How to evaluate the plagiarism of songs in the fifth season of "The Voice of China"?

First of all, I am a die-hard Nightwish fan. I felt really uncomfortable when I heard that contestant on The Voice sing.

In fact, it is a very common phenomenon in the music industry to use the music of other songs and then fill in new words. If nothing else, I will say that many of Teresa Teng’s classic songs use the music of Japanese musicians and then fill in the words. It is sung with lyrics. Personally, I don’t think this method is plagiarism in the true sense. When I hear the good melody of a foreign language song, I hope to promote the good works in my own country, so I choose to fill in the words of my own language. I think it is also a good method. Gao Xiaosong said in "Xiao Shuo" that Chinese people are not good at composing music naturally, but the technique of writing lyrics is too strong. I suggest the subject to read that issue of "Xiao Shuo". Maybe what he said is a bit biased, but maybe he is really right. . . .

What is really annoying is not such borrowing, but that after borrowing, it does not come up with good things. If you listen to the original version of "Walking in the Air" by nightwish and compare it, it is not difficult to find that the original version is obviously It's countless times better. Even if you don't understand the meaning of the words, you can still feel the ethereal feeling of walking on the clouds. Especially the stronger drum beat added in the second part reminds people of the protagonist walking faster and faster or even running. First of all, the artistic conception of Wang Feixue's song does not match the lyrics and melody, and to be honest, the singing skills are too different from the original version. Tarja, the lead singer of nightwish, is a real college graduate, and can easily handle both bel canto and pop. . . So it’s not impossible to use other people’s music to write lyrics, but you have to make a work that’s not inferior to the original, and even has its own characteristics. . .