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What props will actors use to solve embarrassment in Beijing opera performances?
Bricklaying at the end is a general term for all kinds of appliances and simple scenery on the stage of Chinese opera, such as Four Treasures of the Study, stove, whip, paddle, one table and two chairs. Bricklaying does not show the scenery independently. Its primary task on the stage is to help actors complete their actions, such as dancing with flags to show rough waves.
Bricklaying is not copying household appliances, some small bricks are more realistic, but they also contain some assumptions in realism, such as candlesticks are generally not bright; There are also deformation decorations to make it more obvious hypothetical, such as car flags and water flags.
Various objects that show the environment and atmosphere: such as cloth city, big tent, small tent, door flag, flag, water flag, wind flag, fire flag, ceremonial ceremony, chair covers around the table, etc.
Extended data:
Ancient figures in China often rode horses. But riding a horse on the stage is not allowed to perform. The stage in Fiona Fang is too small for horses to run across. Once a real horse appears on the stage, the actors are afraid that it will get out of control.
Beijing opera finally overcame this embarrassment and invented a clever stage technique-it was completely solved with a small whip, and it was solved beautifully. This stage mode is in line with China's aesthetics. The huge horse is completely omitted, but the rider's concrete and elegant posture is clearly visible. This kind of teaching "wins more with less".
At the same time, this virtual whip gives the actors endless freedom to perform. They can walk high and low, run at home for half a day, and walk hundreds of miles with one hand. The whip itself has a kind of decorative beauty, and different roles have formed a set of established methods when using the whip.
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