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Write a sentence in a double way
1, the moonlight shines on the cold maple, and the mountains are full of tears, and the white horse with frosted grass is even more hurt.
2. One star, two stars, countless bright Mars, one hammer shadow, two hammer shadows and countless fast-moving iron shadows.
If you drink manna, you can read poetry like the spring breeze.
4, loyal souls do not lose, the spring rain is raging, and the autumn is refreshing and sorrowful.
5. A bullet in water and a bullet in the moon, half into the river and half into the clouds.
6, good reading, good farming, good learning: it is difficult to start a business, it is difficult to stay in business, and it is difficult to advance. 7. In the past, Yang Liu Yiyi: Think about it today, it's raining.
7. I used to rely on it, and Yangliu is Yi Yi; The road is muddy and difficult to walk, and people are thirsty and hungry.
8. Lingjing is lonely, listening to the autumn wind blowing leaves, the sound of brocade machine is silent and sad, and watching jathyapple shine on North Korea.
9, peaches and plums are painstaking and pregnant for ten years.
10, only drink Yangtze River water and eat Wuchang fish.
1 1, the night drinker swallows the bottom of the cup, and the spring traveler is drunk.
12, the revolutionary is loyal to the monarch, although he is still alive: the careerist is a disaster to the country and the people, and life is better than death.
Double introduction:
It embodies a form of thinking, that is, symmetry, fairness, neatness and preciseness, and also embodies the characteristics of the Chinese nation's thinking personality. It is a rhetorical form with China characteristics. Dual rhetoric originated in the pre-Qin period and was later adopted by literati.
Duality is a rhetorical way to express two corresponding or similar or identical meanings with a pair of phrases or sentences with equal words, the same structure and the same meaning. Features: the language is concise, the sentence pattern is neat, the phonology is harmonious, and it is full of rhythm and musical beauty, which makes the two meanings complement each other and set off each other, enhancing the touching effect of the language.
Many idioms, sayings and proverbs have a dual structure, such as "iron wall", "deep-rooted", "no village before, no village behind", "drum on the face, no gong behind" and so on. Poetry pays attention to neat and striking language form and harmonious and beautiful voice, so it often uses antithesis.
Proper use of some antithetical sentences in prose can also increase the rhythmic beauty of language. However, whether it is poetry or prose, the use of duality should be subject to the needs of content, and rote learning is not allowed.
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