Yangliuqing

1. Yangliuqing New Year Pictures Poetry

Poetry about Yangliuqing New Year Pictures 1. Yangliuqing

Liuqing Yang

Yangliuqing New Year Picture is a famous folk woodblock New Year Picture in China. It inherited the tradition of painting in Song and Yuan Dynasties, absorbed woodcut prints, arts and crafts, opera stage and other forms in Ming Dynasty, combined woodcut overprint with hand painting, and created a unique style with lively, auspicious and touching themes. In the history of China printmaking, Yangliuqing New Year Pictures and the famous Suzhou Taohuawu New Year Pictures in the south are called "Peach Blossoms in the South and Willow in the North".

Yangliuqing New Year Pictures began in Chongzhen period of Ming Dynasty, and it was in its heyday before Guangxu period of Qing Dynasty. At that time, Yangliuqing Town in Tianjin and its nearby villages were mostly produced by New Year pictures workshops, which were known as "every family can dye and every household is good at painting", and the New Year pictures were named after the place of origin.

The production method of Yangliuqing New Year pictures is "half-printing and half-painting", that is, the lines of the picture are carved out of wood, then printed on paper with ink, printed in monochrome for two or three times and filled with colored pens. Yangliuqing New Year pictures not only have the charm of prints, but also have the color of painting strokes, which constitutes the artistic characteristics different from ordinary paintings and other New Year pictures. Yangliuqing New Year pictures have diverse themes and rich contents, especially reflecting real life, current affairs and customs, historical stories and other themes, which are deeply loved by the masses. Some traditional masterpieces, such as More than One Year and Summer in the Lotus Pavilion, are not only widely circulated among the people, but also regarded as treasures by Chinese and foreign artists and collectors. Mr. Zhou once wrote a poem for Yangliuqing's New Year pictures, and made a vivid description: "The willow is picturesque, and the embroidery workers are all dressed in red. There are hundreds of Danqing landscapes, all of which are on the New Year picture wall. " As a national folk art, Yangliuqing New Year pictures have been exhibited in Japan, France, Britain, Italy, Thailand, Singapore and other countries.

Yangliuqing New Year pictures are a branch of splendid folk culture in Tianjin for hundreds of years. However, due to various reasons, there are difficulties in the survival, development and inheritance of this folk art, but the relevant departments in Tianjin have realized this problem and started to rescue this folk culture, and have made some progress.

The only old man who is still painting "cylinder fish"

In Yangliuqing New Year pictures, people are most impressed by the pattern of fat dolls holding fish, but people are not familiar with a kind of Yangliuqing New Year pictures called "cylinder fish".

According to reports, in Yangliuqing area, a New Year picture of "Cylinder Fish" is posted on the top of the water tank every New Year, which means good luck. In recent years, because everyone in the town has running water, the water tank is gone, and there is no place to post the "cylinder fish" New Year pictures. Because there is no market, almost no one draws "cylinder fish" New Year pictures now.

After many inquiries, the reporter finally learned that in Gong Zhuangzi village, an old man named Wang Xueqin was still painting "fish in a jar". Wang Xueqin, who is 70 years old, is the only person in this area who is still painting "Cylinder Fish" New Year pictures. The old man said that he couldn't bear to let the "Cylinder Fish" New Year picture be lost before continuing to draw. Both sons of the old man said that they would not pursue their father's career. They think it's easier to earn money and support their families by painting New Year pictures than by working.

Lao Wang Man Xueqin said that it is not difficult to draw "cylinder fish". The key is that the income from painting "cylinder fish" cannot arouse the interest of young people now. He is worried that in a few years, there may be no more hand-painted "cylinder fish" on the market.

The fragile inheritance of "mentoring"

Yangliuqing New Year picture craft is an intangible cultural heritage, and how to inherit it is one of the most challenging problems facing the protection of intangible cultural heritage. Because Yangliuqing New Year pictures have always followed the traditional way of mentoring, their vitality is relatively fragile.

During the reporter's visit, I learned that at present, the inheritance mode of these New Year pictures workshops is still that the master takes apprentices, ranging from a dozen to three or two. According to reports, it usually takes two or three years for a young painter to paint well, which does not include complicated crafts such as carving. In other words, it is by no means a short-term behavior to train successors for New Year pictures. Such a simple practice of taking an apprentice by a master still has some limitations in cultivating the descendants of this folk art.

Cultivate future generations for Yangliuqing New Year pictures.

Perhaps it is precisely because of the disadvantages of the model of "master with apprentice" that Xiqing District Government realized that an important link in protecting folk culture at present is to strengthen education and cultivate talents.

In order to let the children in Xiqing District feel the influence of folk culture from childhood, understand the cultural connotation of Yangliuqing and inherit the artistic techniques of Yangliuqing New Year pictures, Xiqing District Government has made an overall plan. It is understood that the newly compiled textbook "Yangliuqing New Year Pictures" will be a compulsory textbook for the 9-year compulsory education art class in Xiqing District and will enter the students' classroom in September this year.

According to Director Ma of Xiqing District Cultural Bureau, the Xiqing District Government recently reached a cooperation agreement with Nankai International Management Forum, and Nankai funded the selection of 20 high school graduates with certain literary skills for a three-year specialized training, and then specialized in the inheritance, dissemination and promotion of folk art. At present, the enrollment of folk college classes is under way, and the training will be officially started in September this year.

2. Urgent: About Yangliuqing New Year pictures.

France, England.

The production method of Yangliuqing New Year pictures is "half-printing and half-painting", that is, the lines of the pictures are first carved with woodcut, and then printed on paper with ink and historical stories as its specialties, which is deeply loved by the masses. "More and more every year", and then use colored strokes. Yangliuqing New Year pictures have the charm of engraving: more than one year (fish)

Yangliuqing New Year Picture is a famous folk woodblock New Year Picture in China. It inherited the tradition of painting in Song and Yuan Dynasties. As a national folk art, Yangliuqing New Year pictures have gone to the world. Once in Japan, we met on the New Year's Wall. After two or three monochrome editions, they have a unique style, reflecting real life, current events and customs, and full of touching themes. One hundred thousand landscapes in Danqing are not only widely circulated among the people. In the history of printmaking in China, every embroiderer was dressed in red and gave a vivid description: "Willow green is picturesque and regarded as a treasure by Chinese and foreign artists and collectors. Mr. Zhou once wrote poems for Yangliuqing New Year Pictures, which are called "Peach Blossoms in the South and Willow in the North" together with the famous Suzhou Taohuawu New Year Pictures in the South.

Yangliuqing New Year pictures began in the Chongzhen period of Ming Dynasty, and absorbed some traditional masterpieces such as woodcut prints of Ming Dynasty and Summer Lotus Pavilion. Before Guangxu in Qing Dynasty, the development of New Year pictures was in its heyday. At that time. Yangliuqing New Year pictures have diverse themes and rich contents, and are known as "every family can touch and dye, which constitutes an artistic feature different from ordinary paintings and other New Year pictures, and every family is good at painting". Because its name comes from its place of origin and the color of brushwork, Yangliuqing Town and its nearby villages are mostly engaged in the production of New Year pictures workshops, arts and crafts and drama stage forms in Tianjin. By combining woodcut overprint with hand painting, they created a lively and happy New Year picture.

3. What does the fish lying on the lotus in Tianjin Yangliuqing New Year pictures mean?

Yangliuqing New Year pictures show people's beautiful feelings and wishes through various means such as implication and realism, especially the themes that directly reflect current events, customs and historical stories in various periods. For example, in the New Year picture "More than one year after another", the doll on the picture "is a child's face and a Buddha's body, and the posture is a Yangliuqing New Year picture.

Wu Jia, with carp in her arms and lotus in her hand, has become a classic in New Year pictures and is widely circulated. Yangliuqing New Year pictures are widely used, including historical stories, myths and legends, opera figures, secular customs, landscapes, flowers and birds, etc. , especially those closely related to people's lives and those news with the nature of current affairs. It has not only artistic appreciation value, but also historical research value. The fine tradition of combining realism and romanticism, represented by these excellent works, has formed the mainstream of Yangliuqing New Year pictures and has continued to develop to this day. The artistic characteristics of Yangliuqing New Year pictures are various, and so are the conditions for forming their artistic characteristics. Among them, the most obvious is production. Yangliuqing New Year pictures not only have the charm of prints, but also have the color of painting strokes, which constitutes the artistic characteristics different from ordinary paintings and other New Year pictures. Yangliuqing New Year pictures have diverse themes and rich contents, especially reflecting real life, current affairs and customs, historical stories and other themes, which are deeply loved by the masses. Some traditional masterpieces, such as More than One Year and Summer in the Lotus Pavilion, are not only widely circulated among the people, but also regarded as treasures by Chinese and foreign artists and collectors. Mr. Zhou once wrote a poem for Yangliuqing's New Year pictures, and made a vivid description: "The willow is picturesque, and the embroidery workers are all dressed in red. One hundred thousand scenes of Danqing are all on the New Year picture wall. " As a national folk art, Yangliuqing New Year pictures have been exhibited in Japan, France, Britain, Italy, Thailand, Singapore and other countries.

A baby fish lies in the lotus: a baby swims in the lotus pond and touches a goldfish, but bites the fin with its mouth and continues to touch the fish.

The homonym of "lotus" and "fish" is "lotus year off", which means a better life.

4. What are the representative works of Yangliuqing New Year Pictures?

Yangliuqing New Year pictures adopt techniques such as realistic meaning, ingenious and unique conception, smooth and fresh lines, simple and elegant colors and rich life breath.

Its materials are very extensive, including historical stories, myths and legends, opera figures, secular customs, landscapes, flowers and birds, etc. Masterpieces such as Vientiane Renewal, Year after Year, Volt-ampere, Kirin Sending the Son, Five Sons Winning the Lotus, Loyalty Hall, Wenxi Returning to Han, and Harvest of Grains are widely circulated and deeply loved by people.

Shao Wenjin's "Don't cry tits" has become one of the masterpieces of modern Yangliuqing New Year pictures, and has been permanently collected by China Art Museum. In Yangliuqing's New Year pictures, those themes that are closely related to people's lives, such as busy farmers, celebrating the Lantern Festival, Qiu Jiang's late crossing, Happy New Year, happy families, fishermen and so on. And women who have the characteristics of current political news, such as studying, getting married in a civilized way and robbing pawn shops, are not just artistic appreciation.

5. What are the poems about "Tianjin"

1, "Wang Chun Tianjin Bridge"

Tang Dynasty: Tao Yong

The spring water in Jinqiao flooded Xia Hong, and the wind blew on the shore. Cui Jian didn't come to Jindian to retreat, and Gongying took out the sun flowers.

The rich spring scenery of Xia Hong and willow beside Tianjin Bridge set off the loneliness and coldness of Shangyang Palace, and expressed the poet's deep affection in a tortuous way. The first two sentences of this poem are closely related to the title "Wang" and describe the beautiful scenery around Tianjin Bridge. The lonely scene before the last two sentences turned into the Yang Palace contains a strong sense of the past and the present. The language of the whole poem is natural, the feelings are deep and implicit, and the charm is full.

2. boating in Tianjin

Tang dynasty: Confucius

Guinness was furious, and the sea and the sky drifted east.

Kinmen is extremely angry and floats in the east of the sky and the sea.

3. Tianjin Mo

Tang Dynasty: Li Bai

Who is Bai Yu? Back to Tianjin. Look at the flowers in the east and alarm Tianjin people.

In the east of Tianjin, there are beautiful peaches, plums and flowers. In the bustling countryside, there are many people coming and going. Although there is no specific description of the beauty of "Bai" in the poem, it is written about Bai's love for Shang Huashi in the east, in order to praise the spring scenery of Tianjin and the lively scene of tourists, which shocked Luoyang people and made them linger.

4. "Water Dragon Hidden"

Tang Dynasty: Liu Kezhuang

Tianjin Bridge, moonlight flute.

On the Tianjin Bridge, the flute sounded in the bright moonlight.

5. Looking at Luo Qiao Night

Tang Dynasty: Meng Jiao

When Tianjin Bridge was frozen, Luoyang became a stranger.

Shortly after the Tianjin Bridge froze, there were almost no pedestrians on Luoyang Avenue.

6. Start and End

Tang Dynasty: Shao Yong

Yao loves reciting poems, which are in late autumn in Tianjin.

Shao Yong loves reciting poems, which are when Tianjin is exhausted in autumn.