What kind of person is Guo Moruo in history?

Guo Moruo is a famous historian, writer, calligrapher, playwright and poet. His poems, such as My Mother on the Earth, Phoenix Nirvana and Coal in the Furnace, which were written in the 1920s and 1930s, enthusiastically eulogized the motherland and people, deeply infected and inspired the young people's spirit of striving for progress and pursuing a better future, and they were cultural giants that people admired.

During the Great Leap Forward from 65438 to 0958, as the president of China Academy of Sciences, most of Guo Moruo's literary creation was in line with the political situation. From his poems, we can get a glimpse. In the Spring Festival Overture, he shouted:

It only takes fifteen years to catch up with Britain, and the agricultural outline can be realized in seven years; The Great Leap Forward and the Great Leap Forward are linked together, and heroism can be turned upside down. Listen, we have to level Mount Everest! Look, turn Gobi into fertile land! Working people have always been creators, and today they show their dignity.

If these sentences are understood as "revolutionary romanticism", they are much harsher for poets:

If poets are not as good as bones, please leave the title of' soul engineer'! Stop wasting precious food and quickly become a source of fertilizer.

It sounds a little cold.

Mr. Guo Moruo kept up with the situation when the whole people were making steel. The topic is "steel, it must be10.7 million tons!" The poem wrote:

Steel, it must be/kloc-0.07 million tons! Today, I know that you have finished ahead of schedule, which has doubled the output of last year. 650 million people are sincerely happy.

And wrote:

Marshal steel really has a high degree of discipline.

You led the way up the mountain.

Historical facts have proved that "steel smelting" is a complete failure. Why does Lao Guo, president of China Academy of Sciences, ignore the scientific attitude and the spirit of "seriousness, preciseness and strictness"?

In terms of culture, he also added a poem "Red Penetration and Deep Design (Send a 16-character Order)":

Red! On the contrary, it is a raging fire, burning five gases, trying to learn from workers and peasants. Tou！ Exercise must be obtained from labor. The New Eighth Route is again today. Specialized! Scientific and technological innovation is in sight, learn science and declare war on the earth! ……

In addition, in order to make the form obey the content, Guo Moruo changed the epigraph from "slow voice" to "fast voice", and said in the preface: "I am singing with her (Li Qingzhao) now, but in order to reflect the current climax of the Great Leap Forward, it is contrary to my original intention, so I changed the epigraph name to" fast voice ". The word yue:

Vigorous, smiling, kissing hot and dense, 600 million people leap forward, the sky were to fall. Poor and white, let it disappear in a few years! The more the better, the more heroes there are. Eight grand resolutions, 19, summed up this line. Go all out and strive for the upper reaches! Faster, better, more economical, more increase, tons of steel. Accelerate socialist construction.

Can these sentences, which are stiffly pieced together and embedded with slogans, be regarded as poems?

Some of Lao Guo's poems are far-fetched and still difficult to understand. For example, the "four pests" of the whole people are flies, mosquitoes, mice and sparrows. Later proved that the sparrow is not a pest, but a beneficial bird), he wrote a "curse the sparrow":

Sparrows, sparrows, you don't care if the sky falls. Sparrows eat rice like the wind. Sparrows are just lazy and have nothing to do. Sparrows are too arrogant, afraid of both red and noisy. Sparrows are so charming, even though they have wings, they are too angry. You are such an asshole, jumping around panting. I have committed crimes for thousands of years, and I want to settle accounts with you today. Fight poison against poison and finally set fire to it. Plus five qi burn empty, four evils are lawless, the same below.

There is also a "Four Pests Flee to the Four Seas for the Rest of Their Lives", four songs with only subtitles: First, flies fled to Britain; Second, the sparrow fled to the United States; Third, mosquitoes fled to Japan; Fourth, the mouse fled to West Germany. For these four capitalist countries, even if we don't talk about international humanitarianism, we should not marry at will. Flowers are beautiful. Once they directly serve political slogans, they lose their attractive aesthetic feeling. Such as "daffodils":

Jade leaves and silvery white flowers are simple and clear, and there are homes everywhere. We were the first to oppose conservatism and waste, and lived frugally, quickly, healthily and much more. People call us daffodils, but not bad. We only live on a spoonful of water and a few stones. We are promoters, not promoters. Every Spring Festival, we sing Spring Festival songs for everyone.

Mr. Guo Moruo published a collection of poems "Hundred Flowers Bloom" in April of 1958, which included1kloc-0/a poem about flowers. Every flower has a woodcut, which is very beautiful. However, many of these poems bear a heavy political mission. Sunflower:

Don't despise our vegetable oil and promote industrialization to catch up with John Bull.

Canna:

We always engage in production in wyndell dichinson in disgust. Whoever learns this spirit can be both red and expert.

Celosia cristata:

Go all out, strive for the upper reaches and ride the wind and waves! Who hasn't heard of it? It's outrageous to be deaf!

Lao Guo's impromptu works are in line with the situation, patched together some slogans at that time in content, and lacked the artistic conception of poetry. Some words are not well thought out, such as "pass!" Sports must be based on labor, intimacy and intimacy. Can these sentences be said to be a poetic language refined and tempered by "striving for word stability and enduring cold for a long time"? I feel sad for Lao Guo's "Great Leap Forward" poem!

Mr. Guo Moruo is brilliant and familiar with Chinese and western cultures. His early poems are awe-inspiring and inspiring. He is an admirable master of culture. But later, in a specific historical environment, he drifted with the tide, lost himself and wrote some works that catered to the trend. Although the defect does not hide Yu, it also tarnished his reputation to some extent. This is enough to warn future generations and learn from them.