Joke Collection Website - Talk about mood - I have heard Mr. Wang Zhongshan's concert.
I have heard Mr. Wang Zhongshan's concert.
? Closer to home, when I booked the ticket a month ago, I was filled with great expectations. In order to observe the teacher's fingering and body language at close range, I added the customer service WeChat of the theater in advance and asked for the real picture of the theater, because all the stages will be higher than the audience. If it is too high, you may not be able to see the details of the right hand in the high-pitched area when you look up, and it is even more unclear when you are too far away. The height of the stage in the real picture is within the acceptable range. The customer service suggested that I choose six rows, but I chose one row resolutely. Now I think about it, it's really lucky. Although the concert was in the same hall as the lecture in the morning, at night, the stage dropped by two steps, only about 3 cm from the ground. Although the actual position of the guzheng is much backward compared with that in the morning, there is nothing better than my viewing position for the whole theater and tickets at the same price.
Originally, I only needed to stay in Changzhou for one day, but because there was a lecture on the morning of the concert, I took a day off to listen to Mr. Wang's bragging (haha, I saw it online, and all kinds of humorous paragraphs) and went one day earlier, so I didn't want to miss any chance to meet the teacher himself. I like Mr. Wang Zhongshan very much. It is no exaggeration to describe his superb skills and understanding and handling of music with the words "Never before, never after, and unparalleled on the peak".
? The lecture started at 1: in the morning, and I was the first to enter the hall at 9: 3 when the ticket was checked in. I was very excited and a little nervous and funny. I just listened to the lecture, not me, but I still couldn't restrain my inner tension. After all, Mr. Wang is too powerful. If he is a student of his generation to perform, I will be as cool as a cucumber, and I will not wait so long in advance. I'm going to see the master who can only be seen in online videos. After studying video for so long, I've seen all kinds of online playing videos and teaching related resources. This time I'm going to see the true God. Is it as approachable, elegant and funny as the online ones? Can you talk a little about playing dry goods?
? During the waiting time, I gathered up to the stage and looked at the piano used by the teacher for the lecture. It was a dream of more than 1 thousand flowers in Dunhuang 698 series that I was thinking about. When can I spend more than 1 thousand to buy myself a good piano? Silently set a deadline in my heart, until "Snow Mountain in Spring Dawn" can pop up the breath of spring, and wait until "Jasmine Fragrance" can smell the fragrance of jasmine.
? At 1 o'clock, Mr. Wang floated out on time, wearing a dusty gray-green cotton and linen cardigan that hung down to his calf. He walked lightly and was very energetic. He was younger than he looked on the Internet, and he didn't look bloated like a little fat man on the Internet at all. Although I prefer the red costume he wears, I don't think the long fairy-tale clothes are more suitable for playing guzheng, but Mr. Wang wears them without any sense of disobedience. In fact, most performers really like to wear those long clothes like ancient costumes woven from cotton, linen or yarn when performing. The master in the video is close at hand, and he feels like a dream. His expression, voice and expression are the same as those seen on the Internet, and he is familiar with it. While trying to listen to every word the teacher said, I tried not to wander, because it was really like a dream.
For the content of the lecture, you have prepared yourself in advance. Tell yourself that you just want to see the immortal come down to earth with your own eyes. If there is dry goods, it will be an unexpected gain. Sure enough, Mr. Wang talked about the purpose of learning the zither, the development of the zither, and began to talk about the experience of being beaten when he and his brother were learning the zither as children, and demonstrated the body language that was a mere formality. As far as I am concerned, these are all old sesame seeds and rotten millet. I have listened to the lecture on the Internet for n times, but the piano boy in the back row still burst out laughing. Mr. Wang is talking for the children. But fortunately, the teacher has always been speaking in combination with playing, so I heard a lot of pleasant clips. When the mountains and running water came out, the sound of running water instantly conquered my ears. The running water under Mr. Wang's fingertips was so pure, and the underwater sound gurgled out with his fingers moving back and forth without any noise. Amazing! Who can't scratch, Xiaobai learned the technique in a few seconds, but why did he immediately take shape under the master's hand? Whether it's urgent or slow, sometimes the stream is gurgling, sometimes it's rushing, or it's amazing. Only these two words can describe my feelings at that moment. As the master said, water is not the sound anywhere, but China people can recognize that it is running water, which is the voice in China people's hearts! The finger waving demonstrated by the teacher, especially the wrist swing in the bass part, only shook for a few seconds, which was smooth and even, and it was natural as if there was no skill. Yes, it was just because of a few hand shakes that it shocked me, and the elephant was invisible. Teacher Wang also played a bosom friend, demonstrated the adagio that the fishing boat sang late and the adagio that the children played with inaccurate sliding, demonstrated the bright timbre near the front beam in traditional Zheng music, and the rounded timbre slightly far away from the front beam in modern Zheng music.
? The lecture lasted for more than an hour. At the end of the lecture, the teacher asked him to be dragged in the evening, clapping fiercely and saying that he was counting on you at night. Haha, it turns out that a successful performance also needs the cooperation of the audience, and the teacher is also afraid of the embarrassment without applause. For the music with strong collection and weak collection, when should the applause ring and end, and it is fully explained. Oh, Miss Wang, can you not be so funny? For example, once he performed in the army, he was scared. After playing the typhoon, because it was forced, everyone didn't know it was over. After playing it, it was very quiet, and there was no applause. It was extremely embarrassing. Then after a few seconds, an officer waved his hand and the applause thundered. The officer waved his hand again and stopped abruptly, saying that he was scared to death. When leaving the stage at the end of the lecture, let's preview the applause when we leave the stage at night until we can't see him. When he left the audience's sight, the applause didn't stop immediately. Teacher Wang poked his head out and waved "All right, all right" to everyone, lovely teacher Wang.
? Afternoon is hard. I have never felt that time is so long. I have been waiting for the arrival of the night since I left the theater after the lecture. I don't feel hungry at lunch time, but I can't do without eating. After all, there is still a long time in the afternoon. I ordered pickled fish and salted fish to roast meat, and I didn't feel much delicious. The whole person's nerves are still in a state of semi-excitement. Haha, I am thinking that if I only have spiritual food, I can really last for a few days.
Time is always like this, and it won't change according to one's own will. Whether you like it or not, he will come uninvited and linger, and take you to feel happy and unhappy every minute. Those who are willing or unwilling to face it, can't fast forward and can't freeze.
Finally, it's time. When I entered the concert hall again, I suddenly felt a little more solemn. The stage landed a little and retreated a few meters. The piano and other unknown accompaniment instruments have been placed in their own positions. Every few rows or so, there is a staff member there to guide the seating and supervise everyone not to take pictures and videos. Reminder bells rang in the air, one by one, loud and long. I looked down at the time, and it was fifteen minutes short. The full sense of ceremony made me feel like a dream again. There were obviously more people in the evening than during the lecture, and most of them were accompanied by parents. The children in the back row whispered to my mother, why hasn't Miss Wang come yet? How many minutes are there? Keep asking, there are still a few minutes, her mother said there is still one minute, a few seconds later, she asked again, there are still a few minutes, and her mother said one minute, and the child said discontentedly, why is a minute so long, why is it still a minute? Can I applaud after Mr. Wang comes out? Another child asked his mother, the name of Mr. Wang's concert is so scary, cloud ghost! I looked up at the words on the electronic screen: Soul of Zheng-Wang Zhongshan Guzheng Solo Concert.
? The bell of the reminder echoed again, the lights in the audience faded, the spotlight on the stage lit up, and the beautiful host came in a green cheongsam, dignified and beautiful. But I have no intention to appreciate her beauty, and I have no intention to listen to her introduction about Miss Wang and her interpretation of music. These are all too familiar to me. What I expect in my heart is only Miss Wang's heartfelt interpretation. I want to listen to Chaozhou's "Thinking of Fan" as good as "Western jackdaw Playing in the Water", and to listen to the Hakka Zheng music "Ya Shan Ai" by the master, as I like "Rain at a Banana Window at Night", which has the sound that vibrates the soul. Because it's not because of the southerners, there is no feeling that the soul is shocked by the southern Zheng music. Beauty is beautiful, but the gliding sound of dragonfly water is not enough. On the contrary, the northern Shandong Zheng music "Si Duan Jin" brought a strong auditory impact. It was the first time to listen to the full version of Si Duan Jin. I had never been very cold about Shandong Qu before, and I couldn't listen to it after listening to it. Every time I saw the description of Si Duan Jin, the breeze rustled the bamboo, the bamboo branches swayed, and the mountains sang and the valleys should be exaggerated. I didn't expect anything from the scene, but it was a surprise. It turned out to be really nice. It's really another time to see the skill of Mr. Wang's hands and know what the bass area of Beipai tunes should be like.
? The most shocking thing in the first half was "Han Jiang Yun" in Henan Province. Is that bamboo-like accompaniment Henan Bangzi? The penetrating sound of bangzi sounded, and the guzheng began to play rapidly, and suddenly it was full of joy. It's a little pity that Professor Pan Wen from Shanghai Conservatory of Music was invited to play the Zhejiang school's Zheng music "High Mountain and Running Water", which was originally expected, but it was not as meticulous as the master's solo. Although the rhythm of the two is almost perfect, there is still an imperceptible stagger time of a few tenths of a second. I found that my ears are so keen. Teacher Wang's piano is clear and the flowing water is very beautiful, but I can't recognize the feeling of being far away in the bass area. Teacher Pan Wen's bass area is rich and far away, which can better reflect the majestic mountains. I am a little disappointed that the two zithers are playing together all the time regardless of primary and secondary. After all, this is one of my favorite zither songs. The gains and losses are relative. The story of the south of the city and the city of the sky was changed to the Yunnan folk song "Streaming Water". I was a little disappointed that this simple song was put on the official program, but I changed it just right. I want to listen to the exquisite Zheng music. "Looking at Hometown" was temporarily changed to the recently fascinated "a night-mooring near maple bridge". Although I really want to listen to "Looking at Hometown" written by Mr. Wang on the original repertoire list, it is enough to have a representative of Henan Zheng music. After all, the repertoire is limited, I prefer to listen to a night-mooring near maple bridge's "Hanshan Temple outside Gusu City, and the midnight bell goes to the passenger ship". The ink and wash style of Jiang Feng's fishing fire gives me a lot.
? I just want to make a simple note. Why did you write so much?
? Two days ago, I saw Mr. Wang's right hand playing near the Zheng code in the video, but I didn't expect it to be shown in a tune in the live version. Salamaiti, Mr. Wang's own tune, was the first time to listen to it. Because I had seen the program before, I didn't have much desire to listen to the title of the song. I didn't expect that it would always surprise me. A very modern tune with a little western style was similar to various tunes named after the desert. I don't know if my judgment was right. Oh, oh, and the right hand shakes 21 strings and the left hand moves 21 Zheng yards. Visually, it moves at least 1 centimeters to the left. This move is too sudden. Mr. Wang always likes to show off his skills with difficulty. Here I am a little confused.
? There is no surprise in "Drunkenness", as expected, it is steady and pleasant to listen to. The live version of "Horse Racing" has a prologue than the video, and the rolling melody of Ma Touqin is imitated by shaking your fingers to spread the vast grassland instantly, and the scenery is infinite. There are also two timely clappers in the prelude, which is not available in the online video. It is really lucky to hear the full version of the scene. I like Mr. Wang's clappers, which are super handsome and casual. There is a clapper during the online "Fighting Tigers Up the Mountain". Every time I listen to it, I will turn it over and listen to it several times.
? Fortunately, I listened to a lecture in the morning. In the evening concert, Mr. Wang didn't say a word. The only voice came from the host's interpretation of each Zheng song and the back and forth announcement, and there was no return song I expected.
? Although the meaning was still unfinished, the concert ended in real time. It was already 9: 3 when I walked out of the theater. In early autumn, the night wind was cool, the streets were clean, the street lamps were bright, and the shadows of Cinnamomum camphora and Magnolia grandiflora swaying on the grass on both sides of the road. Changzhou is really a clean city.
? On the way home the next day, I was still hearing the ups and downs of melody, and I was still seeing Mr. Wang's natural and powerful stage expression. Impressed, even the next day, still immersed in the music of the day before. I don't know how long it will last, but people's memory is time-limited. No matter how pleasant it is, no matter how unforgettable it is, it will eventually disperse. I really want to practice the piano, and I want to integrate what I hear and see into my hands. I hope that one day, even if my piano sound can't infect others, I can at least touch myself.
? Pupils write a lot of words like a composition, which is a bit messy, but what does it matter? I simply want to record this beautiful memory and collect it. When I look back suddenly, I remember that in my young life, I had favorite music, admired people, pursued art, practiced piano from morning till night after work, and had many beautiful memories related to guzheng.
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