Aesthetic sentences about Chinese painting

Chinese painting takes "Qi" as its own existence feature, and "Qi" constitutes the foundation of Chinese painting. Water and Qi have natural and inevitable relations and have multiple channels of mutual transformation. Turning water into gas is not only a natural physical imagination, but also implies the unique variation of China's painting art; It is not only an artistic creation, but also represents the unity of man and nature. Water, as an object and a composition, is directly linked with the spirit of Chinese painting, which finally gives Chinese painting a spiritual form. After the water dries up on the rice paper, the traces left behind constitute a completely "transparent" painting, a blank painting of water completely different from western painting.

The second sentence is a piece of drawing paper, which is full and leaves no blank. This is a western oil painting. A piece of drawing paper with a few strokes of Bai Xuan's painters on it is a Chinese painting. Van Gogh's thick ink and heavy color has become a stunning masterpiece, and Qi Baishi's ink and wash is also a legend in the painting world. Western enthusiasm, China's elegance. A colorful picture reflects not only the scenery and vegetation. Among them, there is a more secular Fiona Fang way. The highest state of Chinese painting is that ink and wash remain white. The highest state of Chinese is to leave three points in the voice.

After thousands of years' vicissitudes, Chinese painting still shines with artistic charm, which makes people feel that it will always be new and ordinary, and its fundamental reason is its wonderful Chinese flavor. So, what is the wonderful Chinese flavor of Chinese painting? In short, it is' soil'. Chinese painting is a wonderful flower growing in this ancient and magical land of China, which contains China people's beliefs, wisdom, philosophical thoughts, life feelings, aesthetic habits and so on.

The fourth sentence is thick ink, outlining; Light ink, contrast; Light color, rendering. Step by step along the stone steps that inexplicably extend from the clouds, slowly upward. Surrounded by lush, unknown small trees, they are winding and jumping towards the light. Where the leaves of the mountain stream are hidden, the quaint feet of the house are faintly revealed, and smoke billows from the kitchen, spreading leisurely from the gap in Ye Er ... In the distance, there is a long black Meishan, and the cloud devours its feet, but it is very happy to let itself disappear in the dreamlike smoke cloud. After the rain, the small bridge on the running water showed clear flexibility. Needle-shaped drizzle mended the coat of the earth, but inadvertently lifted the crystal laughter on the river. Are the people on the lonely boat just looking at the blue satin river or the distant mountains? This is a picture on paper and a scene in my heart.

The fifth sentence Chinese painting takes "Qi" as its own existence feature, and "Qi" constitutes the foundation of Chinese painting. Water and Qi are inevitably related and have multiple channels of mutual transformation. Turning water into gas is not only a natural physical imagination, but also implies the unique variation of China's painting art; It is not only an artistic creation, but also represents the unity of man and nature. Water, as an object and a composition, is directly linked with the spirit of Chinese painting, which finally gives Chinese painting a spiritual form. After the water dries up on the rice paper, the traces left behind constitute a completely "transparent" painting, a blank painting of water completely different from western painting.

The sixth sentence savors the painter's huge Chinese painting, and an outstanding feeling is its "vivid charm". Vivid charm is the visual image of "rhythm of life" or "rhythmic life" shown in the picture, and it is also the feeling of "being connected" and "being natural" formed by the organic connection of various elements in a painting. Please see, every scene in the picture is moving, clouds are steaming, the sun is moving, mountains are moving, cities are moving, waterfalls are moving, birds are singing and flowers are fragrant, but all these "movements" are helping the high-speed rail to move.

China's painting has a long history and is an important part of China culture. It takes the ink pen and lines as the skeleton, combines realism with ideographic expression, and emphasizes the artistic conception and charm of painting, which is both concise and profound, forming the unique style of China's painting. And lines are the essence of Chinese painting. It is the skeleton that expresses the structure of objects, the most basic, concise and general artistic language in China's paintings, and it has unique artistic charm. The unique artistic charm of Chinese painting is reflected in the following aspects: Chinese painting attaches importance to the use of blank space and has the effect of "virtual and real"; Chinese painting attaches importance to the relationship between art and nature, emphasizes "writing spirit with form" and pays attention to artistic conception and charm; China's calligraphy and painting have a deep origin, that is, "the same origin of calligraphy and painting" and "the same method of calligraphy and painting"; Chinese painting has something in common with poetry, so it advocates "poetry in painting"; Chinese paintings often use seals, which are embellishments to add charm and beauty.

Chinese painting, as its name implies, is the painting of China, the pride of China and the pride of China people. Of course, I am also proud of Chinese painting. Contemporary Chinese painting has its own system in the world art field. According to its subject matter and object of expression, it can be roughly divided into figure painting, landscape painting, flower-and-bird painting, boundary painting, flowers, fruits, feathers, animals, insects, fish and so on. According to the methods of expression, there are technical forms such as meticulous brushwork, freehand brushwork, hook, color setting and ink painting, and color setting can be divided into jade, turquoise, boneless, splash color, light color and light crimson. Mainly using the changes of lines and ink color, the image and business place are depicted by hook, left, dot, dye, thick, light, dry, wet, yin, yang, direction, back, virtual, real, sparse, dense and empty.

In the ninth sentence, Mr. Zhang creatively integrated the visual elements of western modern art into China traditional painting with flowing brushstrokes, showing the world the artistic conception of a traditional China aesthetics; He painted many colors, which made his watercolor painting full of the charm of Chinese painting. The painter once again proved his idea to the world with his unique posture-painting watercolor with the brush and ink skills of Chinese painting and enriching the brush and ink of Chinese painting with the texture skills of watercolor painting. This is a belief, an innovation, and also represents the interdependence of watercolor and ink painting. It is also a unique "wild" shown by Zhang Wanqi, forming his own "Zhang's wild school".

10 Chinese painting was invented by our ancestors and has been circulated for thousands of years. From painting materials, pens, ink, paper and inkstone to painting theory, techniques and aesthetics, a complete, grand, systematic, exquisite and even advanced art system has been formed. To innovate Chinese painting, we can only seek a more perfect pen and ink language that is more suitable for the painter's personality in our own artistic system.