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What are the Chinese elements in the Winter Olympics?
Chinese elements in the Winter Olympics:
Recently, the 2022 Beijing Winter Olympics has brought a "Chinese style", from the track to the costumes, from the Chinese dragon to the Great Wall. Gu Ailing's "dragon pattern jersey", the Chinese women's ice hockey helmet and protective gear with Chinese dragon patterns, the Great Wall beacon elements of the Genting Circuit, and the auspicious snow and cloud symbols on the award ceremony dress, Chinese elements are everywhere.
The emblem of the Beijing Winter Olympics is inspired by the Chinese character "winter", using calligraphy to show the undulating track and the vigorous postures of ice and snow athletes. The 2022 Beijing Winter Olympics and Winter Paralympic Committee will use 30 icons to show the characteristics of different sports. The mascots of the Beijing Winter Olympics and Paralympic Winter Games, Bingdundun and Xuerongrong, are respectively based on China's "national treasure" giant panda and Chinese lantern.
What are the Chinese-style things:
1. Chinese-style ceramic tea sets: Chinese-style ceramic tea sets are decorated with Chinese auspicious patterns, myths and legends, surname culture, poems and songs, novels and dramas, etc. As the theme, Jingdezhen high-quality ceramics are used as the carrier, and exquisite porcelain-making techniques of the past dynasties are used to create blue and white, Caifeng 8-head blue and white lotus (Chinese style tea set) exquisite, pastel, and color-glazed ceramic tea sets.
2. Peking Opera: Peking Opera was once called Ping Opera, also known as Luantan and Chinese Opera. One of the five major types of Chinese opera, the scene layout pays attention to freehand brushwork, the tunes are mainly Xipi and Erhuang, and it is accompanied by huqin, gongs and drums. It is regarded as the quintessence of China and ranks first among the three Chinese operas.
3. Kun Opera: Kun Opera originated in Kunshan, Suzhou, China in the 14th century. It was later improved by Wei Liangfu and others and spread throughout the country. It has dominated the Chinese theater scene for nearly 300 years since the middle of the Ming Dynasty.
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