Why do I vomit blood? I recommend the sun rises as usual (the sun rises as usual).

why do I vomit blood? The sun rises as usual >

of course it's not because I'm ginger.

writing such an article is very tiring. For me, who takes writing as a pastime, watching movies is also a pastime: once I have seen it, I am happy and entertained, and it will be complete. It is really not my original intention to write such hard words. However, I really can't stand it.

I really don't know when "not knowing" has become a glorious and fashionable thing, and even it can be sold and boasted around arrogantly. ! If you complain on a small scale or with people close to you, even swearing is a personal act, which is of course understandable and acceptable in such a democratic society. However, there are some "intellectuals", especially those who have mastered the right to speak in the media-of course, they probably habitually think that they have mastered the truth-who actually show off, brag and clamor for their "incomprehension" in a big way, and then infer that the film is "boring, boring, mentally retarded, and mentally retarded" because they don't understand it.

As the editor-in-chief of a newspaper in Shenzhen, he even joined such a team and wrote an article in the first place of his newspaper, saying that "the basic reaction of the audience, to put it mildly, is' unintelligible'; To put it mildly, it is' mystifying', and what is closer to the content of the film is' pretending to be crazy and selling stupidity', and threatening that "in fact, there are no great directors, only great audiences" can be applied.

I don't know. What kind of audience does this so-called cultural person who often writes his own columns interview? How many people are there? How many samples have such an evaluation been extracted? And this kind of manner, which takes the evaluation of some audiences as the basic basis of film evaluation, seems to be about to engage in a mass movement, but it really makes people feel a little distant cold. It is a cruel fact that art is spring and snow. It is not the kind of thing that can be picked up by bending down. On the contrary, it needs to look up and reach out and push hard to get it.

In any society, art can't be appreciated and understood spontaneously by "all the people". Sadly, the media should have been a banner to publicize and spread culture and art and improve the overall aesthetic quality of society-if it can't be a banner, at least, it should not be reduced to garbage.

you may not understand, but you should at least be humble; If you can't be humble, you should at least know that when you don't understand, you should shut up. However, when some of our media "don't know how to be fashionable", they even made a strange sound that "The Sun Also Rises can't be compared with" Harry Potter and the Order of the Phoenix "and" The Scare of the Lion's Mouth ".I really don't know what kind of cultural qualities our journalists are. -Don't tell me, they are born after 8s and 9s. Don't talk about things with the nonsense culture. When a group of people make some low-level jokes, they often like to be crowned as "nonsense". But I don't think they know that Wulitou, as a cultural concept, originally took rebellion as its core connotation. Nonsense doesn't mean taking boredom as fun and ignorance as honor-unless you have to.

I'd like to be a little more patient here and talk about Harry Potter and the Order of the Phoenix, a movie that is actually suitable for children under ten. There is no denying that "Ha" series did have amazing effects at the beginning, and it can be said that it has a groundbreaking enlightenment for the desert children's film field. However, when it has nothing to say but has to say something to launch a sequel, its significance has been reduced to an unremarkable drop of water in the commercial sea-and there are still a group of people in our cinema who are tirelessly gathering, waiting to applaud it at all times-even when they came out of the darkness after watching the Order of the Phoenix and found that the film actually took two hours but basically said nothing, They are still amazed at the stereotyped special effects ... Please, when reporters talk about "blockbusters", please ask them to understand what the so-called "blockbusters" are, and first understand the essential difference between commercial films and literary films.

I don't know if these people who are proud of their "incomprehension" have seen Kubrick's clockwork orange or Alfonso's Walking in the Clouds, and whether they will later shout "incomprehension" and then attack its creators for "playing with the audience to show their greatness". -I even think viciously that they dare to attack like this just because Jiang Wen is from China and The Sun is produced by China? But the artistic soil of our society is too barren to let people compare what is empty and what is rich? Or is our life too dull, and we must use some stimulating visual impact to wake up the sleepy brain? Or is it that we are so depressed in our daily life that we can't touch or even panic and refuse to get close to our inner world, even in the name of art?

An unknown author wrote: "When the show was over, I heard someone behind me saying,' If I had known it was Jiang Wen's film, I wouldn't have come. I didn't even know what it was'. The speaker is a middle-aged man.

I'm a little surprised.

Of course, people are watching movies based on personal experience. It doesn't matter that some life experience, emotional experience and visual experience in movies may be something we have never had before. Man is a kind, and human beings always hope to exchange experiences through art to seek the possibility of understanding and communication. Therefore, the process of watching movies is also a process in which the mind is awakened and new experiences are constantly generated. In other words, watching movies is the connection between individual experience and collective experience. When watching and peeking at other people's lives, we may prove some universality that human beings have. The better a work of art, the deeper and wider this universal experience will be. These common experiences include: life and death, love and hate, waiting and despair; Of course, there is hope, the hope that the sun will rise as usual ...

I believe that as a middle-aged person, I must have experienced helplessness, unspeakable troubles and heart-wrenching sadness; However, our inner experience and the art we can usually contact are separated from each other, and we rarely ask our own hearts; Not used to confirming one's heart through excellent literary and artistic works; Nor is he good at letting the suppressed emotions get vent and sublimation by appreciating literary and artistic works.

Many inner experiences are numb, while others are sleeping in a corner of my heart. Now, when those deep experiences in everyone's heart may be awakened, if we are preconceived and habitually refuse, we will just sit there and giggle. I noticed that a young girl sitting next to her was crying on the set where laughter kept going. "

I'm actually a little sad. Although this sadness is a bit inexplicable. According to the editor-in-chief of a newspaper, "if the audience doesn't understand, the subtext is that they don't like it, which is a kind of abandonment." Real art can have its advance, but only if it is accepted by people later, not forgotten. " I would like to quote some other sayings to respond to this naive "audience decided to say":

"Since Farewell My Concubine and Living, all the works of the fifth generation directors are dispensable for this era. However, for more than a decade, how can there be no "Sunny Days" and "The Devil Comes" in the cultural memory of China people? "

"A director's proper ambition is that no matter whether the box office is high or low, my works will become a part of the times and a part of the sadness and hope of this generation ... Unfortunately, directors in China are generally losing this dimension of ambition. Therefore, only in the era after 1994, Jiang Wen and Jia Zhangke, two people who cannot be classified as' the first generation directors', are undoubtedly the two most important directors in contemporary cultural scenes. "

"For a whole generation, once Transformers is removed, the world will be incomplete immediately. But if you take away Hero and House of Flying Daggers, the world will only look clearer. "

"When Jiang Wen came back and took charge of the camera again, China movies had come to such a pale blockbuster era. Talent is like firewood, and passion is like mutton hotpot. How can we resist the film industry that can only develop abnormally in a narrow strip because of policy control and capital support ... After we have seen Hero, Promise, Banquet and Golden Flower all the way, can we believe the impulse of director Jiang Wen, at least not just to catch up with this army? Even if it is not because of talent, his temper should ensure that what he brings to the long-lost audience is something different. "

At least, when we learned that Jiang Wen set the ticket price at a "low level" in 3 yuan in order to let more people go to the cinema to see his "literary film", I thought, if you have time, you might as well go to the cinema.

Take a look at the works of people who are really working hard in the movie world of our nation. Take a look at the movies that tell the story of China without selling the "China symbol". Take a look, something "different". Even if you just look at the story with the mentality, I assure you, you will not be disappointed: you can see at least four complete stories, which are clear and true, and there is nothing you can't understand.

What's more, besides, you can also see the gorgeous and transparent air and hear the March as abundant as oxygen. What's more, there are so many metaphors, intriguing details and mysteries that you can't understand. Even if you don't like anything, you can at least see a rich and full picture-at least, it's much more beautiful than Zhang Moumou's: Zhang's beauty is lifeless, while The Sun is alive. I originally wanted to talk about the movie itself, for example, about the four versions of the plot I heard, or why the places in this movie are always full of flowers, but the emotions are a mess. But I found myself really tired ... I haven't argued about anything for a long time. If others like how to understand, let them understand it, but that's all ... If it hadn't appeared in front of me, I didn't expect (and wouldn't admit it) that I would have written such a long text for a movie ... I remembered what Jiang Wen's mother said to Jiang Wen: "There is nothing you can't understand, but you don't know what you want to say." The old lady's words are really interesting-in fact, what can't be understood about this movie? If you want to understand it, you will understand it-in your own way. As for what Jiang Wen wants to say, it doesn't matter to us. What matters is what we want to see and hear. God said, what you are, you will see.

Finally, let's end with one of my favorite comments: "This movie is like wine, a little farther away from reality and closer to the soul."

If you are a teetotaler, if you are fully armed to ensure that your mind is never out of place or even in a trance-or you simply don't want to know where your heart is, then you don't have to read, or you can read colorful newspapers, and your life is rich enough.