What are the cultural differences between Sizhou Opera and Liuqin Opera?

Sizhou Opera and Liuqin Opera are both important drama cultures. However, maybe you already know about Sizhou Opera, but do you know what Liuqin Opera is like? How different will these two dramas be if they are shown in culture? Next, let's see with me what the differences between these two cultures will be.

Sizhou Opera Singing:

The singing of Sizhou Opera originated from local folk songs, labor songs and the tone of farmers' life and labor. For example, driving cattle to farm, women crying and so on. And absorb the tones of folk art forms such as flower drums and piano books for transformation and development. The singing of Sizhou Opera is very casual and free, and the accompaniment is required to follow the actor's singing, so as to facilitate the actor's play and creation. Artists also call this form Yi Xin Diao.

Liuqin opera singing:

The musical singing of Liuqin Opera is very unique, with distinctive local characteristics, and the male voice is rough and hearty. The female voice is melodious, colorful and memorable. Singers can play, create and change at will. Yi Xin Diao is the biggest feature of this play.

Sizhou Opera Accompaniment:

There was no band in Sizhou Opera during the rap period. After the formation of opera, the band system and accompaniment form are also extremely simple. There are only 65,438+0-2 local Pipas, a drummer, and some of them are also played by actors. After nine years of the Republic of China, there were large classes (for example, in 20 years of the Republic of China, a heavy-haired class led by Xu Bujun set up a stall in the west playground, sang for a while, collected money and sang again.

In the 30 years of the Republic of China, the anti-Japanese democratic governments in Sixian, Lingbi, Wuhe and Fengyang, Huaibei's anti-Japanese base areas, in order to cooperate with the anti-Japanese propaganda, assembled local 100 literary and art workers to form a small team and performed plays such as "Aunt Fan sent her son to join the army" and "The whole family fought against Japan", which caused a sensation. After liberation, a small national band gradually formed after it was officially put on stage. There are pipa, flute, suona, sheng, pipe, erhu and xiaosanxian in the field of literature, and four pieces in the field of martial arts.

Accompaniment of Liuqin Opera:

Liuqin Opera Board can be roughly divided into: adagio (also called quiet board and clarification board), double-line board (also called running board, which can be divided into fast and slow), counting board, compact board and five-character compact board.

Liuqin theater; There are pipa, flute, suona, sheng, pipe, erhu and small sanxian. There are four major pieces in the field of martial arts. Electroacoustic instruments are also used. Accompanying music also uses techniques such as harmony and orchestration It is worth mentioning that the main stringed instrument of Liuqin Opera, from the local pipa with only two strings, has developed into a variety of high school Qin Liu with three, four, five and six strings after many reforms.

Sizhou opera role:

The roles of Sizhou Opera are mainly divided into college students, old students, double-headed, small-headed, ugly girls and so on. On the basis of rap, his performance absorbed a lot of folk dance performances such as embossing field, car dance, boat dance, lantern dance and donkey running.

Liuqin opera role:

It has its own special name. In the lines of Xiao Tou, Er Tou, Er Leg Magazine, Old Man, College Student, Hook Foot, Hairy Leg, Dirty Face, Xiao Tou is a girl, Er Tou Magazine is Tsing Yi, and Er Leg Magazine is Tsing Yi and Hua Dan. Old people are old people, and old people are colorful old people. College students are old and ugly. Hairy legs are a dirty face, a dirty face. The performance of Liuqin Opera is rough and simple, with bright rhythm and strong local flavor. The actor's figure and footwork have obvious characteristics of national song and dance.