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Appreciation of Tang Poems in Taoyuan

Appreciation of Tang Poetry Journey to Taoyuan 1

The fishing boat chases the water and loves the spring of the mountains.

The peach blossoms on both sides of the Taiwan Strait go to Tianjin.

Sitting and looking at the mangroves, I don’t know how far away I am.

Walking to the end of Qingxi River, there was no one there.

The beginning of Yamaguchi's stealth journey is "Nan'ou".

The mountains are wide open and you can see the flat land.

Looking at a cloud tree in the distance.

Thousands of scattered flowers and bamboos enter the house.

The woodcutter first passed on the Han name.

The residents have not changed Qin’s clothes.

The resident *** lives in Wulingyuan.

Also start the countryside from outside things.

The moon is bright and the room under the pine tree is quiet.

At sunrise, chickens and dogs are noisy in the clouds.

I was surprised to hear that secular guests came to gather.

Jingying returned home and asked for the capital (a township).

Pingming Lu Lane is full of flowers.

At dusk, fishermen and woodcutter came in by the water.

I first went to the human world to avoid the earth.

When the time comes (I heard more about it), I became an immortal and then (I left) I will not return it.

Who knows that there is someone in the gorge.

Looking at Kongyun Mountain in the distance.

There is no doubt that the spiritual realm is difficult to smell and see.

I still miss my hometown.

When leaving the cave, no matter the mountains or rivers.

The Ci family finally planned to travel for a long time.

I claim that I am no longer lost in the past.

An Zhifeng (Yizuo Cen) has come to change.

At that time, I knew it was deep in the mountain.

Several songs from Qingxi (one composition) to Yunlin.

Spring is full of peach blossoms.

Look for it wherever you go.

"Notes":

(1) Chasing water: following the stream.

(2) Gujin: ancient ferry.

(3) Sitting: Because.

(4) Worthy people: meet passers-by.

(5) Kuma: The place where mountains and water curve.

(6) Kuangwang: refers to a broad vision.

(7) Spin: soon.

(8) Cloud trees: Cloud trees are connected. Save, gather.

(9) Scattered bamboo: refers to flowers and bamboo forests everywhere.

(10) Woodcutter: This originally refers to a woodcutter, but here it refers to a fisherman.

(11) Room: the window of the house.

(12) Noisy: noisy.

(13) lay guest: refers to the fisherman who strayed into the Peach Blossom Spring.

(14) Lead: lead.

(15) City: refers to the original hometown of Taoyuan people.

(16) Pingming: It’s just dawn.

(17) Luxiang: streets and alleys.

(18)Open: Refers to opening the door.

(19) Dusk: evening.

(20) Refuge: Move here to avoid disaster.

(21) Go: leave.

(22) Self-proclaimed: self-proclaimed.

(23) Not lost: no longer lost.

(24) Peaks and valleys: peaks and valleys.

(25) You Yan: I won’t leave.

(26) Wulingyuan: refers to the Peach Blossom Spring, which is said to be in the southwest of Taoyuan, Hunan Province (Wuling County in Jin Dynasty). Wuling is now Changde, Hunan.

(27) Things outside: outside the world.

(28) Spiritual realm: refers to fairyland.

(29) Chenxin: the feelings of ordinary people.

(30) Township: hometown.

(31) Peach blossom water: spring water. When the peach blossoms bloom, the river overflows.

(32) Yunlin: Mountain forest in the clouds.

「Translation」:

The fishing boat went down the stream, pursuing the wonderful spring scenery, and the peach blossoms on the bank reflected the red on both sides of the ancient ferry. The flowers and trees are in full bloom, and you forget the distance. When you reach the end of the Qingxi River, you suddenly seem to see a vague presence of people. After entering the deep and winding mountain pass, going forward, a plain suddenly opened up. From a distance, the green trees look like clouds gathered together. When you enter the village, you will see green bamboos and flowers in front of every door. This is the first time I heard about the dynasties after the Han Dynasty. The villagers still wore the clothes of the Qin Dynasty. They have lived together in Wulingyuan for generations and built a pastoral paradise here. The bright moon shines brightly, and the Panasonic house is silent; the rising sun brings to mind the sounds of chickens and dogs in the village. The villagers were surprised to receive the foreign guests, vying for invitations and asking for news about the world. In the early morning, every family cleans the flower paths in the streets; in the evening, by the stream, fishermen and woodcutters return to the village by boat. When I first escaped from the mortal world to escape the troubled times, I found this paradise and would not return it. From then on, he lived in seclusion in the canyon, no longer caring about the changes in the outside world. People in the world seek to visit foreign lands, but they only look at the clouds and mountains in vain. The fisherman did not doubt that this was a rare fairyland, but he only cared about his home before he was done with his life. After leaving the cave, he decided to leave his home and come to this fairyland regardless of the mountains and rivers. I thought I wouldn't get lost in the places I've been to, but how could I know that the mountains and valleys in front of me had completely changed. At that time, I remembered that the mountain path was deep and winding several times along the green stream before reaching the peach grove. It's spring again today, and peach blossoms are still everywhere; the source of the fairy is hard to find, and I can't tell the way!

"Appreciation":

This poem expresses the poet's longing for a beautiful ideal by praising the Peach Blossom Spring. Wang Wei's poems are famous for describing landscapes, and this poem is particularly good. There has always been a saying in Wang's poems that "there are paintings in poems, and poems in paintings", which is well reflected in this poem. The poem is based on Tao Qian's "The Peach Blossom Spring", taking its general idea, turning the text into poetry, and artistically re-creating it, which opens up the artistic conception of the poem and has unique artistic value. Therefore, it can be handed down to the world together with the prose "Peach Blossom Spring". The paragraphs of this poem are similar to Tao Qian's prose, but the pictures are more vivid, beautiful, and colorful than Tao Qian's prose. The whole poem has a smooth and healthy writing style, varied rhyme and rhymes, is calm and elegant, has a transcendent artistic conception and profound meaning.

The content of this poem comes from Tao Yuanming's "Peach Blossom Spring", but Wang Wei's poem is wonderful in that it has no embellishments, which can arouse people's interest and make Peach Blossom Spring more famous. This is the work of the poet when he was nineteen years old. Appreciation of Tang Poems: Journey to Peach Blossoms 2

"Journey to Peach Blossoms"

Tang Dynasty: Wang Wei

Fishing boats follow the water in love with the spring mountains, and the peach blossoms on both sides of the strait are surrounded by ancient waters.

Sitting and looking at the mangroves, I don’t know how far I am, and I can’t see anyone as far as the green stream.

The mountain pass sneaks up to the beginning, and the mountain opens up to look at the flat land.

Looking at a tree with clouds in the distance, you can see thousands of bamboos with scattered flowers nearby.

The woodcutter first introduced Han names, but the residents did not change their Qin clothes.

The people who live in Wulingyuan also start their fields from outside the things.

The moon is bright, the room under the pine is quiet, the sunrise is noisy in the clouds, and the chickens and dogs are noisy.

I was shocked to hear that lay guests came to gather and invite them back home to ask about the city.

In the bright days, the sweeping flowers bloom in the alleys, and in the dusk, fishermen and woodcutter come in by the water.

In the beginning, he went to the human world to avoid the earth, but when he became an immortal, he did not return.

Who knows that there is someone in the gorge? Looking at Kongyun Mountain in the distance.

There is no doubt that the spiritual realm is difficult to smell and see, and the earthly mind is not yet exhausted and homesick for the county.

No matter the mountains and rivers separate us from the cave, Cijia plans to travel for a long time.

I say that after passing by, I will not be lost in the past, and I know that the peaks and valleys will change.

At that time, I only remembered that it was deep in the mountains, and Qingxi reached Yunlin several times.

When spring comes, there are peach blossoms and water everywhere, and I don’t know where to find the source of immortality.

Translation of "Travel to Peach Blossoms"

The fishing boat went down the stream, pursuing the wonderful spring scenery, and the peach blossoms on the banks reflected the red on both sides of the ancient ferry. The flowers and trees are in full bloom, and you forget the distance. When you reach the end of the Qingxi River, you suddenly seem to see a vague presence of people. After entering the deep and winding mountain pass, going forward, a plain suddenly opened up. From a distance, the green trees look like clouds gathered together. When you enter the village, you will see green bamboos and flowers in front of every door. This is the first time I heard about the dynasties after the Han Dynasty. The villagers still wore the clothes of the Qin Dynasty.

They have lived together in Wulingyuan for generations and built a pastoral paradise here. The bright moon shines brightly, and the Panasonic house is silent; as the sun rises, the sound of chickens and dogs can be heard in the village. The villagers were surprised to receive the foreign guests, vying for invitations and asking for news about the world. In the early morning, every family cleans the flower paths in the streets; in the evening, by the stream, fishermen and woodcutters return to the village by boat. When I first escaped from the mortal world to escape the troubled times, I found this paradise and would not return it. From then on, he lived in seclusion in the canyon, no longer caring about the changes in the outside world. People in the world seek to visit foreign lands, but they only look at the clouds and mountains in vain. The fisherman did not doubt that this was a rare fairyland, but he only cared about his homeland before he was done with it. After leaving the cave, he decided to leave his home and come to this fairyland, regardless of the mountains and rivers. I thought I wouldn't get lost in the places I've been to, but how could I know that the mountains and valleys in front of me had completely changed. At that time, I remembered that the mountain path was deep and winding several times along the green stream before reaching the peach grove. It's spring again today, and peach blossoms and water are still everywhere; the source of the fairyland is hard to find, and the road can't be discerned!

Comments on "A Journey to the Peach Blossoms"

Chasing the water: following the water Stream.

Gujin: ancient ferry.

Sitting: Because.

There is a saying that "when you reach the end of Qingxi River, you will suddenly find someone worthy of you". Meet people: meet passers-by.

Kuma: A place where mountains and water bend.

Kuawang: refers to a broad vision. Spin: Soon.

Save cloud trees: Cloud trees are connected. Save, gather.

Scattered bamboo: refers to flowers and bamboo forests everywhere.

Woodcutter: Originally refers to a woodcutter, but here refers to a fisherman.

Wulingyuan: refers to the Peach Blossom Spring, which is said to be in the southwest of today’s Taoyuan County, Hunan Province (it belonged to Wuling County in the Jin Dynasty). Wuling is now Changde, Hunan.

Objects outside: outside the world.

Fanghu: the window of the house.

Noisy: noisy.

lay guest: refers to a fisherman who strays into the Peach Blossom Spring.

Introduction: lead. City: refers to the original hometown of Taoyuan people.

Pingming: It’s just dawn. Luxiang: streets and alleys. Open: Refers to opening the door.

Twilight: evening.

Refuge: Move to this place to avoid disaster. Go: leave.

Spiritual realm: refers to the fairyland.

Chenxin: the feelings of ordinary people. Xiangxian: hometown.

You Yan: I won’t leave.

Self-proclaimed: self-proclaimed. Not lost: no longer lost.

Peaks and valleys: peaks and valleys.

Yunlin: Mountain forest in the clouds.

Peach blossom water: spring water. When the peach blossoms bloom, the river overflows.

Appreciation of "A Journey to the Peach Blossom Spring"

This is a seven-character Yuefu poem written by Wang Wei when he was nineteen years old. The theme is taken from Tao Yuanming's narrative prose "The Story of Peach Blossom Spring". Wu Qiao in the Qing Dynasty once said in "Poetry Talk around the stove": "Meaning is like five grains. Writing is cooking and making rice; poetry is brewing and making wine." A good poem should be like mellow wine, which can make people drink after reading it. People are intoxicated. Therefore, to express the content of prose in poetry is not just a matter of changing the language form, but also requires artistic re-creation. Wang Wei's "Journey to the Peach Blossom Spring" is precisely because of this successful artistic re-creation that it has independent artistic value and has been circulated alongside the prose "The Story of the Peach Blossom Spring".

The artistic re-creation of "Journey to Peach Blossoms" is mainly reflected in the development of the artistic conception of poetry; and this artistic conception of poetry is mainly reflected through vivid pictures.

At the beginning of the poem, a vivid picture of "fishing boat chasing water" is shown: distant mountains and near water, mangroves and green streams, a fishing boat, traveling leisurely in the peach blossom forest on the bank. The poet used bright colors to paint a picture of a beautiful spring scenery, paving the way for fishermen to "sit and look at the mangroves" and "walk through the green streams". Here, the gorgeous scenery and full of interest merge into a beautiful poetic realm, and the beginning of the event is also contained in it. Indispensable explanations in prose: "In the Taiyuan Dynasty of the Jin Dynasty, the people of Wuling made fishing a profession, and they walked by the stream, forgetting the distance of the road..." In the poem, they all become the raw materials for brewing "wine" and become subtext. The meaning and voice-over allow readers to imagine and experience it themselves.

Between the pictures, the poet skillfully uses some general and transitional descriptions to draw connections and provide clues to guide the readers' imagination and follow the development of the plot. The two sentences "山口" and "山开" play such a role. Through summary description, it allows readers to imagine the process of a fisherman abandoning his boat and landing, sneaking into the winding mountain pass, and finally discovering a peach land in front of his eyes. In this way, the reader's imagination follows into the paradise and is naturally led to the next picture. At this time, the panoramic view of Taoyuan appeared in front of people: the tall trees in the distance seemed to be gathered in the blue sky and white clouds, and the nearby flowers and bamboos were everywhere. These two sentences, from far to near, the clouds, trees, flowers, and bamboos complement each other and are so beautiful. The picture reveals a peaceful, tranquil atmosphere and thriving vitality, allowing readers to imagine, understand, understand, and think about it. The so-called charm of poetry and the mellow taste of "wine" also contain Among them. Then, the reader can imagine that the fisherman enters the picture step by step and begins to see the characters in it. "The woodcutter first passed on the Han name, but the residents did not change the Qin clothes." It describes the surprise of the people in Taoyuan when they discover the foreigners and the obvious difference in the clothes of the fishermen when they first see the "residents", and implicitly expresses the "residents" in the prose. I don’t know if there is Han, no matter Wei or Jin” means.

The twelve sentences in the middle are the main part of the poem. "The people who live in Wulingyuan" carry on from the above and take on a new meaning, and then point out that this is "a pastoral place outside of things". Then, scenes and life scenes in Taoyuan were displayed one after another. The moonlight, the shadow of pine trees, the silence of the house, the night in Taoyuan is quiet; the sun, the clouds, the crowing of chickens and the barking of dogs, the morning in Taoyuan is noisy. Two pictures, each with its own interest. The night scenes are all still life, while the morning scenes are all dynamic, full of poetry and painting, showing Wang Wei's unique artistic style. The fisherman, this uninvited guest, surprised everyone in Taoyuan. The two sentences "Shocked" are also a vivid picture, but the pictures are not scenery but characters. A series of verbs such as "surprise", "struggle", "collection", "competition" and "ask" vividly portray people's expressions, emotions and psychology, showing the simple and enthusiastic character of the people in Taoyuan and their concern for their homeland. . The two sentences "Pingming" further describe the environment of Taoyuan and the beauty of life. "Sweeping the flowers to bloom" and "riding into the water" closely capture the characteristics of the Peach Blossom Land scenery. The two-sentence narrative of "I went to the human world for refuge in the beginning, but did not return when I became an immortal" traces the origin of Taoyuan; "Who knows that there is someone in the gorge, and the world looks at Kongyun Mountain in the distance", a long and sentimental chant is included in the narrative , the writing style is lively and colorful.

At the last level, the rhythm of the poem accelerates. The author tightly grasps the psychological activities of the characters and expresses many contents in one breath, such as the fishermen leaving Taoyuan, missing Taoyuan, looking for Taoyuan again, as well as the changing peaks and valleys, being unable to find it, and feeling endless regret. The emotions, scenes, and events are all here. blended together. The six sentences "No doubt", in the course of the narrative, express regret for the fisherman leaving the "spiritual realm" so easily, and full of yearning for the "fairyland" on the road in Yunshan. However, time has passed, the old place is hard to find, and Taoyuan is no longer available. At this time, all that was left was confusion. The last four sentences, as the end of the poem, echo the beginning. The beginning is about getting lost unintentionally but accidentally getting it from the confusion, and the ending is about not getting lost intentionally but getting it out of the confusion, which makes the readers sigh. "Spring is full of peach blossoms", the poem is erratic and the artistic conception is confusing, leaving endless aftertaste for people.

Comparing this poem "Peach Blossom Spring" with Tao Yuanming's "Peach Blossom Spring", we can say that both are excellent and have their own characteristics. Prose is good at narrative and pays attention to literary and artistic style. The story has a beginning and an end, and the time, place, characters, and events are all explained clearly and clearly. These are not specifically mentioned in the poem, but they can be imagined from the artistic conception of the poem. What is shown in the poem is a picture, which creates the artistic conception of the poem, mobilizes the reader's imagination, imagines and plays with things other than the picture, and obtains a feeling of beauty from it. This is why poetry is poetry.

In Wang Wei's poem, Taoyuan is described as a "spiritual realm" and a "fairyland". Many modern people have criticized it.

In fact, the "spiritual realm" in the poem also includes clouds, trees, flowers, bamboos, chickens, dogs, houses, alleys, and fields. People in Taoyuan also work at sunrise and rest at sundown, and are filled with the feeling of pastoral life on earth. breath. It reflects Wang Wei's beautiful life ideals in his youth, and its theme is basically consistent with the prose "Peach Blossom Spring".

This poem opens up the poetic realm through vivid pictures. It can be said that it is a reflection of Wang Wei's characteristic of "paintings in poems" in his early works. In addition, there are thirty-two lines in the whole poem, four or six lines of which change rhyme, alternating between straight and oblique, and the transition is consistent. The writing style of the poem is healthy, calm and elegant, and it is easy to write with ease, which is highly praised by future generations. Wang Shizhen of the Qing Dynasty said: "Since the Tang and Song Dynasties, the three best writers of "A Journey to the Peach Blossom" are Wang Mojie (Wang Wei), Han Tuizhi (Han Yu), and Wang Jiefu (Wang Anshi). The two poems of Guan Tuizhi and Jiefu are The meaning of the writing is very gratifying. When I read Mojie's poems, I felt so comfortable. The two men tried hard to hold back, but they couldn't help but feel red and hot. This is why the prosperous Tang Dynasty was unattainable. "("Chibei Ou Tan") The four words "how comfortable" , which is a very high evaluation. Weng Fanggang also highly praised this poem and said, "Those who sing about Taoyuan things in ancient and modern times are the most accomplished by You Cheng." ("Shizhou Poetry Talk") This is the conclusive evaluation.

Introduction to the author of "A Journey to Taoyuan"

Wang Wei (701-761, some say 699-761), courtesy name Mojie, Han nationality, Puzhou, Hedong (now Shanxi) Yuncheng), whose ancestral home is Qi County, Shanxi Province, is a poet of the Tang Dynasty and is known as the "Poetry Buddha". Su Shi commented on him: "When you taste Mojie's poems, there are paintings in the poems; when you look at Mojie's paintings, there are poems in the paintings." In the ninth year of Kaiyuan (721), he became a Jinshi scholar and was appointed Tai Lecheng. Wang Wei is a representative poet of the prosperous Tang Dynasty. He has more than 400 poems in existence today. His important poems include "Lovesickness" and "Dwelling in the Mountains in the Twilight of Autumn". Wang Wei was proficient in Buddhism and was greatly influenced by Zen Buddhism. There is a Buddhist "Vimalakīrti Sutra", which is the origin of Wang Wei's name. Wang Wei is famous for his poetry, calligraphy and painting. He is versatile and proficient in music. Together with Meng Haoran, they are collectively known as "Wang Meng".