How to evaluate the cooperative stage "Ordinary Road" and "Big Fish" between Charlie of Hunan Satellite TV and Fang Jinlong, a master of Chinese music?

Charlie, Hunan Satellite TV, and Fang Jinlong, a leading Chinese musician, have collaborated on the stage of Ordinary Road and Big Fish! Fang Jinlong and Charlie chose these two very interesting songs together. One is a very modern pop song with light rock elements, Pu Shu's "Ordinary Road", and the other is an antique song "Big Fish" which is very ethnic and basically follows the tonality of national music. If you want to ask me how Big Fish is made, I can still have some ideas, but I really don't know how Ordinary Road is made with Pipa. But there is no doubt that this time the two handed over a very good answer sheet.

First of all, let's talk about the song "Ordinary Road". First of all, let's talk about the song "Ordinary Road". Just after listening to the live broadcast of this song, my friend said, "What ordinary road is this? Such a big arrangement should be called "Fan Lu", Van Versailles. I have to say that she has a point. The tune of the whole song is A major, and the range is A3 to A5. In fact, the arrangement of this song will be a little miscellaneous when listening to it live, but it will be much better to play back a single cut. Listen to it a few times, and you will find some smells.

The introduction of the whole song is very short, almost the same as the original song, and the opening is an electric guitar. Guitars with a little electrical delay are lazy. Then I received the main song and keyboard vocals. Charlie's voice was particularly clean and transparent in it, mainly because he chose a balanced mixed voice singing method in a high position, with a little breath and a little echo, which was very highway. Then the string turned once and became Fang Jinlong's pipa solo. I especially like this solo. There are strings in the back, which feels like running on an empty grassland road, and there will be flutes in the background. The combination of the short sound of pipa and melodious flute makes the whole level very clear, which makes you extremely immersed and intoxicated.

The transition between the main song and the chorus is very rich. The chord of the string is broken, and then the two pipa beats are connected, and then the percussion instrument pipa speaker is used as a drum to access Charlie's singing. Then when Charlie sang "The Sea", the pipa changed from drumming to playing with fingers, which was very silky with the strings, and then received the main melody part of the duet with Charlie. I have to say this chord change. The whole chorus of Charlie was sung in a high voice, which made me feel too lost and rootless during the whole listening. Originally, I thought Charlie would turn his chest and mix his voice in Seeing Ordinary, but he didn't. It was not until the last word "answer" that he turned around and mixed his voice. It was ... unexpected, but it was a surprise.

The next episode, in short, is that two teachers are playing. Under the theme of vocal accompaniment, Charlie began his singing, from A4 to A5. His singing is more popular this time. 123 3535353 The first sentence sings that his 3535353 basically slides up and down, which is very original and special. The next sentence, 6656 1'65653 123, is very ... like a phrase of pipa, which highly echoes the main track of pipa and makes people feel refreshed.

Then, in the second chorus, the first sentence "I once crossed the mountains and seas" was stressed. The strong chest sound really made people tired of listening, and then the whole contrast was weakened. But to be honest, if you can give the pipa a stronger radio this time, the effect may be better, because a pipa is harder than an orchestra. In fact, what I like best is the head sound processing of the sentence "I am disappointed and lost all directions". Although it is round but not pointed, it is not the kind of penetrating treatment, but it is precisely because of this round that it is more different from the pipa and better integrated with the band, which is very nice.

Repeating the chorus of three paragraphs, really according to the strength of the band, not every paragraph is treated equally, but according to the output of the band's strength, adjusting the proportion of the first sound in the chest, complicated switching, and advancing layer by layer, pushing the whole song to a climax, and finally singing "This is the only way I must go", which is really convincing and has a strong sense of faith. Finally,

Then say "big fish" and then say "big fish" The song "Big Fish" has been sung hundreds of times, but there will still be different versions, which are often heard. This version of the pipa ensemble can be said to be among the top famous songs in so many scenes. The tune of this big fish is Db major, and the range is A3 to A#5. In addition to the arrangement of the live orchestra, the addition of pipa also makes the whole song more colorful.

Intro connects from drum to keyboard, then orchestra, then pipa. At first, it was a very grand design, and the whole intro chord was not the usual chord. Choose a darker chord attribute, which makes the whole introduction look darker. Then the main song was still the vocal piano, and then the big fish swam through the gap in the dream began to add speakers, then the pipa, and then the strings. Feel the waves coming to you. Charlie's acoustic decoration is really ethereal and not greasy at all. Then the lead singer will be a pipa solo, and there will be electric guitars and strings in the background, but the pipa is very prominent, and this passage has a good listening sense. Among them, Charlie's singing also played a good role in embellishment. I really like his long-line singing! Beautiful lines, beautiful head sounds, never tire of listening.

After receiving the chorus, Charlie's singing style became more and more obvious. That's why I especially like the orchestra's Big Fish. The orchestra can well show the vastness and profundity of the sea. Pipa in the whole chorus is more like the waves stirred by a big fish flying, with one long and one short, one static and one moving, and I can only say the word "beauty". Then Charlie made a strong chest sound in the last word "underwater", even with a tenor tone, which was very gorgeous and catchy.

Intermittently connected to the electric guitar and pipa, the solo sentences of the two instruments are completely different, but they are very harmonious here. Then Charlie's vocal singing actually has a tone change here, turning to E key, and the overall melody line is 2' 3' 2'1'7671'2' 765323671.

Then go straight back to the Db key, and the weak chorus goes straight back to the Db key. I don't want to say how strong Charlie's control is. G#5 plunged directly into F4 and began to sing feebly, which was really careless, but you can always trust Charlie, who can have such fine and terrible control. This time, Big Fish has a new big fish tail besides a more expressive chorus. In version 4.0, in addition to the popular version 3.0 of A#5, there is also a pipa ending chorus, which is so fast that I can hardly hear it clearly. The ending melody is: 3' 2' 3235656656.

If the matching of ordinary roads is 1+ 1=2, then the big fish is really 1+ 1 on my side, which is much greater than 2. If a person really makes music, we can hear it. This time, two sincere musicians are together, and the sparks are gorgeous, just like a bird blowing into the sky. The surging vitality will always make me cry and be moved by it.