cold of the room more and more, revealing the gloomy mood of the protagonist sitting alone in the long night. Outside, the Milky Way is gradually moving westward, and the Cowherd and the Weaver Girl face each other across the river. The sleepless eyes in the lonely room watched the school of the Milky Way disappear. The sparse morning stars dotted with the empty sky will also disappear. The word "Shen" vividly depicts the dynamics of the morning star, and the hero's heart seems to be sinking gradually. "Candle shadows are deep", "Long river sets the yen" and "dawn stars sink" indicate that the time has reached dawn. Wear the word "gradually" to indicate the passage of time. The protagonist in Loneliness spent another sleepless night facing the cold screen and the lonely moon in the blue sky. Although there is no direct description of the protagonist's psychology here, with the help of the rendering of the environmental atmosphere, the protagonist's loneliness and unbearable loneliness can almost be touched.

In the long quiet night, when you see the bright moon, you will naturally think of the legendary moon fairy Chang 'e. It is said that she used to be the wife of Hou Yi, because she ate the elixir given by the Queen Mother of the West and flew to the Moon Palace to become a fairy. "Who is the neighbor of Chang 'e? "In the eyes of a lonely hero, does Chang 'e, who lives alone in the Guanghan Palace and has no companion, have a similar situation and mood with himself? Therefore, I can't help thinking from the bottom of my heart: Chang 'e must regret stealing the elixir of life, so that she lives in the moon palace every year and night, facing the blue sea and blue sky, it is difficult to get rid of loneliness and cold. " Should regret "is a speculative word, which shows a feeling of being in the same boat and having a heart." Because of the description and rendering of the first two sentences, the word "should" seems natural and reasonable. Therefore, the last two sentences are not so much affectionate and considerate to Chang 'e's situation and mood as the lonely monologue of the protagonist.

Who is this lonely, lonely and sleepless hero? There is no clear explanation in the poem. The poet once compared the female crown to "lonely in the moon" in the poem "Sending Palace Officials to Taoist Temple", and also used "stealing medicine" as a metaphor for women to learn Taoism and seek immortality in the poem "Sending Song Huayang sisters back on a moonlit night". Therefore, it may not be nonsense to say that this poem is an expression of sadness and loneliness on behalf of the female crown trapped in the palace. Taoism prevailed in the Tang dynasty, and women's entry into Taoism became the trend. After entering the Tao, they experienced the bondage of religious purity to normal love life, resulting in mental depression. Three or four sentences are a true portrayal of their situation and mood.

However, the loneliness expressed in the poem and the emotion of "regretting stealing the elixir" caused by it are integrated into the poet's unique real life feelings and contain richer and deeper meanings. Surrounded by the dark and dirty reality, the poet tries to get rid of the secular world and pursue the lofty spiritual realm, which often makes him more lonely. The twin brothers of sublimity and loneliness, and the subtle and complicated psychology of self-worship and self-harm, unwillingness to change one's mind and obedience, unbearable loneliness, etc., are successfully expressed here by the poet in subtle and meaningful language. This is a kind of beauty with strong sadness, which is easy to cause a wide range of * * * songs among lofty scholars in the old days. The typical meaning of poetry is also here.

3. Pre-school poetry reading and appreciation.

Berthing Guazhou

Wang Anshi [Song Dynasty]

Jingkou and Guazhou are just separated by a water, and Zhongshan has only a few heavy green mountains.

Jiang Nanan spring breeze is green, when will the bright moon shine on me?

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When the poet looks back at Jiangnan, the land is green, which is of course the green of spring breeze, but isn't the lush seedlings the actual effect of the reform measures?

However, the official court is full of dangers. The poet looked at Guazhou Ferry and the bright moon in Zhongshan and sighed, "When will the bright moon shine on me?" The poet wants to leave the black-and-white officialdom and the ugly and decadent place as soon as possible, which reflects the author's desire to return to his hometown without interest disputes. This poem is not only lyrical because of the scenery,

The emotion is in the scene, the scene is in harmony, the narrative is also full of emotion, the realm is open and the style is fresh. The most fascinating thing is the tempering of rhetoric.

Among them, the word "green" can be understood through the modification of the words used by the poet. In order to be vivid, the blowing is changed to green. Before this, Wang Anshi also deliberated the word many times, tried the words "full" and "excessive", but finally changed the word to "green".

4. Preschool classes recite ancient poems and their appreciation.

find

Yuan Mei [Qing Dynasty]

Cowboys ride on the backs of oxen, and songs echo in the forest.

Suddenly want to catch the song of the tree, immediately stop singing and stand by the tree silently.

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The first sentence of this poem is plain and without trace. The tone of the second sentence suddenly rose, and the melody suddenly accelerated, forming a climax. One or two sentences describe the innocent, lively, carefree, lovely appearance and happy mood of the little shepherd boy. The word "riding" directly describes the shepherd boy's posture, and the word "vibration" indirectly points out his mood. Through the two verbs of "riding" and "shaking", the shepherd boy's carefree mood is brought out. He was almost completely intoxicated with the beauty of nature and hardly knew that there was a word "sadness" in the world. It is because of the joy in my heart that I can't help singing loudly and even stop the cloud "zhenlin".

Continue to describe the expression in three or four sentences. The third sentence is transition, which is posturing. Writing about the psychological activities of the shepherd boy explains his "silence" and is also the turning point of the whole poem. The fourth sentence, plummeting, such as thousands of feet hanging waterfall falling into a deep pool, came to an abrupt end. The word "suddenly" vividly shows the shepherd boy's surprised and alert character when he finds cicadas singing in the tree. "Suddenly" has changed: from loud to quiet, from walking to stopping, the expression of the little shepherd boy's eyes closed to pay attention to cicadas is full of charm. The verbs "approach" and "stand" vividly describe the innocent expression and childlike wit of a shepherd boy. The whole poem uses pure line drawing techniques, firmly grasps the performance of the little shepherd boy in an instant, vividly writes the clever characteristics of the little shepherd boy, and makes people feel the innocence and cuteness of the little shepherd boy.

This is a poem that reflects children's life. In his poem, the poet praised the little shepherd boy's life picture full of childlike interest. The poet first wrote about the dynamics of the little shepherd boy, and Gao sitting bull's style of singing loudly on his back was so loose and presumptuous; After writing the little shepherd boy's static state, he held his breath and stared at the cicada's expression with special concentration. "There are more silent complaints than talking". This change from dynamic to static is written suddenly and naturally, vividly depicting the image of the little shepherd boy who is naive, good at listening and troubled. It is in this ups and downs that this poem has achieved great artistic effect. The language of poetry is as clear, plain and natural as words. As for the next step, how the little shepherd boy catches cicadas or not, the poet hasn't written it yet, leaving it to readers to experience, daydream and think.

By describing the natural environment and social life, this poem directly expresses the feelings of life, which seems carefree, but in fact it entrusts with feelings. At the same time, this poem is lively and free and easy, with simple language and natural and vivid image. Throughout the poem, it depicts the peaceful, quiet and picturesque pastoral scenery, depicts the lively, free and naive image of a shepherd boy, and shows the poet's "true temperament". The poet once said, "A poet is childlike." Needless to say, what is described and depicted in the poem is the realm that the poet pursues all his life, and it is also the "true temperament" that he has repeatedly emphasized.

5. Preschool classes recite ancient poems and their appreciation.

Travel in the mountains

Du Mu [Tang Dynasty]

As far away as Hanshan, the stone path is oblique, and people are in Bai Yunsheng. (living in the depths)

Stop and sit in the maple forest late, and the frost leaves are red in February flowers.

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This is a seven-character quatrain that describes and praises the scenery of mountains and forests in late autumn. The first sentence: "Hanshan stone path is far away." From the bottom up, write a stone road, winding to the mountains and autumn. The word "cold" points to the late autumn season; The word "far" describes the length of the mountain road; The word "oblique" takes care of the word "far" at the beginning of the sentence and writes a high and slow mountain. Because the slope is not big, you can travel by car.

Someone in Bai Yunsheng is about clouds and people. The poet's eyes have been looking up along this mountain road. Where the white clouds float, there are several stone houses with walls made of stone. The "people" here take care of the "stone path" in the previous sentence, which is the channel for those families to go up and down. In this way, the two landscapes are organically linked. White clouds seem to be born from the mountains and float around, which can not only show the height of the mountains, but also show the pale white and bright colors of the clouds against the green background of the mountains. The poet used the technique of crossing the clouds and breaking the mountains, so that these white clouds covered the reader's sight, but left room for imagination: above the white clouds, there are mountains outside the clouds, and there must be a different kind of scenery.

The poet is only describing these scenery objectively. Although the word "cold" is used, the following words such as "late" and "frost" are just sorted out, which does not show the poet's emotional tendency. After all, it only prepares for the following description-an overview of LAM Raymond's environment. "Stop and sit late in the maple forest" is different, and this tendency is very obvious and strong. Mountain roads, white clouds and others did not impress the poet, but the evening scenery of Fenglin surprised him. In order to stop and enjoy the scenery of this mountain forest, I don't care to drive on. The scenery written in the first two sentences is already beautiful, but the poet loves the maple forest. Through the background, I have made a good preparation for describing the maple forest, so it comes naturally and leads to the fourth sentence, pointing out the reasons for loving the maple forest.

The fourth sentence: "Frost leaves are red in February flowers" is the central sentence of the whole poem. The descriptions of the first three sentences are all paving the way for this sentence. Why do poets use "Yu Hong" instead of "Hong Ru"? Because "red as" is like spring flowers, it is nothing more than decorating natural beauty; And "Red in" can't be compared with spring flowers. It is not only brighter in color, but also more cold-resistant and can stand the test of wind and frost.

This little poem is not only an impromptu ode to scenery, but also an expression of ambition. It is the expression of the poet's inner spiritual world and the sustenance of his interest, so it can enlighten and inspire readers.

6. Preschool classes recite ancient poems and their appreciation.

Topic Xilin wall

Su Shi [Song Dynasty]

Looking at Lushan Mountain from the front and side of peaks and valleys, from far, near, high and low places, Lushan Mountain presents various faces.

I can't recognize the true face of Lushan Mountain because I am there.

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This is a landscape poem with pictures and scenery, and it is also a philosophical poem, which contains philosophy in the description of Lushan scenery.

"Looking at the mountain side into a peak, the distance is different." There is a saying that tourists can get different impressions by observing the face of Lushan Mountain from different angles, such as far, near, high and low. Sometimes you see rolling mountains, and sometimes you see towering peaks. These two sentences summarize and vividly write the various forms of Lushan Mountain.

The last two sentences, "I don't know the true face of Lushan Mountain, but I am only in this mountain", are the experience of reasoning on the spot and talking about traveling in the mountains. The reason why we can't recognize the true face of Lushan Mountain is because we are in the middle of Lushan Mountain and our vision is limited by the peaks and valleys of Lushan Mountain. What we see is only one peak, one ridge, one hill and one valley, which is only partial and inevitably one-sided. These two sentences are wonderful, and the whole artistic conception is fully displayed, which provides readers with a space to recall experiences and gallop their imagination. It's not just a tour to have this rational understanding. This is what you see when you visit the mountains, and it is often the same when you observe things in the world. These two poems are rich in connotation and enlighten people to understand a philosophy of being human-because people are in different positions and have different starting points, their understanding of objective things is inevitably one-sided; To understand the truth and the whole picture, we must go beyond the narrow scope and get rid of subjective prejudice.

A small poem arouses people's infinite aftertaste and deep thought. Therefore, "Tixilinbi" is not only a poet's eulogy of the wonders of Lushan Mountain, but also a philosopher's insight into the true face of Lushan Mountain. Because this understanding is profound and conforms to the objective laws, there is a profound philosophy that inspires people's hearts in addition to the absurd image of Gu Feng. Therefore, this little poem is particularly subtle and profound, which makes people never tire of reading it.

Su Shi's poems are not only a feeling of life, but also a political experience. Su Shi has been involved in the dispute between the old and new laws since he entered the official career. He is closer to conservatives in political inclination and opposes the new law led by Wang Anshi. However, he is not extreme, and advocates absorbing the reasonable components of the new law and paying attention to the implementation strategy, which the old party cannot tolerate. Therefore, Lushan written by Su Shi is also a confusing political situation. The old and new parties have different positions and different conclusions. In fact, people are in the game, in the long river of history, and it is inevitable to fall into the dilemma of fans. We should think more objectively and draw appropriate conclusions.

If the poetic tradition before the Song Dynasty was characterized by expressing ambition and expressing emotion, then in the Song Dynasty, especially Su Shi, a new poetic style characterized by reasoning appeared. This poetic style is a new poetic style created by Song people after Tang poetry. In Su Shi's words, it means "creating new ideas in statutes and leaving wonderful ideas outside the bold". The characteristics of this kind of poems are: shallow language and deep meaning, reasonable things and light taste. The title Xilin wall is such a good poem.

7. Preschool classes recite ancient poems and their appreciation.

Chileger

Yuefu poetry anthology [Southern and Northern Dynasties]

Chilechuan at the foot of Yinshan Mountain.

The sky is like the sky, and the cage covers four fields.

The sky is wild, and the wind and grass move to see cattle and sheep.

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This folk song outlines the magnificent and rich scenery of the northern grassland, and expresses the pride of Chileans who love their hometown and life. It has an open realm, magnificent timbre, clear language and strong artistic generalization.

"Chilechuan, shady mountain", tell the geographical location of Chilechuan. Yinshan Mountain is a mountain stretching beyond the Great Wall, and the grassland is embedded in Yinshan Mountain, giving people a magnificent impression. "The sky is like the sky, and the cage covers four fields." Looking around, the sky is like a huge dome felt tent, covering the whole prairie. "The sky is grey and wild", the sky is blue, and the grassland is endless and endless.

"Chilechuan, under the Yinshan Mountain", the poem begins with a high-pitched tone and sings the natural characteristics of the north, which is unobstructed and boundless. These concise six words, bold and broad in style, show the strong character of the Chilean nation.

"The sky is like the sky, and the cage covers four fields." These two sentences come from the background above, saying that the picture is magnificent and the Amano is magnificent. At the same time, grasping the most typical characteristics of this national life, the singer drew a picture of the northland with a pen like a rafter.

The first six sentences of the poem are written about Pingchuan, Dashan, the sky and the four fields, covering all directions, and the artistic conception is extremely broad and magnificent. However, the poet's description is a general static sketch from a macro perspective, without any specific description, which makes people feel a little empty and dull. But when you read the last sentence-"the wind blows, you see cattle and sheep", the realm will suddenly change. Grassland is the hometown of herdsmen and the world of cattle and sheep, but because of the rich pasture, all cattle and sheep are hidden in the green ocean. Only when a breeze blows and the grass waves rise and fall, do cattle and sheep flash out in the low grass. Cattle and white sheep, a group of east and a group of west, are everywhere. Thus, from static to dynamic, from pale to colorful, the whole grassland is full of vitality, and even the dome-like sky is colored. Therefore, people call this last sentence "a pen in a clear sky" and appreciate the word "wind", which is the initiator of the three verbs "blow", "low" and "see".

This song has a distinct nomadic color and a strong grassland flavor. From language to artistic conception, it can be said that it is natural, its quality is straightforward and simple, and its meaning is really pure. There are no obscure sentences in the language, which express the heroic feelings of nomadic people in a simple and vivid way.

8. Preschool recitation of ancient poetry and its appreciation

Lakeside temple at dawn

Yang Wanli [Song Dynasty]

It is the scenery of the West Lake in June, which is really different from other seasons.

Lotus leaves will not turn green the next day, and lotus flowers are particularly bright red in the sun.

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This is a poem describing the beautiful scenery of the West Lake in June. This poem is a typical work with pictures in it and poems in it.

The poet said at the beginning that the scenery of the West Lake in June is different from other seasons. These two simple poems show that the scenery of the West Lake in summer is different. These two sentences are the poet's overall feelings about the West Lake in June. The word "after all" highlights the unique and extraordinary scenery of the West Lake in June, giving people rich and beautiful imagination. The first sentence seems abrupt, but it is actually an atmosphere. Although readers have not yet appreciated the beauty of the West Lake from the poems, they can already feel it from the poet's appreciative tone. Poetry seems to blurt out, which is the most intuitive feeling after shock and ecstasy, thus strengthening the beauty of the West Lake.

Then, the poet painted a beautiful picture of red and green for readers with sentences full of strong color contrast: "Lotus leaves are infinite in the sky, and lotus flowers reflect different colors in the sun." These two sentences describe "after all" different landscape pictures in detail: with the lotus leaf extending to the end of the lake and the blue sky merging together, an "infinite" artistic space is created and endless blue is drawn; On this blue background, the lotus reflected by the sun is lit, so beautiful and bright. "Infinitely blue" lotus leaves in the sky and lotus flowers reflecting "different colors of red" in the sun can be seen not only in spring, autumn and winter, but also in the most vigorous summer of mid-June. The poet captured the unique scenery of this midsummer and summed it up very aptly. This transformation in the sketch, although ups and downs, has no sense of suddenness. The seemingly dull pen and ink presents an evocative artistic situation for readers.

The poet's central idea is not to talk about friendship, nor to elaborate on the feelings of parting, but to express his attachment to friends through his extreme praise of the beautiful scenery of the West Lake. From an artistic point of view, besides line drawing, this poem has two points worthy of attention: First, the coexistence of reality and fiction. The first two sentences are straightforward, just general and empty; The last two sentences describe and show the concrete image, which is true. The combination of reality and reality complements each other. The second is to combine rigidity with softness. The lotus leaf and lotus flower written in the last two sentences are generally classified as feminine, but the poet writes very magnificently and has a broad realm, with "heaven" and "heaven". Language is also very imposing: "connecting the sky" and "infinite". In this way, masculinity and femininity are harmoniously unified in poetry.

9. Preschool classes recite ancient poems and their appreciation.

Quatrain

Du Fu [Tang Dynasty]

"Two orioles sing green willows, and egrets cover the sky."

My window framed the snow-covered western hills. My door often says "goodbye" to ships sailing eastward.

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This poem "Jueju" was written when the poet lived in Huanhuaxi Caotang, Chengdu, and described the beautiful spring scenery around the Caotang.

Poetry cuts in with vibrant natural beauty, creating a fresh and relaxed atmosphere. In the first two sentences, the poet described this beautiful scene in an implicit way from different angles. Cui is new green, which is the color when everything recovers and germinates in early spring. "Two" and "one" are relative; Horizontal and vertical, it opens a very beautiful natural landscape. In this poem, the word "Ming" is the most vivid, and the oriole is described more vividly by anthropomorphic methods, and a hundred birds are paired, which constitutes a picture full of vitality and festive atmosphere. The oriole sings on the willow, which is the vitality of moistening things quietly. The next sentence is about the anger of nature, which is more obvious. Egrets flying in this fresh sky is not only a comfort of freedom, but also an upward struggle. Furthermore, the first sentence says that the oriole sings on the willow, and the next sentence says that the egrets fly to the sky, which broadens the space a lot. From bottom to top, from near to far, the poet's tangible vitality fills the whole environment and shows the prosperity of early spring from another angle.

The third sentence is written in the window of Xishan overlooking the snow ridge. The snow on the ridge doesn't melt all the year round, so "Thousand Autumn Snow" is piled up. The word "containing" means that the scene seems to be a picture embedded in a window frame.

The last sentence describes Du Fu's complicated mood at that time. When the ship came from "Wu Dong", this sentence means that the war has been decided, the traffic has resumed, and the poet misses his hometown when he sees things. The use of the word "berth" has its profound meaning. Du Fu has been wandering for many years without landing. Although there is still a little hope in his heart, that hope has been greatly reduced. The word "Bo" just describes the poet's complex mood between hope and disappointment. While "Wan Li" implies the difficulty of achieving the goal, which is juxtaposed with "Qian Qiu" in the third sentence and describes the difficulty of achieving the goal in time and space. Sun Quan of the Three Kingdoms has been praised by many scholars as the wise master since ancient times. The author refers to Sun Quan as the representative of Dongwu, alluding to Du Fu's hope for the emperor of the dynasty. The combination of "Bo", "Wan Li" and "Dongwu Ship" is precisely to write the word "Nan".

The whole poem seems to be four independent scenes, but the poet's inner feelings make its content consistent, and the fresh and elegant scenery entrusts the poet's inner complex emotions and forms a unified artistic conception. At first, he showed the spring scenery of the thatched cottage, and the poet's mood was Tao Ran. However, with the wandering of sight and the change of scenery, the appearance of river boats touched his homesickness. On the surface, it is a vibrant picture, but in the cheerful and bright scene, it entrusts the poet with the loss of time, loneliness and boredom, and also writes the poet's complex mood when there is a glimmer of hope. Beyond that kind of hope, it is more the poet's sadness about disappointment.

10. Preschool class recites ancient poems and appreciates them

Youzhou tower

Chen Ziang [Tang Dynasty]

No one can see the ancient wisdom of the ancient king, only those wise men who can't see the afterlife can see it.

I think of heaven and earth, there is no limit, there is no end, I am alone, tears fell down!

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The poet had political knowledge and talent, and dared to speak and remonstrate, but he was not adopted by Wu Zetian, and was repeatedly hit, gloomy and resentful. You Zhou Ji Bei Lou wrote poems, from which sadness came. They expressed the lament of "untimely birth" with "different characters in the old mountains and rivers" The language is unrestrained and infectious.

"Before me, where was the past era? Behind me, where are the future generations? "This is a feeling that life is too short. Throughout the ages, poets can't help feeling the shortness of life. Heaven and earth are long, life is in a hurry, and just a few decades are like a blink of an eye, which passes in a blink of an eye. This kind of exclamation can not only lead to the decadent idea of eating, drinking and having fun in time, but also lead to the ambition of redoubling efforts. Since ancient times, how many people with lofty ideals have not been depressed because they feel that life is short, but have been more refreshed, making their limited life almost infinite. It is because of this positive attitude that Chen Ziang "shed tears". It is precisely because of the deep sadness that there is an ambition to make a difference in a positive way that we can arouse our voices. The poet felt that life was short and the universe was infinite, and shed tears unconsciously. This is a cry that poets can't show if they serve the country and the people. Under close reading, the tragic and desolate spirit arises spontaneously, and the uneven syntax and cadence syllables add artistic appeal.

This poem does not describe Youzhoutai in a word, but only expresses the feeling of coming to power, but it has become a masterpiece through the ages. The style of this poem is beautiful and vigorous, and it is the pioneering work of Tang poetry in the style of Han and Wei Dynasties. It has the power to expand the territory and open the way for clearing the flashy and delicate formalistic poetry style of Qi and Liang Dynasties. In art, its artistic conception is vigorous and its vision is broad, which makes the poet's self-image more vivid and touching. The language of the whole poem is unrestrained and infectious. Although it is only four short sentences, it shows a magnificent and vast artistic picture in front of people. The first three sentences of the poem are outlined with thick lines, with the vast universe and the vicissitudes of ancient and modern personnel as the profound and magnificent background. The fourth sentence is full of emotion, which makes the self-image of the lyric hero-poet stand on the theme of the picture, and the picture suddenly flies with charm and shines. From the perspective of structural context, the first two sentences are pitching ancient and modern, writing for a long time; The third sentence is to look at architecture and write about the vastness of space; The fourth sentence is the poet's lonely and painful mood. This set each other off, especially touching.

In terms of diction, this poem is deeply influenced by Songs of the South, especially Farewell. "Travel" has a cloud: "Only the infinity of heaven and earth is sad for the long diligence of life. I can't smell the past. " The sentences of this poem have changed since then, but the artistic conception is more boundless and vigorous.

Chen Ziang's sentimental works are triggered by his own experience in real life, but their objective significance is far beyond the scope of himself and even his era, and they are universal to some extent. The sentimental feelings expressed in this poem are obviously different from the secular worries about life and death. This is a sigh in the persistent pursuit of career and life.