What do you mean by Sichuan Opera's face changing, blushing and being blue?

1, net red face: Guan Yu in The Three Kingdoms Opera and Wu Han in Cutting the Classics Hall. It symbolizes loyalty, honesty, frankness and blood.

2. Blue face: Ma Wu in "Going to the Rooftop" and Dou Erdun in "Lianhuan". ? Dou Erdun (three-tile blue flower). Show a straightforward and uninhibited personality.

3, yellow-faced woman: such as Dian Wei. It symbolizes courage and irritability.

4. Black face: Bao Zheng in Bao Gong's drama: It also symbolizes power, rudeness and boldness, such as Zhang Fei in Romance of the Three Kingdoms, Li Kui in Water Margin and Jiao Zan in Yang Paifeng. It shows serious personality, unsmiling, neutral and represents fierce wisdom.

5. White faces: Cao Cao in The Three Kingdoms Opera, Yan Hao and Qin Gui in Ode to Swallows. Showing betrayal and suspicion, with derogatory meaning, represents fierceness.

Historical origin:

Changing the face of Sichuan Opera is like breathing fire on Shaanxi Opera, both of which are signs and unique skills!

Speaking of changing faces, it is necessary to return to Sichuan Opera first. In other words, during the years of Qingganlong and Jiaqing, every holiday, the temples at the docks of towns and villages in Sichuan would set up a platform to celebrate. Over time, Sichuan opera has gradually become a climate in the streets.

The "two lakes filling Sichuan" in Qing Dynasty brought many new elements to Sichuan culture. Kunqu Opera, Gaoqiang Opera, Hu Opera and Deng Opera are gathered near the wine shops in the main cities of Bashu. Life, beauty, purity and ugliness appeared on the small stage of the teahouse, and gradually formed a * * * style with the passage of time. At the end of Qing Dynasty, they were collectively called "Sichuan Opera" and later changed to "Sichuan Opera".