Appreciation of the view from the Han River

Category: Culture/Art>>Literature>>Novel

Problem description:

A View of the Han River

Wang Wei

Chu and Sai are connected to three Xiang, and Jingmen and nine sects are connected.

The river flows beyond the sky and the earth, and the mountains are beautiful.

In the county town of Bucheonpo, waves are moving in the distance.

It’s a nice windy day in Xiangyang, but I’m left drunk with the mountain man.

1. "There are paintings in the poems" is the main feature of Wang Wei's poems. Please analyze the two sentences "The rivers flow beyond the world, and the mountains are beautiful or not".

2. Comparing this poem with another of his poems, "The Envoy to the Fortress", what are the differences in the emotional tone of the two poems?

Analysis:

The Han River is near the river

Author: Wang Wei

Chusai ① and Sanxiang ② are connected, and Jingmen is connected to nine factions.

The river flows beyond the sky and the earth, and the mountains are beautiful.

In the county town of Bucheonpo, waves ripple across the sky.

It’s a nice windy day in Xiangyang, leaving Zui and Shan Weng ③ behind.

Notes

① Chusai: the border of Chu State. During the Warring States Period, this area was originally Chu territory.

②Sanxiang: The general name for Lixiang, Xiaoxiang and Zhengxiang, in today’s Hunan.

③Shan Weng: refers to the son of Shan Tao, the seven sages of the mountain slips and bamboo forest in the Jin Dynasty. He once served as a general in the southern expedition. He liked drinking and would get drunk every time he drank.

1. "The river flows beyond the sky and the earth, and the mountains are in and out of it." The mountains and waters are used as the distant view of the painting. The Han River surges away, as if it has been flowing beyond the sky and the earth. There are many green mountains on both sides of the bank, misty, disappearing and appearing, appearing and disappearing. The first sentence describes the long and far-reaching flow of the river, and the second sentence uses the vast scenery of mountains to set off the vastness of the river. The poet's ink is very light, but it gives people a sense of majesty and novelty. The effect is far better than oil paintings with heavy colors and watercolors with rich tones. And its "win" lies in the vivid charm of the picture. No wonder Wang Shizhen said: "The river flows beyond the sky and the earth, and the mountains are beautiful and indifferent. These are the poet's beautiful words, but they are included in the samadhi of painting." This is very pertinent. The first couplet describes the exchange of water, which is dense and dense. This couplet is open and blank, sparse and sparse, and the picture is dense and dense in an intricate manner.

2. The whole poem "Looking at the Han River" has a fresh style and beautiful artistic conception. It is full of optimism in the description of the scenery, giving people a beautiful enjoyment.

In the twenty-fifth year of Kaiyuan (737), Cui Xiyi, deputy ambassador of Hexi Jiedu, defeated Tubo. Emperor Xuanzong of the Tang Dynasty ordered Wang Wei to go to the fortress as a supervisory censor to express condolences and inspect the military situation. This actually pushed Wang Wei out of the court. This poem was written on the way to the border. "Zheng Peng leaves the Han Dynasty, and the returning geese enter the Hutian" here is a metaphor for a minister who has a mission to the court, and it is a metaphor for the poet's inner anger and depression.

Comments

?The poem mainly writes about the experiences of traveling around the Han River and praises the vastness of the Han River. The first couplet describes the majestic and majestic scenery of the Han River, which flows from Chu to Hunan and merges with the nine schools of the Yangtze River, adding atmosphere to the whole poem. The chin couplet describes the long and long flow of the Han River, and the fascinating scenery of the mountains highlights the vastness of the river. The neck couplet describes the "floating" of the counties and the distant sky, exaggerating the majestic water potential. The last couplet leads to the story of a mountain slip from Jin who once served as a general in the southern expedition to guard Xiangyang, showing his love for the scenery of Xiangyang.

?The whole poem has a fresh style and beautiful artistic conception. It is full of optimism in the description of the scenery, giving people a beautiful enjoyment. "The river flows beyond the sky and the earth, and the mountains are beautiful and beautiful" has always been recited by people, and it is worthy of being an eternal saying.

This poem "Hanjiang Linfan" can be said to be Wang Weili's masterpiece integrating painting techniques into poetry.

"Chu Sai and three Hunan are connected, and Jingmen is connected to nine factions." The language is vivid, and the majestic scenery of the Han River is outlined in one stroke as the background of the painting. Boating on the river, looking far into the distance, one can see the vast land of ancient Chu connected with the "Sanxiang" water rushing from Hunan, the turbulent Han River flowing into the Jingjiang River and converging with the nine factions of the Yangtze River. Although the poem does not specify the Han River, it is enough to make people imagine the vast water potential of the Han River lying across the Chu River, connecting "Three Hunan" and "Nine Pavilions". The poet summarized the unseen scenery, collected the desert plains at the end of the paper, and the Nahaohao River flowed beside the painting, adding to the atmosphere of the entire picture.

"The river flows beyond the sky and the earth, and the mountains are in and out of the sky." The mountains and waters are used as the distant view of the painting. The Han River surges away, as if it has been flowing beyond the sky and the earth. There are many green mountains on both sides of the bank, misty, disappearing and appearing, appearing and disappearing.

The first sentence describes the long and far-reaching flow of the river, and the second sentence uses the vastness of the mountains to highlight the vastness of the river. The poet's ink is very light, but it gives people a sense of majesty and novelty. The effect is far better than oil paintings with heavy colors and watercolors with rich tones. And its "win" lies in the vivid charm of the picture. No wonder Wang Shizhen said: "The river flows beyond the sky and the earth, and the mountains are beautiful and indifferent. These are the poet's beautiful words, but they are included in the samadhi of painting." This is very pertinent. The first couplet describes the exchange of water, which is dense and dense. This couplet is open and blank, sparse and can be moved around. The picture is dense and sparse, and it is intricate.

Then, the poet's pen and ink gathered from "outside the world" and wrote about the magnificent scene in front of him: "The county, Bucheonpo, the waves are moving in the distance." Here, the poet's brushwork is elegant and flowing. It was obviously the boat he was riding in that was moving up and down, but it was said that the city in front was floating on the water; it was obviously that the waves were rough and the waves were beating against the sky, but it was said that the sky was also shaking due to it. The poet deliberately used this illusion of movement and stillness to further exaggerate the majestic water potential. The two verbs "floating" and "moving" are used extremely well, making the scenery in the poet's writings move.

"On a good windy day in Xiangyang, I stayed drunk with Shan Weng." Shan Weng, that is, Shan Jian, was born in Jin Dynasty. "Book of Jin·Biography of Mountain Slips" says that he once served as a general in the southern expedition and guarded Xiangyang. The local Xi family's garden has a very beautiful scenery, and Shan Jian often goes to the Xi family pond and returns home drunk. The poet wants to get drunk with the mountain slips and show his love for Xiangyang's scenery. This emotion is also integrated into the previous scenery description, which is full of positive and optimistic emotions.

This poem shows us an ink landscape painting with elegant colors, fresh style and beautiful artistic conception. The layout of the picture reflects the contrast between far and near, and alternates density and density. In addition, simplicity controls complexity, freehand form, light brushwork and light ink. It also blends emotions with the scenery and has an optimistic mood, which gives people a beautiful enjoyment. Yin Fan, a contemporary of Wang Wei, said in "The Collection of Heroes in Heyue": "Wei's poems are beautiful and elegant, with new ideas and pleasant ideas. They are pearls in the spring and painted on the wall." This poem can well reflect this feature.