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Why was the only anti-Japanese drama comparable to Liang Jian once banned?

If you want to choose a TV series that represents the peak of China's anti-Japanese drama, it must be "Bright Sword". In 2005, the broadcast of "Bright Sword" quickly triggered a viewing frenzy, and all major TV stations chose to broadcast "Bright Sword" in prime time. The popularity of "Bright Sword" also triggered many imitations of later generations. During that time, various anti-Japanese dramas sprang up like mushrooms after rain, but none of them could surpass Liang Jian.

Until 2009, a film "My Head and My Regiment" was born, which broke the monopoly of "Bright Sword" and became another milestone of China's anti-Japanese drama.

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My Head and My Regiment is directed by Kang and adapted from the novel of the same name by Lan Xiaolong. Before that, the two also worked together on Soldier Assault, so this "My Head and My Regiment" is also called the original crew of Soldier Assault.

It's a pity that Wang, as the protagonist of Soldier Assault, didn't appear in My Head and My Regiment, but he still propped up the play with the wonderful interpretations of other powerful groups in Gang Qilian.

For example, Zhang Yi, the "squad leader Shi Jin" in Soldier Assault, plays "Little Grandpa Meng Fanle" in My Head and My Regiment. Zhang Guoqiang, the company commander of Gang Qi, plays Fan Long, a Northeastern guy, in My Head and My Regiment, while Duan Long, who rarely appeared in Soldiers Assault, is addicted to drama and plays Zhang Wen, the head of the regiment.

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In addition to a strong cast, another highlight of My Head and My Regiment is authenticity.

First of all, this TV series restores history well. "My Head, My Regiment" describes all kinds of stories that happened when the Chinese expeditionary force went to the battlefield in Myanmar.

The director and screenwriter have made great efforts to this end and consulted many domestic and foreign historical materials. For weapons and equipment, the crew even tried to borrow the original from the museum and then copy it according to the original.

Different from the spotless service in anti-Japanese dramas. Every actor in "My Head and My Regiment" is travel-stained, dirty, and respects the facts, which well restores the real situation of soldiers on the battlefield.

Different from the "false sky" and "Wei" in the previous main melody film and television works, my head and my regiment also strive to be true in characterization.

In everyone's mind, soldiers are heroes, always fighting bravely and never flinching. But in reality, soldiers have a heroic side, but they are also living people. People are complex polyhedrons with secular desires. They are brave, but also timid.

For example, "Little Grandpa Meng Fanle" in the play, under the cruel torture of the war, changed from a "student soldier" who took the lead himself to an "old slick" who fooled others into taking the lead. At that time, he was mean, timid and cowardly, and lived in a daze every day. However, at the end of the TV series, when "Meng Fanle" died with "cannon fodder" in the worse place, he was so brave.

What moved the audience most was the growth of the role of "Meng Fanle". There are many characters like "Meng Fanle" in the play, which shows that the writers and actors are stereotyped in shaping their roles, pointing directly at people's hearts.

After the first broadcast in 2009, "My Head and My Regiment" once experienced a copyright storm, which led to being banned by major TV stations. Now, the copyright storm has passed, and this TV series can be seen on all major websites. I hope you don't miss a good play. What do you think of this? Welcome to leave a message for discussion ~